Concert Band - Digital Download SKU: AX.00-PR-0005284 Score. Arranged by Charles Sayre. Jazz. Score. 40 pages. Alfred Music - Digital Sheet Music #00-PR-0005284. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005284). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1418391 Composed by Erik Saite. Arranged by Andrew Middleton. 20th Century. 71 pages. Andrew Middleton #999957. Published by Andrew Middleton (A0.1418391). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Three Gnossiennes for Orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.

Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden    The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.

Brass Ensemble Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.979556 Composed by Lisa Lenke Sousa. 20th Century,Concert,Contemporary. Score and parts. 12 pages. Lisa Lenke Sousa #6201007. Published by Lisa Lenke Sousa (A0.979556). Originally in 1993 and revised for a brass trio in 2020, Times of Change is an advanced work that involves a combination of different time signatures. These times signatures include those of 10/8, 3/8, 4/4, 3/4, 7/8, and 5/8. Times of Change is 1 minute and 57 seconds long and is an excellent edition as a recital or concert piece.

Piano Solo - Level 4 - Digital Download SKU: A0.950577 Composed by Kathi Kerr. Instructional,Jazz,Pop,Romantic Period. Score. 27 pages. Melody Music Publishers #6516717. Published by Melody Music Publishers (A0.950577). Here are 12 original piano songs volume 1 for the late intermediate student and pianist that offer specific learning tools. Each song in this volume starts with a rundown from the composer, Kathi Kerr, on what is taught and what to watch for. Key signatures range from D, A, and F major and D minor. Rhythm includes whole, half, dotted half, quarter, and eighth notes and rests. Time signatures include 4/4, 3/4, 6/8, and 2/2 or cut time. If you're wanting to improve your reading and technique skills, these songs will do just that!

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.563990 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Concert,Spiritual,Wedding. Score and parts. 18 pages. Austin Ralphson #5801505. Published by Austin Ralphson (A0.563990). Satie wrote a set of three Gnossiennes for the piano right at the end of the 19th Century. Always one to challenge convention, he invented the word 'Gnossienne' especially for theses pieces - it has no other meaning. He also decided to notate the pieces without key signatures, time signatures or even bar lines and I have decided to do the same here in this arrangement. The piece gradually unfolds in a kind of trance-like hypnotic ambiance; this arrangement features the melody in all parts, starting unusually in the bass.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.957848 Composed by Thamar Juan Tyson. Christian,Contemporary,Standards. Octavo. 18 pages. T.J.T. Music Productions #2025441. Published by T.J.T. Music Productions (A0.957848). A very vibrant, expressive and high quality work, Sanctus, Sanctus, Sanctus is a versatile SATB work. Set in Five-four Time, the driving rhythm in the male voices provide a catchy and memorable undercurrent to the off-beat duet part in the female voices. This work is suitable for intermediate to advanced choral ensembles in search of a very challenging and upbeat work. The accents in the four voices create a rhythmic shift between Five-four and Ten-eight time signatures. As a result, choir directors, particularly in high school, college and university settings will be able to instruct and assist their choral students with understanding the conceptual relationship and shift between Five-four and Ten-eight time signatures, while reading rhythmically in Five-four Time. The rhythmic feel is sure to become natural and second nature to choirs that have the opportunity to experience this dynamic and exciting work. This work also can assist high school choral directors with introducing, and teaching their choirs to understand and perform music written with Latin text in a very contemporary style.

Concert Band - Digital Download SKU: AX.00-PC-0017087_P1 Piccolo. Arranged by Charles Sayre. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_P1). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Organ - Level 2 - Digital Download SKU: A0.1460779 By The computer. By Unknown. Arranged by Manuela Rosa. Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Manuela #1039678. Published by Manuela (A0.1460779). Für Orgel manualiter bzw. Piano gesetzt, geeignet für den Gottesdienstder Schwerpunkt liegt auf einfachem Notensatz als Begleitung für die singende Gemeindedrei Tonarten (F, Es, G-Dur)Audiobeispiel wurde computergeneriertdrei Textvarianten; der Text im aktuellen Gotteslob kann aus urheberrechtlichen Gründen nicht abgedruckt werdenhier gibt es eine Sammlung von Marienliedern aus dem Gotteslob: Sheetmusicdirect Sheetmusicplusweitere Marienlieder aus dem Gotteslob und der Betenden Gemeinde: Sheetmusicdirect Sheetmusicplusgesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.organ sheet music with text, manualiter; religious song; german; Gotteslob 521for church servicesmultiple key signaturesversions in three key signatures (F, Eb, G major); engraved with Lilypondaudio sample generated by computerWhy engrave with Lilypond? Computer engraved music looks somehow sterile.LilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.

Piano Solo - Level 2 - Digital Download SKU: A0.509244 Composed by Janice Malan. Children,Instructional,Standards. Score. 4 pages. Janice Malan #14745. Published by Janice Malan (A0.509244). Minuet and Trio This song for piano is in 3/4 time and has a key and time change in the middle returning to 3/4 at the end. The song gives experience in changing from the key of G to C and back to G. The time changes from a minuet to a 4/4 trio and back to a minuet. This is a perfect song to introduce classical music to your students. The varying time signatures and key signatures makes this an interesting piano piece to talk about minuets and songs with more than one movement. Enjoy.

B-Flat Clarinet,Cello,Viola,Violin - Digital Download SKU: A0.1116845 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. 48 pages. Steven Mark Kudlo #718499. Published by Steven Mark Kudlo (A0.1116845). About 13 1/2 minutes long of intermediate difficulty, this composition smiles. It's in six movements, each movement dipping into three general styles: pandiatonic, expressionistic, and common practice tonality (regular music). Its overall tone is neoclassic, using minimal techniques to provide a satisfying experience. The clarinet is for a B-flat model; it gets at least adequate time to breathe. The string parts are fairly easy, though on one occasion the cello bounces around a bit. There are some varied time signatures that might be too challenging for very young people. There are a variety of key signatures. The composition is tonal.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.554008 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Folk,World. Score and parts. 25 pages. RayThompsonMusic #6455715. Published by RayThompsonMusic (A0.554008). Romanian Folk Dances  Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures.This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):

Concert Band - Digital Download SKU: AX.00-PC-0017087_T3 3rd B-flat Trumpet. Arranged by Charles Sayre. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017087_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017087_T3). UPC: 029156662757.The Dave Brubeck Quartet literally broke the ice regarding odd time signatures with their recordings Time Out and Time Further Out. Today, the ability to play in all time signatures is in every musician's repertoire. Charles Sayre skillfully combines Take Five, Unsquare Dance, and Blue Rondo a la Turk to take us back to when it all began. This is a magnificent medley! (4:40).

Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.    While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.    In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.