SKU: A0.917837

About the Arranger:

Natalie Spehar is a genre-bending acoustic and electric cellist that has shared the stage with major artists including Disturbed, Cage the Elephant, 2 Cellos, Josh Groban, Michael Bublé, Sarah Brightman, Dessa, Amy Grant and Michael W. Smith, Johnny Mathis, Michael Bolton, Il Volo, Charly Bliss, Japanese Breakfast, Amanda Palmer and the Trans Siberian Orchestra. She is also an active session musician, working most recently with RCA Records and Red Parade Music and composing and recording material for numerous film and theatre productions. Natalie's ALT-C Alternative Cello Workshop Series is available online worldwide. For more info, please visit www.nataliespehar.com.

SKU: A0.917839

About the Arranger:

Natalie Spehar is a genre-bending acoustic and electric cellist that has shared the stage with major artists including Disturbed, Cage the Elephant, 2 Cellos, Josh Groban, Michael Bublé, Sarah Brightman, Dessa, Amy Grant and Michael W. Smith, Johnny Mathis, Michael Bolton, Il Volo, Charly Bliss, Japanese Breakfast, Amanda Palmer and the Trans Siberian Orchestra. She is also an active session musician, working most recently with RCA Records and Red Parade Music and composing and recording material for numerous film and theatre productions. Natalie's ALT-C Alternative Cello Workshop Series is available online worldwide. For more info, please visit www.nataliespehar.com.

SKU: A0.506269

Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see� is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.

SKU: A0.1284795

Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.
Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see� is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.

SKU: A0.1077888

This is an advanced arrangement of Copacabana for flute and classical guitar. The flute takes the melody throughout and therefore works as a solo part. The flute part is embellished in places for added flare using extended techniques such as bends and glissandi. This arrangement is advanced in playing level making this a very fun concert repertoire piece. The full score and parts are also available separately. Follow the link to a full performance on YouTube, or contact me directly for further information at simon@dawsonmusic.co.uk. www.dawsonmusic.co.uk.

SKU: A0.1077874

This is an advanced arrangement of Copacabana for flute and classical guitar. The flute takes the melody throughout and the guitar accompanies. The flute part is embellished in places for added flare using extended techniques such as bends and glissandi. The guitar part is arranged using traditional Latin American rhythmic patterns and incorporates percussive techniques which are explained in the score. Both parts are therefore advanced in playing level making this a very fun concert repertoire piece. The flute part is also available separately. Follow the link to a full performance on YouTube, or contact me directly for further information at simon@dawsonmusic.co.uk. www.dawsonmusic.co.uk.

SKU: A0.1098127

About the Arranger: Natalie Spehar is a genre-bending acoustic and electric cellist that has shared the stage with major artists including Disturbed, Cage the Elephant, 2 Cellos, Josh Groban, Michael Bublé, Sarah Brightman, Dessa, Amy Grant and Michael W. Smith, Johnny Mathis, Michael Bolton, Il Volo, Charly Bliss, Japanese Breakfast, Amanda Palmer and the Trans Siberian Orchestra. She is also an active session musician, working most recently with RCA Records and Red Parade Music and composing and recording material for numerous film and theatre productions. Natalie's ALT-C Alternative Cello Workshop Series is available online worldwide. For more info, please visit www.nataliev.com.