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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octavo. 69 pages. Thomas Oboe Lee #31009. Published by Thomas Oboe Lee (A0.869218). Program note.The greatest challenge of the Stabat Mater text is to figure out how to set twenty stanzas of pain and suffering without making it all sound too depressing. So, before I began composing, I looked at a number of scores and recordings of Stabat Mater by various composers: DesPrez, Palestrina, Pergolesi, Boccherini, Vivaldi, Haydn, Dvorak, Rossini, Poulenc, Szymanowski, Penderecki, et al. It was fascinating to see what each composer did with regard to text setting: the variety of musical textures from movement to movement, different approaches to the use of fast or allegro music to offset the mood of the text, solo versus choral sections, etc. Each composer took a very personal and creative approach to the task. It was a fascinating study! After weeks of listening and scrutinizing, I decided to divide the twenty-stanza text into six sections. It is my hope that the end result is formally coherent and emotionally affecting.I. Lento Stabat Mater dolorosa â?¦II. Allegro Cuius animam gementem â?¦    O quam tristis et afflicta â?¦    Quae moerebat et dolebat â?¦III. Recitativo Quis est homo qui non fleret â?¦      Quis non posset contristari â?¦     Pro peccatis suae gentis â?¦     Vidit suum dulcem natum â?¦IV. ModeratoEia Mater, fons amoris â?¦     Fac, ut ardeat cor meum â?¦     Sancta Mater, istud agas â?¦     Tui nati vulnerati â?¦     Fac me vere tecum flere â?¦     Iuxta cruce tecum stare â?¦     Virgo virginum praeclara â?¦     Fac, ut portem Christi mortem â?¦V. Prestissimo Fac me plagis vulnerari â?¦     Inflammatus et accensus â?¦     Fac me cruce custodiri â?¦VI. Moderato Quando corpus morietur â?¦     Amen.Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/stabat-mater-2002Video link: https://youtu.be/_ApUlmSb4Ho
Stabat Mater (2002) for SATB chorus and organ
Chorale SATB

$9.99 8.51 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.987696 Composed by E.F.J. Fagan. Contemporary,Romantic Period. Score. 13 pages. Erin Fagan #19217. Published by Erin Fagan (A0.987696). My Ballade in F minor remains one of my largest works for piano in terms of scope. A single theme dominates the work in a Romantic style which returns throughout the work amid other sub themes that bolster the piece and heighten the Romantic flair I tried to capture throughout. The work is a 13 pages in length and around 9-10mins in performance. All directions on the score are in standard Italian but I leave the pedaling open to the performer's interpretation, it is however a rather heavy work so do not worry about over indulging in the sustain pedal. I give no metronome marks as I believe strongly in the artistic licence one can take with the Italian directions, also that if one follows them well enough that they will be more than adequate.
Ballade No. 4 in F minor Op. 58 No. 4
Piano seul

$10.00 8.52 € Piano seul PDF SheetMusicPlus

Clarinet, viola, piano - difficult - Digital Download SKU: S9.Q42473 Five pieces in fairy-tale style for clarinet, viola and piano. Composed by Joerg Widmann. This edition: score and parts. Narrative - fairy tale - fairy tales - Robert Schumann - depth psychology. 5 Stücke im Märchenton für Klarinette, Viola und Klavier. Downloadable, Score and parts. Duration 29 minutes. Schott Music - Digital #Q42473. Published by Schott Music - Digital (S9.Q42473). As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like ‘Once upon a time …’ and ‘… they all lived happily ever after’. Fairy tales were however also a source of unrest for me as a seismograph of mankind’s underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann’s Märchenerzählungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work – despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal … [Once upon a time …] to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jörg Widmann.
Once upon a time...

