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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.726149 Composed by B.F. White. Arranged by Todd Marchand. 19th Century,Christian,Folk,Sacred. Octavo. 5 pages. Con Spirito Music #6733809. Published by Con Spirito Music (A0.726149). “God is Love: Let Heav’n Adore Him†pairs a text by the Welsh Anglican bishop Timothy Rees (1874-1939) with the 19th-century American hymn tune BEACH SPRING, attributed to Benjamin Franklin White (1800-1979), compiler and editor of the influential Sacred Harp hymnal.Quick to rehearse, yet satisfying to perform and moving in its effect on listeners, this lovely anthem expresses assurance in God’s boundless love, from His creation of the world (v. 1) to His love for “ev’ry child of ev’ry race†(v. 2) to His ultimate triumph over sin and death. Verses 1 and 2 are assigned to unison women’s and unison men’s voices, respectively. Then, following a modulation upward, the concluding verse 3 is sung by all voices in unison, with 4-part harmony at the peak of the verse before drawing to a peaceful, unison close. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
God is Love, Let Heav'n Adore Him - SATB voices, piano
Chorale SATB

$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download SKU: A0.900403 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637513. Published by Gustavo Fuentes (A0.900403). Ivory Angel. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The Celtics strongly believed in the elements of nature. They believed that animals, plants and even rocks had a life and a spirit. And they considered trees to be the most important elements. Trees symbolized life: the roots were in the Underworld, the branches in the Otherworld and the trunk in the Middle Earth. Trees gave the Celtics wood to build homes and weapons and to shelter them from the cold. They also shielded them from the sun with their shadow. Trees gave them fruit to eat and they lodged birds, the messengers of the Gods, in their branches. Trees protected people’s spirits and so each person was assigned a sacred tree according to their date of birth.Even today we still have spirits and objects that protect us. In the case of artists, their own art is often their protector. The title of this song refers to the ivory angel, the piano, however, this song is dedicated to all the instruments that help us express ourselves and prevent us from being lonely, silent or forgotten. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Los celtas creían profundamente en los elementos de la naturaleza. Los animales, las plantas y hasta las rocas tenían su propia vida y espíritu. Y entre estos elementos, el más importante eran los árboles. Para los celtas los árboles eran un símbolo de vida, con sus raíces en el Inframundo, las ramas en el Supramundo y el tronco en la Tierra Media. Les entregaban su madera para construir viviendas y armas, los abrigaban del frío con su leña y los protegían del sol al dar su sombra. Les daban sus frutos que servían de sustento y resguardaban a los pájaros, mensajeros de los dioses. Eran protectores del espíritu, y cada persona tenía su árbol protector según el momento del año en que hubiera nacido.En nuestros tiempos, algunos también tenemos espíritus u objetos protectores. Entre los artistas, es en muchos casos nuestro propio arte, representado en los músicos por nuestro instrumento. Y si bien el ángel de marfil se refiere al piano, esta melodía está dedicada a los instrumentos que nos ayudan a expresarnos, y que nos protegen de la soledad, del silencio y del olvido.
Un ángel de marfil (Ivory Angel), Celtic Song by Gustavo Fuentes

$4.99 4.26 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1097844 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 10 pages. RayThompsonMusic #701789. Published by RayThompsonMusic (A0.1097844). Arranged wind QUINTET: New Natural Horn in F created. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1.
Beethoven: Wind Trio in C Major Op.87 Mvt.II Adagio - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$7.95 6.78 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1094155 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 7 pages. RayThompsonMusic #698261. Published by RayThompsonMusic (A0.1094155). Originally written for 2 oboes and cor anglais, I have added additional double reed parts: Parts are 1. Oboe 1 2. Oboe2/Cor anglais 3.Cor Anglais/Bassoon Score shows oboe/cor and bassoon Mp3 is oboe/cor and bassoon. The Wind Trio for two Oboes and English Horn in C major, Op. 87 is a trio composition by Ludwig van Beethoven written in 1794, shortly after he arrived Vienna. Because amateur performers would gather in unusual permutations of players, this Trio was quickly arranged for many other combinations of instruments: versions exist for two violins and bass line, two flutes and viola, two clarinets and bassoon, as a sonata for violin and piano, and in various piano settings. . In 1806, Beethoven approved an arrangement (not by him) for two violins and viola, which was published that year. It was assigned the misleadingly-high opus number of 87, which would seem to place it near the Seventh Symphony; in fact, this music was written before Beethoven had published his Opus 1. . This is the 3rd Mvt. (Menuetto and Trio).
Beethoven: Wind Trio in C Major Op.87 Mvt.III Menuetto and Trio - double reed trio (Ob.,C.A.,Bsn.)
Violon et Piano

