Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1369689 Composed by Johann Sebastian Bach. Arranged by Charles Francois Gounod and L. Müller. Baroque,Christian,Classical,Religious,Sacred. Score. 5 pages. Müller Publishing company #954053. Published by Müller Publishing company (A0.1369689). How about unleashing your beautiful voice and interpreting one of the greatest classics that uplifts our soul? With the arrangement of Gounod's Ave Maria, specially crafted for a soloist with piano accompaniment, you can do just that!With this arrangement, the soloist can shine in the main part, while the pianist provides an immersive harmony. The result is a captivating interpretation of Ave Maria that will enchant everyone who listens.This arrangement is an excellent choice for solo singers and pianists, offering a rewarding way to explore and enhance musical skills. Get the digital sheet music for Gounod's Ave Maria now and start creating a unique and thrilling musical experience!

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.812099 Composed by George Frideric Handel. Arranged by Laura Chegwidden. Baroque,Concert,Graduation,Wedding. 40 pages. Laura Chegwidden #3468130. Published by Laura Chegwidden (A0.812099). Handel wrote 3 suites of Water Music, of which the D major suite is the second. It contains the famous Alla Hornpipe in D, along with four other movements, including a Minuet, Lentement and Bourree, along with one unlabelled movement. It is a fantastic example of a Baroque Orchestra suite written by one of the Masters of Baroque Music and is ideal for events like weddings, school concerts or functions. It functions easily both as a concert piece and background music for events like wedding receptions.The arrangement goes for approx. 6 min not including repeats. This purchase includes a score and parts for all performers; violin 1, violin 2, and cello. It would work best for players of an intermediate to advanced level. It is set in the key of D major, which is the original key that the suite was written in.Laura Chegwidden is a pianist, cellist, double bassist and singer from Newcastle Australia. She recently graduated with distinction  from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/

String Orchestra - Level 3 - Digital Download SKU: A0.734481 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. Score and Parts. 15 pages. Chicory Music #5955811. Published by Chicory Music (A0.734481). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in D concert for String Orchestra / Quartet plus Optional Drum Set at the Intermediate Level.Performance time: approx. 3 minutes.

Concert Band - Level 5 - Digital Download SKU: A0.1505900 Composed by Gioachino Rossini. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period,Singer/Songwriter. 95 pages. Edition Schwalbe #1081280. Published by Edition Schwalbe (A0.1505900). La Danza is a song with lyrics by Carlo Pepoli, a poet and democratic politician of the Italian Risorgimento. Gioacchino Rossini composed the music 1835  originally for solo voice and piano. It is part of his song cycle Les soirées musicales with twelve pieces by various poets. This version was orchestrated and  arranged in the key of A minor as prefered by prominent tenors like Luciano Pavarotti. It was commissioned and first time performed by Mozarteum Wind  Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2017 at the Grosses Festspielhaus  (Large Festival Hall) in Salzburg, Austria. The solo part was sung by Thai born tenor Nutthaporn Thammathi. A live recording of this concert is available at  https://www.salzburg-windphilharmonic.at/de/viva-litalia/ or  https://www.jpc.de/jpcng/classic/detail/-/art/viva-l-italia/hnum/10428716?iampartner=303&subid=umr12&ref=partner.jpc.de . A pure orchestral version in G minor has been published by the arranger at https://tirolmusikverlag.at/La-Danza-Tarantella-Napoletana. It has also been  recorded by Mozarteum Wind Philharmonic Salzburg at https://www.salzburg-windphilharmonic.at/de/le-rendez-voud-de-chasse/ .