$46.99 40.04 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1102291 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Country. 18 pages. RayThompsonMusic #705695. Published by RayThompsonMusic (A0.1102291). Beethoven Country Dances Beethoven wrote 12 Country Dances WoO14 for orchestra .(composed 1791 - 1802.) They are all quite short: some have trios. Douze Contredanses (Fr.) or Zwölf Contretänzes (Ge.) They are probably better known as a set of 3 piano pieces called Contre-Tanzes which are noted frei bearbeitet von Isidor Wilhelm Seiss (freely adapted by Isidor Wilhelm Seiss) Arrangements of those pieces are available on this site. I have arranged the first six dances by Beethoven for wind quintet. I have used Beethoven’s natural horn parts as a guide for my horn part, so each dance has a horn part for a different natural horn. I also include a horn part in F This arrangement is of dances 1 to 6. Also available as individual pieces. Some of the dances have parts for clarinet in A.(I have included a clarinet in Bb part for those cases) Dances are as follows, with melody instruments listed No.1in C major (Hn in C basso) Melody flute/oboe No.2 in A major (Hn in A)( Clt in A) Melody oboe No.3 In D major (Hn in D)( Clt in A) Melody clt, fl, ob) No.4 in Bb major (Hn in Bb alto) Melody Clarinet No.5 in Eb major (Hn in Eb) Melody horn/clarinet No.6 in C major (Hn in C basso) Melody Flute/Clarinet.
Beethoven: Zwölf Contretänzes (Twelve Countredances) WoO 14 Nos.1 - 6 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$9.95 8.48 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music #4795863. Published by Renee Allsbrook Music (A0.915827). Looking for the perfect song for your Christmas Eve service? As music director and pianist at my church, I was too! So one year I decided to write this one. Perhaps the ideal way to present this song is with a soloist who is joined by a choir of adults (or children!) singing in unison on the second and third choruses--emulating a choir of angels. When used this way, this song provides an easy way to stretch your rehearsal time at the Christmas season, as the choir can easily participate, yet there is no learning of extra parts. Brimming with worship of the Christ Child from the very first lyric, Heaven's Here to Stay begins by quietly evoking the atmosphere of the stable. When the chorus arrives, the jubilant singing of the angels arrives as well: Glory in the highest, for the Peace of heaven comes to earth! Glory in the highest--Hope itself was born in Jesus's birth. For Death is dying, Fear is cowering, Light is chasing Night away. The burning love of heaven's here to stay. The second verse takes us from the manger scene to the hills of Judea, where we hear Jesus's words: Come, you weary ones to me, I will give you rest. Trade your tattered rags for my robes of purest white. Come, you hungry, eat, be satisfied. You're all need, but I'm all giving; be still and just receive.  The PDF contains parts in this order: 1.Voice/Piano full score in C   2.Violin part in C    3.Lead Sheet in C    4.Lead Sheet in D   5.Violin part in D   6.Piano/Violin/Voice full score in C.  
Heaven's Here to Stay (Vocal Solo/Piano, opt. Choral Unison, Opt. Violin)
Chorale Unison

$4.99 4.25 € Chorale Unison PDF SheetMusicPlus

Guitar,Voice - Level 1 - Digital Download SKU: A0.1135338 By Heather Nova. By Heather Nova. Arranged by Maja Roedenbeck. Pop,Singer/Songwriter. Guitar Tab with Voice. 4 pages. Maja Roedenbeck #735385. Published by Maja Roedenbeck (A0.1135338). This is an easy to play and sing fingerpicking, chords and vocals version of Heather Nova's most beautiful song, Everything Changes. Check out also the fingerstyle solo guitar version I offer! I just saw Heather live in Berlin on Nov. 14th 2022, not knowing much about her music before the gig (tickets were a gift). And now I'm absolutely thrilled by this angelic voice and soul-touching song and surprised there was no transcription available on Sheet Music Plus, yet. My music sheet refers to this recording: https://www.youtube.com/watch?v=KQ3g1pRwFkE. I uploaded a Musescore audio export of the guitar tab | music sheet on Youtube so you can hear what you'll get: https://youtu.be/UPQ7P-9FL-8. What's your favorite Heather Nova song?
Everything Changes
Guitare notes et tablatures
Heather Nova
$4.99 4.25 € Guitare notes et tablatures PDF SheetMusicPlus

Percussion Quartet Marimba - Level 3 - Digital Download SKU: A0.1346074 Composed by Michael Mollo. 21st Century,Chamber,Classical,Contemporary,Latin. 48 pages. Michael John Mollo Publishing #930927. Published by Michael John Mollo Publishing (A0.1346074). This tune started in Cincinnati as an experiment with a large jazz ensemble for which i had the pleasure of writing. It was a lot of fun and we got a decent recording of the original arrangement. The tune stayed with me for many years in the back of my mind. When my son showed an interest in mallets, I was reminded of this tune and thought it would translate well to a percussion ensemble. So here I present ‘aji molido’ named after the hot chili flakes for which my son and I share an affinity.
ají molido