$14.95 12.75 € Violon et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1512466 By Francesco Leone. By Pietro Mascagni. Arranged by Francesco Leone. Classical. 22 pages. Glissato Edizioni Musicali #1087487. Published by Glissato Edizioni Musicali (A0.1512466). Dive into the timeless beauty of Pietro Mascagni's Intermezzo from Cavalleria Rusticana, now masterfully arranged for Woodwind Quintet by Francesco Leone. This intermediate-level adaptation brings the lush, emotional depth of Mascagni's operatic masterpiece to the rich and varied palette of the woodwind ensemble, offering a unique opportunity for musicians to explore this beloved piece through a new sonic lens.This comprehensive eBook includes the full score and a complete set of parts for seven instruments: Flute, Oboe, Bb Clarinet, F French Horn, Bassoon, with alternative parts for Bb Bass Clarinet (substituting for Bassoon) and Eb Horn. This thoughtful inclusion ensures versatility and adaptability for different ensemble configurations, allowing groups to tailor the performance to their unique strengths and tonal preferences.An essential addition to any woodwind quintet's repertoire, this arrangement not only challenges intermediate players to refine their technical and ensemble skills but also invites them into the dramatic and emotional world of Mascagni's opera. The arrangement captures the essence of the original Intermezzo while showcasing the distinct colors and textures of each woodwind instrument, creating a rich, immersive listening and playing experience.Accompanying the musical score, the eBook features informative pages in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These resources provide valuable insights into the history of Cavalleria Rusticana, and the significance of the Intermezzo within the operatic canon, making this eBook an invaluable resource for both educational purposes and personal exploration.Whether for performance, study, or sheer enjoyment, this arrangement of Intermezzo for Woodwind Quintet is a must-have for woodwind musicians eager to broaden their repertoire with high-quality, emotionally compelling music that spans the realms of classical opera and chamber music.-Holzblasinstrumente-Noten, partitions pour instruments à vent en bois, partituras para instrumentos de viento-madera, partituras para instrumentos de sopro de madeira, spartiti per strumenti a fiato in legno, tahta nefesli çalg?lar için notalar, nuty na instrumenty d?te drewniane, noter for treblåseinstrumenter, noter för träblåsinstrument, ???? ??, ??????? -.
Woodwind Quintet sheet music: Intermezzo (score & parts)
Francesco Leone
$16.99 14.49 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1502478 Composed by Cecil Frances Alexander. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 16 pages. Jmsgu3 #1078262. Published by jmsgu3 (A0.1502478). Once in Royal David's City is an essential and beloved Christmas carol for several reasons:Historical significance: The hymn was written in 1848 by Cecil Frances Alexander as part of a collection called Hymns for Little Children. The traditional opening of a famous service: Since 1919, this carol has been prominent as the opening processional hymn for the Festival of Nine Lessons and Carols, held on Christmas Eve at King's College Chapel, Cambridge. The BBC World Service and American Public Media broadcast this service worldwide, giving the hymn global exposure.Unique performance tradition: At King's College, the first verse is traditionally sung as a solo by a boy chorister, chosen by the choirmaster just moments before the service begins. This adds an element of anticipation and showcases young talent.Theological content: The hymn tells the story of Christ's birth and childhood, emphasizing His divinity and humanity. It connects the nativity story to broader Christian theology, making it both a narrative and a teaching tool.Musical qualities: The tune IRBY, composed by Henry John Gauntlett, is widely regarded as beautiful and memorable. Despite its relative simplicity, it has been praised for its intimate scale and inspired melody.Widespread use: Beyond its famous use at King's College, the hymn has become popular in churches of various denominations worldwide, especially during Christmas services.Cultural impact: The hymn has become deeply associated with Christmas in many English-speaking countries, evoking nostalgia and religious sentiment for many listeners. In essence, Once in Royal David's City is essential not just for its content but for its role in Christmas traditions, its educational value, and its ability to connect people to the holiday's religious aspects through music.
Once in Royal David's City for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 29.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1489644 Composed by Welsh Traditional. Arranged by James M. .Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 14 pages. Jmsgu3 #1066516. Published by jmsgu3 (A0.1489644). Deck the Halls is a traditional Christmas carol with a rich history and cultural significance:Origin and Melody: The melody of Deck the Halls is derived from a Welsh tune called Nos Galan, which dates back to at least the 16th century. The carol's melody was initially associated with Welsh New Year's Eve celebrations.Lyrics: The English lyrics were written by Scottish musician Thomas Oliphant in 1862. These lyrics were published alongside the original Welsh lyrics in a collection of Welsh melodies.Cultural Context: Originally, Nos Galan was a competitive Welsh drinking song. Participants would take turns singing verses around a fire during New Year's Eve gatherings. The transition from a New Year's song to a Christmas carol occurred when the English lyrics were adapted to focus on Christmas themes.Meaning and Usage: The phrase deck the halls means to decorate for Christmas, traditionally with boughs of holly and other festive adornments. The term deck in this context means to decorate or adorn, and it is derived from the Middle Dutch word dekken, meaning to cover.Variations and Adaptations: Over time, the lyrics have been adapted in various ways, including changing the words to reflect different cultural or religious contexts, such as replacing Christmas with Yule or Yuletide.Overall, Deck the Halls is a beloved carol that combines elements of Welsh tradition with Victorian-era English lyrics, celebrating the festive spirit of the holiday season.
Guthrie: Deck the Halls for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 29.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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