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522399 Composed by Rusty Goodman. Arranged by Paul A. Jorg. A Cappella. Octavo. 4 pages. Paul A. Jorg #6077019. Published by Paul A. Jorg (A0.522399). This arrangement is for 4 part male harmony (TTBB) a cappella.Here is a synopsis by Wikipedia of Rusty Goodman's musical background. He composed Who Am I? in 1965 and was actively singing within two weeks of his passing.Charles F. Rusty Goodman (September 2, 1933 – November 11, 1990) was an American singer/songwriter in the Southern Gospel Music industry. He was a prolific composer whose many songs included Standing in the Presence of the King, Leavin' On My Mind, Home, John the Revelator, Touch the Hand of the Lord, Had it Not Been I Believe He's Coming Back Look for Me and Who Am I? His songs have been covered by many of the top artists in the music industry including Elvis Presley, The Imperials, J. D. Sumner & The Stamps Quartet, The Speers, The Happy Goodman Family, Michael English and Gaither Vocal Band.

Concert Band - Level 2 - Digital Download SKU: A0.1325828 By Paul Barker. By Richard Wagner. Arranged by Paul Barker. 19th Century,Classical,Contemporary,Contest,Festival. 34 pages. Paul Barker Music #914020. Published by Paul Barker Music (A0.1325828). The Mastersingers Overture is a powerful arrangement of Wagner’s famous Die Meistersinger von Nürnberg in our Classical Concert Series for Grade 2+ Flexible Instrumentation, Orchestras and Ensembles of all sizes. Perfect as a dramatic concert opener/finale or as a festival showpiece. Performance Recording MP3 is also available from here.                                                                                                              The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band Instruments, Keyboards and percussion.Level: Early Bands - Grade 2+Duration: 2:40Occasion: General Concert - Main Showpiece - Opener/Finale - Competitions - FestivalsInstrumentation: Flex-Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band Instruments, Keyboards & Percussion    

Concert Band - Level 2 - Digital Download SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1004068. Published by Simone Orsini (A0.1422717). BORN THIS WAY performed by Lady GagaFor Concert Band - Performance Time 3:40 - Digital DownloadComposed by Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe LaursenArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongos, Cowbell) El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Born This Way is a song by American singer Lady Gaga, and the lead single from her second studio album of the same name. Written by Gaga and Jeppe Laursen, who produced it along with Fernando Garibay and DJ White Shadow, the track was developed while Gaga was on the road with the Monster Ball Tour. Inspired by 1990s music which empowered women, minorities, and the LGBT community, Gaga explained that Born This Way was her freedom song. It was also inspired by Carl Bean and his song I Was Born This Way, released in 1977. She sang part of the chorus at the 2010 MTV Video Music Awards and announced it as the lead single from the album, released on February 11, 2011.The song is backed by rumbling synth sounds, a humming bass and additional chorus percussion, with sole organ toward the end. The lyrics discuss the self-empowerment of the LGBT community and racial minorities. Critics positively reviewed the song, calling it a club-ready anthem. In 2023, Rolling Stone named Born This Way the Most Inspirational LGBT Song of All Time. It reached number one in over 25 countries and was her third single to top the US Billboard Hot 100 chart and the 1,000th song in that chart's history (since 1958) to reach number one. Born This Way has sold 8.2 million copies worldwide, making it one of the best-selling singles of all time.Nick Knight directed the accompanying music video, which was inspired by surrealist painters like Salvador Dalí and Francis Bacon. Gaga is depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video's references to the work of Madonna, Michael Jackson and fashion designer Alexander McQueen, as well as to Greek mythology and surrealism.Gaga performed the song at the 53rd Annual Grammy Awards after coming out of an incubating vessel. Shortly after, she added it to the setlist of the last leg of the Monster Ball Tour. Born This Way was later performed on television shows, such as Saturday Night Live, Dick Clark's New Year's Rockin' Eve and Good Morning America, many of the singer's tours, and it was notably part of her Super Bowl LI halftime show set. The song was treated with different remixes, including a Country Road version recorded by Gaga herself and another by Indian production duo Salim–Sulaiman. It has been covered by artists such as Alice Cooper, Madonna, and Katy Perry.

Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.  

Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Concert Band - Level 2 - Digital Download SKU: A0.1325811 Composed by Matt Aitken, Mike Stock, and Peter Waterman. Arranged by John Ivor Holland. 20th Century,Disco,Film/TV,Pop. 46 pages. John Ivor Holland #914002. Published by John Ivor Holland (A0.1325811). Step Back in Time is a song by Australian singer Kylie Minogue from her third studio album, 'Rhythm of Love' (1990). It was released as the album's second single (following 'Better the Devil You Know') on 22 October 1990, written, arranged, and produced by the powerhouse team of Stock, Aitken and Waterman. Considered one of her best singles, the song charted well across the world - an accompanying music video was directed by visual artist Nick Egan, which paid homage to 1970s culture and figures. Since its release, Step Back in Time has been used in several media including an appearance in the 2013 British comic science fiction film The World's End. Available for concert band for the first time, turn back the clock and relive the glory days of disco, paying tribute to the legendary Kylie along the way.

Instrumental Solo,Tin Whistle - Level 2 - Digital Download SKU: A0.1359232 By Bob Dylan. By Bob Dylan. Arranged by songbooks.info. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Individual part. 4 pages. Songbooks.info #943691. Published by songbooks.info (A0.1359232). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was adapted for the Tin Whistle / Penny Whistle in D and provided with fingering images. These images are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Blowinâ?? in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelinâ?? veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Tin Whistle / Penny Whistle in D adaptiert und mit Griffbildern versehen. Diese Griffbilder werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaÃ? auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel SpaÃ? beim Musizieren...!

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928570 Composed by Beethoven's Wig, Richard Perlmutter. Arranged by Clifton J. Noble Jr. Children,Classical,Instructional,Romantic Period,Standards. Score. 52 pages. Beethoven's Wig, Inc. #6383983. Published by Beethoven's Wig, Inc. (A0.928570). Inspired and wildly imaginative, Beethoven's Wig Sing Along Symphonies are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. Each piece is carefully arranged for piano so that it’s fun to play and sing along!GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words?  - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS Beethoven’s Wig (5th Symphony, Beethoven), Sing Verdi Very Loud (La donna é mobile, Verdi), Drip Drip Drip (Pizzicato from Sylvia, Delibes), Bull In A China Shop (Toreador Song from Carmen, Bizet), Haydn’s Great Surprise (Surprise Symphony, Haydn), King and Queens of England (Trumpet Tune in D, Purcell), Stuck In The Saddle Again Light Cavalry Overture, von Suppé), Forever We’re Marching (Washington Post March, Sousa), Tchaikovsky’s Cannonball, Tchaikovsky), Midnight Snack (Habanera from Carmen, Bizet), Can You Can Can? (Can Can, Offenbach), Wow! What A Wedding Cake! (Wedding March, Mendelssohn    

Concert Band - Level 3 - Digital Download SKU: A0.1452088 Composed by Emanuel, Quirino Monteiro, Santiago Ferraz, and Waldir Luz. Arranged by John Ivor Holland. 20th Century,Holiday,Multicultural,Pop,World. 43 pages. John Ivor Holland #1031404. Published by John Ivor Holland (A0.1452088). Pimba is a Portuguese genre of music with an uptempo style and folk song qualities, usually featuring corny, romantic or saucy and vulgar lyrics, over fairly simple chords, making it great for parties. The Portuguese word 'pimba' by itself means a 'quick, unexpected event'; a loose translation could be the English word 'bang' (or wham!) In the context of Portuguese music, the genre was christened after this song, 'Pimba Pimba', released by singer Emanuel in 1995. Always present in local festivities and holidays of villages and towns across the entire country, that are often connected with religious holidays in honour of a patron saint of a local community, almost always in the Summer, Pimba singers also became a must in several major university and college festivals or festivities, so this chart, retaining the original key of the hit song, is sure to be a hit and get your audiences up dancing!

Piano Solo - Level 2 - Digital Download SKU: A0.976612 Composed by Peter de Mets. Contemporary. Score. 3 pages. Peter de Mets #5723093. Published by Peter de Mets (A0.976612). I composed this piano solo and dedicated it to my good friend, Jane Messinger Boyle. The piece is based on an original tune I wrote in high school.

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus� at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus� became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.