2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757068 Composed by James Hook. Arranged by Simon Peberdy. Baroque,Children,Classical,Instructional,Standards. Score. 4 pages. Simon Peberdy #3690565. Published by Simon Peberdy (A0.757068). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 2-3 standard, so a great introduction to playing music for 2 pianos.This piece comes from Easy Pieces for 2 Pianos Book 4, the fourth in a series of 5 books.Video of all of Book 4: https://youtu.be/lwNeO_YaBEIFor more compositions and arrangements, please visit www.simonpeberdymusic.com(The mp3 recording is a computer generated one at the moment).

2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.757056 Composed by James Hook. Arranged by Simon Peberdy. Children,Instructional,Standards. Score. 6 pages. Simon Peberdy #3681133. Published by Simon Peberdy (A0.757056). One of a series of classics in new arrangements, with a new additional piano part by Simon Peberdy. Piano II is the original piece. The pieces are of grade 3 standard, so a great introduction to playing music for 2 pianos.This piece appears (with separate piano parts too) in the collection 5 Easy Pieces for 2 Pianos Book 2 arranged by Simon Peberdy, a second book in a series of 5.For more compositions and arrangements, please visit www.simonpeberdymusic.comVideo of all of Book 2: https://youtu.be/WvSNEp_eq-wThe mp3 is a computer generated one at the moment, I'm afraid.

Composed by James Hook (1746- 1827). Arranged by Simon Peberdy. Children, Classical, Instructional, Standards. Score. 4 pages. Simon Peberdy #3689671. Published by Simon Peberdy

Composed by Haydn. Mozart, James Hook (1746-1827), George Frideric Handel (1685-1759), and Johann Valentin Rathgeber. Arranged by Simon Peberdy. Baroque, Children, Classical, Instructional, Standards. Score. 30 pages. Simon Peberdy #3681143. Published by Simon Peberdy

Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 2 - Digital Download SKU: A0.1171358 Composed by Monty Norman. Arranged by Dawson Music UK. 20th Century,Contemporary,Film/TV. 19 pages. Dawson Music UK #771697. Published by Dawson Music UK (A0.1171358). This arrangement of Monty Norman’s classic James Bond Theme is scored for flute choir comprising piccolo, flute 1, flute 2, alto flute and bass flute. The main melodies are shared between the upper voices and all parts are of an easy to intermediate level. This is a great concert piece, fun to play and an audience favourite! Follow the link to a sample audio recording or contact me directly for further information at simon@dawsonmusic.co.uk.www.dawsonmusic.co.uk.

Piano Accompaniment, Flute, Choir, SSA - Advanced Intermediate - Digital Download Composed by James Lord Pierpoint. Arranged by Simon Walters. Swing, Christmas. 36 pages. Published by Simon Walters

Acoustic Guitar,High Voice - Level 4 - Digital Download SKU: A0.1105672 By Simon James, Daniel Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Full Performance. Duration 208. DML #708890. Published by DML (A0.1105672). The Song Of The Birds - El cant dels ocells is a traditional Catalan Christmas song and lullaby. It tells of nature's joy at learning of the birth of Jesus Christ in a stable in Bethlehem. The song was made famous outside Catalonia by Pau Casals' instrumental version on the cello. This version has the famous melody, with an original accompaniment written by Simon James on Classical Guitar, for solo voice. The lyric is the English one used b Joan Baez on her Christmas album Noel (1966).

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.928249 Composed by Traditional Irish, Simon James. Arranged by Simon James. Celtic,Contemporary,Romantic Period. Score and parts. 4 pages. DML #5314939. Published by DML (A0.928249). Love Is Pleasing - this traditional Irish song exists in many versions but this one is based on a version recorded at Kilrush Fleadh Cheoil, County Clare in the Summer of 1967. The singer was a young Dolly Mac Mahon singing unaccompanied at the bar of the pub, the melody is beautifully decorated and I have borrowed some of her ideas. The lyrics are a fusion of various versions but adapted to suit a male singer. The guitar accompaniment is an original work by Simon James.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.928248 Composed by Lyric Thomas Moore, Simon James, and Turlough O'carolan. Arranged by Simon James. Celtic,Contemporary,Romantic Period. Score and parts. 4 pages. DML #5314933. Published by DML (A0.928248). Oh Banquet Not – the lyric is by Thomas Moore set to the very famous tune Planxty Irwin written by Ireland’s most famous harper Turlough O’Carolan. Because the tune is so beautiful the first page is a guitar solo incorporating the tune before the voice joins in. Like much of Moore’s poetry there is a sadness to the words imbued with the sadness of Ireland’s turbulent history. The guitar arrangement is an original work by Simon James

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.928247 Composed by Irish Traditional, Lyric Thomas Moore, and Simon James. Arranged by Simon James. Celtic,Contemporary,Romantic Period. Score and parts. 3 pages. DML #5314909. Published by DML (A0.928247). The Last Rose of Summer is a poem by the Irish poet Thomas Moore set to a traditional tune called Aislean an Oigfear, or The Young Man's Dream. The poem and the tune together were published in December 1813 in volume 5 of Thomas Moore's A Selection of Irish Melodies. The guitar accompaniment is an original work by Simon James.

