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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.958397 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Octavo. 3 pages. David Warin Solomons2 #3680127. Published by David Warin Solomons2 (A0.958397). Scored for male chorus (alto, tenor, baritone and bass), Surrender was created as a gift for Stevens and premiered as part of the 2007 Delian Suite No. 3 (May 2007). Ford's setting is based on quintal harmonies in which chords are constructed in perfect fifths (instead of the usual thirds), a technique which imbues the music with an austere, timeless quality. The movement consists in a series of choral statements in homorhythmic chordal style of the word surrender in its original and successively truncated forms, with each statement followed by an elucidating observation made by the altos. In this manner, the significance of the poem, which evokes the dissolution of the ego center, is clearly communicated. The lone letter s, which is ultimately all that remains of the word surrender, is here prolonged to imply the sound of a distant wave or gentle gust of wind-the action of emptiness. The final line of the poem is not sung but calmly spoken.
Surrender for male chorus
Chorale SATB

$10.00 8.58 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1444760 Composed by Tim Burnaman. Arranged by Jon Arterton. Folk,Historic,Pop,Praise & Worship,Spiritual. 10 pages. Tim Burnaman #1024637. Published by Tim Burnaman (A0.1444760). This great uptempo song honors Dr. Martin Luther King, Jr.'s work and legacy. Your singers will love singing this piece, and your audiences will be moved by the song's significance. His words are as relevant today as ever. How we doin’, Dr. King, taking care of your dream, honoring your legacy, letting love show the way with beauty and grace, eyes open to see with non-violent resistance, with prayers for peace in ev’ry place. You worked for freedom and justice for the whole human race..
How We Doin' Dr. King?
Chorale 3 parties

$2.35 2.02 € Chorale 3 parties PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR   First movement - Astronomical Space   Synopsis   Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays.    Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy.   This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion.   Analysis   This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers.  The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4.   The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic.   Conversely, the intervals descend in similar fashion.       French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B.  The piece ends with the French horn performing the same motif at the beginning of this movement.         Second Movement - Celestial Bodies   Synopsis   Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space.     This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes.   The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B.   The music gradually unveils the each axis of the motion in which the astronomi.
Interstellar
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$5.00 4.29 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Score and parts. 40 pages. Sophia Transistor #6275113. Published by Sophia Transistor (A0.851130). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for trombone quartet (or any 4 voices notated in bass clef in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trombone t-bone brass players. Breething signs and spaces are included. Page changes are mainly during breaks.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as trombone in C on 5 pages in DIN-A4.2nd voice as trombone in C on 5 pages in DIN-A4.3rd voice as trombone in C on 5 pages in DIN-A4.4th voice as trombone or bass trombone in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/XP8sB87veKIGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Posaune notiert in C im Bassschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Posaune angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Wenn man umblättern muss, dann meistens an Stellen, wo man Pause hat.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Posaune in C auf 5 Seiten in DIN-A4.2. Stimme als Posaune in C auf 5 Seiten in DIN-A4.3. Stimme als Posaune in C auf 5 Seiten in DIN-A4.4. Stimme als Posaune oder Bassposaune in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c'' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Posaunen-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictrom.
To Boldly Go

$17.01 14.6 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.808565 Composed by Sergei Rachmaninoff. Arranged by Joshua Chandra. 20th Century,Classical,Instructional,Romantic Period,Standards. Score. 29 pages. Joshua Chandra #5771199. Published by Joshua Chandra (A0.808565). I'm always very happy to hear from my customers and open to sheet music requests! https://www.joshuachandra.com • josh@joshuachandra.comRevised, pianistic accompaniment-only orchestral reduction of Sergei Rachmaninoff's Piano Concerto No. 2 in C Minor, based on Rach's own, original arrangement.Need the accompaniment to only part of the concerto? Movement 1: Sheet Music Plus / Sheet Music Direct Movement 2: Sheet Music Plus / Sheet Music Direct Movement 3: Sheet Music Plus / Sheet Music Direct Movement 1's list of improvements: Removed pickup to m. 79 Adjusted downbeat bass octaves in mm. 166, 168, 174, & 176 Set treble clef one bar earlier to m. 177 Movement 2's list of improvements: Respelled all instances of quarter-notes-tied-to-eighth-notes as dotted quarter notes Respelled original bass upper voice in mm. 55-86 as lower treble voice Replaced bass octaves with tremolos in mm. 63-68 and 87-92 Respelled bass harmonics in m. 120 Integrated flute + clar. into one staff in mm. 148-158 Movement 3's list of improvements: Adjusted m. 16 to include orchestral score's treble run Added accent to bass in m. 21 and staccato dots to mm. 104-119 (as per 308-323) Respelled inner note durations in mm. 70-71 and enharmonics in mm. 310 & 354-365 Omitted m.d. instruction & bass rests in m. 106; adjusted voicing in mm. 118-119 & 322-323 Condensed/removed superfluous diminuendo signs in mm. 251-253, 275; fixed slur in mm. 400-401 Added octave indicators & fingering/sostenuto pedal suggestions where appropriate
Rachmaninoff Piano Concerto No. 2 in C Minor - Orchestral Reduction Only (all movements)
Piano seul