$35.00 29.82 € PDF SheetMusicPlus

Clarinet - Digital Download SKU: A0.1103918 By József Dávid. By David Warin Solomons. Chamber,Classical,Jewish. Full Performance. Duration 256. David Warin Solomons #707202. Published by David Warin Solomons (A0.1103918). This work is based on 4 melodies by Telemann but with many additional augmented-second twists, in Jewish music style, and various decorations. The original melodies are: Herr wie lange (Lord, how long) This is a canon for two voices based on the psalm text and forms the beginning and end of the work Herr, wie lange willst du mein so gar vergessen, wie lange verbirgest du dein Antlitz vor mir! Lord, how long you forget me how long will you hide your face from me The other pieces are based on Telemann's settings for voice and keyboard of poems by his contemporary Daniel Stoppe Glück - (Happiness) Das glücke kömmt selten per posta, zu pferde es geht zu fusse, schritt vor schritt; sein eigensinn ist nicht zu zwingen; Happiness seldom comes by post or on horseback It goes on foot step by step It does not demand compulsion Jeder sein eigener Richter (Each his own judge) Ich will vor meiner thüre kehren; ich habe gnug für mich zu thun; ich kenne mich, ich bin kein engel; ein jeder mensch hat seine mängel, wer diese tilgen will, darf lebenslang nicht ruhn. I will turn from my doors I have enough for myself to do I know myself, I am no angel Every person has his faults Anyone who wishes to wipe them out Can never be at at peace all his life Wind (Wind) Wind macht aus thoren kluge leute; durch wind verdient der narr sein brodt: The wind makes fools into clever folk The fool earns his bread by the wind.
Telemensch for solo clarinet (mp3)
Clarinette
József Dávid
$5.50 4.69 € Clarinette PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova  *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.)  *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
Glacier Bay - String Trio (vn-vn-vc)
Trio à Cordes: violon, alto, violoncelle

$20.00 17.04 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015595 By Israel IZ Kamakawiwo'ole. By John Kamealoha Almeida. Arranged by Johnny Noble. Folk. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0015595. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015595). ISBN 9780739094228. UPC: 038081455204.Create a tropical soundscape by playing everybody's favorite Hawaiian traditional songs, island-themed standards, popular hits, and retro exotica novelties This practical songbook focuses on the songs and styles that today's audiences associate with Hawai'i, so they're guaranteed to entertain! The arrangements are for piano and voice, with basic chord fingering grids included for optional guitar accompaniment. Titles: 'Ama 'Ama (Israel Iz Kamakawiwo'ole) * 'Ulili E (Israel IZ Kamakawiwo'ole) * Aloha 'Oe (Farewell to Thee) (Elvis Presley) * Better Together (Jack Johnson) * Caravan (Arthur Lyman) * E Ku'u Morning Dew (Israel Iz Kamakawiwo'ole) * Hawai'i '78 (Israel Iz Kamakawiwo'ole) * A Hawaiian Like Me (Israel Iz Kamakawiwo'ole) * Hawaiian Roller Coaster Ride (Walt Disney's Lilo & Stitch) * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) (Bob Wills and His Texas Playboys) * The Hawaiian Wedding Song (Ke Kali Nei Au) (Elvis Presley, Andy Williams) * Henehene Kou 'Aka (Israel Iz Kamakawiwo'ole) * Ka Huila Wai (Israel Iz Kamakawiwo'ole) * Live a Little (Hawaiian Style) * Love Song of Kalua (The Brothers Cazimero) * Lovely Hula Hands (Don Ho) * Mele Kalikimaka (Bing Crosby) * Miserlou (Arthur Lyman) * My Little Grass Shack in Kealakekua, Hawai'i (Annette Funicello) * Over The Rainbow (Israel Iz Kamakawiwo'ole) * Panini Puakea (Israel Iz Kamakawiwo'ole) * Pearly Shells (Pupu A O 'Ewa) (Don Ho) * Pua Lane (Brother Noland) * Sweet Leilani (Bing Crosby) * Tiny Bubbles (Hua Li'i) (Don Ho) * What a Wonderful World (Israel Iz Kamakawiwo'ole) * White Sandy Beach (Israel Iz Kamakawiwo'ole).
Panini Puakea
Piano, Voix et Guitare
Israel IZ Kamakawiwo'ole
$3.99 3.4 € Piano, Voix et Guitare PDF SheetMusicPlus

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)

$15.00 12.78 € PDF SheetMusicPlus

Celtic Harp,Folk Harp,Instrumental Solo,Lever Harp - Level 3 - Digital Download SKU: A0.1493978 By Beka Wilson. By Beka Wilson. Contemporary,Folk,Multicultural,World. Individual part. 3 pages. Beka Wilson #1070588. Published by Beka Wilson (A0.1493978). I started writing this song in 2020, around when I began playing the harp more often and when I first started writing my own original pieces. It went through several iterations, but what started out as an experiment in mixolydian mode turned out to be a calming piece that celebrates just being still. So often we pack our schedules to the brim, and burn out trying to do all the things. Lately I've come to appreciate the value of just stopping to breathe, to pray, to just be in the moment. Sometimes the best music happens in the space between notes.   Length: approximately 3.5 minutes, 3 pagesLevel: late intermediate as written, early intermediate if you edit out the mordents and other ornamentations
In the Still and the Quiet--harp solo
Beka Wilson
$7.99 6.81 € PDF SheetMusicPlus






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