Guitar - Level 2 - Digital Download SKU: A0.1120784 By Simon James. By G. F. Handel. Arranged by Simon James. Baroque,Chamber,Christian,Christmas,Contemporary. Full Performance. Duration 91. DML #721999. Published by DML (A0.1120784). A popular Christmas carol, the tune usually used today is from an 1848 edition by Lowell Mason for The National Psalmist (Boston, 1848). There has long been speculation over how much a part Handel's Messiah had in Joy to the World. However, resemblances between Messiah and Joy to the World, have been dismissed as 'chance ' by Handel scholars today. It seems likely that the tune as we know it was probably from an 1833 publication by Thomas Hawkes with the title “Comfort�, Author Unknown. I have combined Handelian elements with the tune that most people know to create an arrangement that works well for guitar quartet retaining the bounce and vigour of the carol. Score available.

Small Ensemble - Level 4 - Digital Download SKU: A0.1113262 By Simon James, Daniel Thomas, Matthew Thomas. By Traditional Catalan. Arranged by Simon James. Christian,Christmas,Classical,Contemporary,Traditional. Score and parts. 14 pages. DML #715207. Published by DML (A0.1113262). Catalonia has a great tradition of Christmas carols, rather like Austria. They are secular songs in general, intended to be sung by anybody at any time during the Christmas period and not specifically for use in church. According to the writer Joan Amades (1890-1959), who was curator at the Museu D’Industries I Arts Populars in Barcelona, these Christmas songs were sung by shepherds at the doors of the churches on Christmas Eve, some of the melodies date back to the 15th century. This is a full score of all three carols for reference purposes.

Guitar - Level 2 - Digital Download SKU: A0.1143138 By Simon James. By Joan Cererols. Arranged by Simon James. Baroque,Chamber,Christmas,Classical,Contemporary. 18 pages. DML #743497. Published by DML (A0.1143138). Joan Cererols (1618 – 1680) was a Spanish composer and Benedictine monk. Cererols was born in Martorell. He entered the choir school Escolania de Montserrat around 1626. Cererols took his first steps in music under the direction of Father Joan Marc, a famous organist. He is known today chiefly for a single villancico, the beautiful marizápalos a lo divino - Serafín que con dulce armonía . The marizápalos was a song with a special harmonic pattern that often served as a framework for improvisation. This arrangement is for guitar quartet and solo guitar (Guitar 5). The quartet parts are easy, the solo guitar part is more challenging. The piece is fascinating, at times a dialogue between the solo guitar and the quartet but at other times the quartet splits into two giving a dialogue between three groups.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.928253 By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Simon James. Pop,Rock. Score and parts. 5 pages. DML #5371643. Published by DML (A0.928253). Released 1992 on the album ‘Automatic For The People’ and ranked No 31 in Q Magazine’s 1001 Best Songs Ever the track has enjoyed considerable success and been covered a number of times. In the liner notes of the album In Time: The Best Of REM 1988-2003, REM’s guitarist Peter Buck writes that the reason the lyrics are so atypically straightforward is because it was aimed at teenagers, and I've never watch ‘Buffy The Vampire Slayer’, but the idea that high school is a portal to hell seems pretty realistic to me. It’s a wonderfully simple song to play but less easy to sing convincingly. As with Eternal Flame a simple second guitar part can be added by strumming the chords on the off beats (beat 2 & 4). Although the guitar part is scored in 6/8 which makes it easier to read, the song is really a slow 4 to a bar, one bar per chord. This arrangement is from The Art Of Accompaniment On The Guitar by Simon James.

Solo Guitar - Level 3 - Digital Download SKU: A0.1147461 By Simon James. By Simon James. Classical,Contemporary,Instructional,Multicultural,World. Individual part. 6 pages. DML #747697. Published by DML (A0.1147461). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both. This piece is based on the simple idea of an A major chord, a D major7 chord and an E9 chord in 5th position played with an unusual right hand pattern giving a time signature of 10/8. Don’t panic, if you play the right hand pattern correctly, as indicated, it automatically comes out correctly. You will find all the techniques you need in my book The Art Of Accompaniment On The Guitar. I have given considerable technical guidance both in fingering and the use of different strings as these pieces are intended to be instructional. The score is available on Sheet Music Plus and Sheet Music Direct.