$5.00 4.29 € Piano seul PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.733070 Composed by Orion R. Farrar. Arranged by Marc Oliver. Contemporary. Score and parts. 34 pages. Ayotte Custom Musical Engravings #2989161. Published by Ayotte Custom Musical Engravings (A0.733070). From the arranger: There is a personal reason why I transcribed this particular march. Back in the late 1960s, competition for high school marching bands in Southern California consisted only in street parades. The prevailing organization (the Southern California School Band and Orchestra Association, or SCSBOA) through its adjudicators, judged a marching band both by how it marched in a parade, and by how much of a symphonic sound they can generate from the street. Drum majors, majorettes, signs and flag corps were also judged, but the band and its competition march was the focal point. In the fall of 1967, I was a sophomore at East Bakersfield High School, and our competition march was Bombasto.
Bombasto
Orchestre d'harmonie

$59.99 51.49 € Orchestre d'harmonie PDF SheetMusicPlus

Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802652 By Bee Gees. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 13 pages. Peet du Toit #6198683. Published by Peet du Toit (A0.802652). New York Mining Disaster 1941 is the debut American single by the British-Australian pop group the Bee Gees, released on 14 April 1967. It was written by Barry and Robin Gibb.Barry and Robin Gibb wrote the song while sitting on a darkened staircase at Polydor Records following a power cut. The song recounts the story of a miner trapped in a cave-in. He is sharing a photo of his wife with a colleague (Mr. Jones) while they hopelessly wait to be rescued. According to the liner notes for their box-set Tales from the Brothers Gibb (1990), this song was inspired by the 1966 Aberfan mining disaster in Wales. According to Robin, there actually had also been a mining disaster in New York in 1939, but not in 1941, and he thought New York sounded more glamourous.In the second and third verses, the lyrical lines get slower and slower, as if to indicate that life is about to end for the miners.The darker sounds of the Flügelhorn, harmonised by the French Horn, depict the dangerous alleys of death miners are facing every day. A potential fatality is lurking every day. The sustained notes of the muted trumpet and the trombone symbolise the sirens and alarms down under - as warning signs.  The simple bass drum effect denotes the time that goes by during the unknown and the working pace. The tuba part suggests moving forward, despite the daunting situation.I hope to have captured some of the context and story in this arrangement by a super group. Enjoy!
New York Mining Disaster 1941
Bee Gees
$18.00 15.45 € PDF SheetMusicPlus

SATB choir (choir divisi) unaccompanied - Difficult - Digital Download SKU: MQ.8894-E Composed by David Conte. 15 pages. E. C. Schirmer Music Company - Digital #8894-E. Published by E. C. Schirmer Music Company - Digital (MQ.8894-E). English.“Madrigals for the Seasons†was composed especially for Cappella SF, Ragnar Bohlin, conductor. The theme of Longfellow’s great poem “Snow-flakes†is human loss and grief. The poetic structure is reflected in the musical phrase structure, with the resolution withheld until the end of each stanza. The mournful harmonies sung on a wordless syllable often accompany the main melodic line in various sections of the choir, who intone the full text. The mood of the madrigal is intensely sorrowful, as the speaker searches the sky for signs of God’s presence in the face of his grief.
Snow-flakes from "Madrigals for the Seasons" (Downloadable)
Chorale SATB

$2.85 2.45 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.791033 Composed by Jack Judge & Harry Williams. Arranged by Kevin P Holdgate. 20th Century,Traditional. Score and parts. 16 pages. Kevin P Holdgate #4889981. Published by Kevin P Holdgate (A0.791033). Versatile Brass 'Óld Time Favourites' CollectionIt's a Long Way to Tipperary is a British music hall song written by Henry James Harry Williams and co-credited to Jack Judge. Originally it was credited as written by Jack Judge and co-credited to Henry James Harry Williams. It was allegedly written for a 5-shilling bet in Stalybridge on 30 January 1912 and performed the next night at the local music hall. Now commonly called It's a Long Way to Tipperary, the original printed music calls it It's a Long, Long Way to Tipperary. It became popular among soldiers in the First World War and is remembered as a song of that war.Welcoming signs in the referenced county of Tipperary, Ireland, humorously declare, You've come a long long way... in reference to the song.This is a very simple arrangement for Brass Ensemble playable by all levels of player.
It's a Long Way to Tipperary - (10 piece Version)
Ensemble de cuivres

$12.99 11.15 € Ensemble de cuivres PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1436419 By Yanni. By Yanni. Arranged by Karya Sucipta. New Age,Pop. Score. 5 pages. Karya Sucipta #1016532. Published by Karya Sucipta (A0.1436419). The song (piano solo) To Take...To Hold is equipped with fingering signs/fingering numbers. The piano solo is very popular of all time and is often played by Yanni at his concert events. Suitable for learning in schools, music institutions and others. Enjoy playing this musical masterpiece from Yanni which is very beautiful, soft, sweet and peaceful. Thank You.Lagu (piano solo) To Take...To Hold dilengkapi dengan tanda Jari. Piano solo yang sangat populer sepanjang masa dan sering dimainkan oleh Yanni dalam even kosernya. Cocok untuk dijadikan pembelajaran di sekolah, institusi musik dan yang lainnya. Selamat memainkan maha karya musik dari Yanni yang sangat indah, lembut, manis dan mendamaikan ini. Terima Kasih.
To Take..to Hold
Piano seul
Yanni
$5.50 4.72 € Piano seul PDF SheetMusicPlus






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