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Instrumental Solo - Level 3 - Digital Download SKU: A0.818236 By Stephen R Dalrymple. By Ralph E Hudson & Isaac Watts. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 10 pages. Stephen R Dalrymple #3098369. Published by Stephen R Dalrymple (A0.818236). At the Cross (Watts and Hudson)♫ by Isaac Watts (lyrics – 1701, refrain added by Ralph E. Hudson / music - HUDSON by Ralph E. Hudson 1855♫ arranged for piano solo Stephen R Dalrymple♫ Isaac Watt’s lyrics have been sung to at least 4 tunes in the 300 plus years since he wrote them.♫ I used some deliberate dissonance in the piano solo arrangement to follow the mood of the text. Although ‘At the Cross’ is usually sung with gusto, I kept the first several choruses simple and quiet to contemplate the wonder of the cross and the incredible effect it has in changing lives.♫ music © 1999 (copyright registered in 'Great God of Wonders, Sacred piano Arrangements.’)♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2024 Stephen R Dalrymple ♫ performed by the arranger♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @DalrympleDesigns.
At the Cross (Watts and Hudson) arranged for piano solo by Stephen R Dalrymple
Piano seul
Stephen R Dalrymple
$4.50 3.84 € Piano seul PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel Fauré for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the Opéra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la Société des Instruments à Vent, and, from 1893, as a professor at the Conservatoire. Fauré was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. Fauré decided to pass the orchestration of his incidental music for Maeterlinck's play Pelléas et Mélisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, Fauré complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
Flûte traversière et Piano

$5.00 4.27 € Flûte traversière et Piano PDF SheetMusicPlus

Cello - Digital Download SKU: S9.Q40682 For solo cello. Composed by Thomas Larcher. This edition: Sheet music. Cello Library. Downloadable. Duration 7 minutes. Schott Music - Digital #Q40682. Published by Schott Music - Digital (S9.Q40682). Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight line of motion. When I composed the piece, the fatal accident of Ayrton Senna came to my mind again and again – an accident which was shown on TV in slow motion again and again until it became unbearable. The fast motion of the car immediately before the crash into a concrete wall, a motion which was no longer purposeful but out of control and which had the car pulled to and fro and from side to side, was followed by that crash. In this extreme slow motion, it is no longer shown as a crash but as the fast telescoping of carbon fibre, metal and human body parts. After this crash, as a postlude so to speak, everything suddenly slowed down, tyres and automotive particles floating in the air, the torso of the vehicle swinging until the motion stopped. It was not until this moment that I realized that the whole presentation of the incident had been accompanied by paralyzing silence. - Thomas LarcherVier Seiten is a response to Ayrton Senna’s fatal car accident, portrayed in slow motion, as it was repeatedly shown on television at the time. In this poignant work, a violent fast section represents the crash, followed by a long epilogue, reflecting the apparent stillness of the immediate aftermath.
Vier Seiten
Violoncelle

$7.99 6.82 € Violoncelle PDF SheetMusicPlus

Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of Antonín Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
Violon et Piano
YO YO MA and Kathryn Stott
$7.99 6.82 € Violon et Piano PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download SKU: A0.931338 Composed by Antonio Vivaldi. Arranged by Alessandro Macrì. Baroque,Easter,Sacred. Score and parts. 21 pages. Music Macri Editions #6858985. Published by Music Macri Editions (A0.931338). Ritroviamo le donne dove le abbiamo lasciate la sera del Venerdì. Eccole all’alba del primo giorno della settimana. Ci accompagnano i racconti evangelici di Matteo, Giovanni e Luca. La musica cambia. Il silenzio del Venerdì lascia posto a una melodia che unisce malinconia e speranza. È la musica che Antonio Vivaldi immagina nella sua Sinfonia al Santo Sepolcro.Dopo aver percorso le tappe di Gesù verso Gerusalemme, dopo aver rivissuto la Passione e dopo aver intrapreso la Via Crucis percorriamo ora le tappe della Via Lucis attraverso gli incontri di Gesù Risorto con i suoi discepoli.Un angelo del Signore, sceso dal cielo, si avvicinò, rotolò la pietra e si pose a sedere su di essa. Il suo aspetto era come folgore e il suo vestito bianco come neve. Per lo spavento che ebbero di lui, le guardie furono scosse e rimasero come morte. L’angelo disse alle donne: «Voi non abbiate paura! So che cercate Gesù, il crocifisso. Non è qui. È risorto, infatti, come aveva detto; venite, guardate il luogo dove era stato deposto».
AL SANTO SEPOLCRO Sinfonia in Si minore RV 169
Ensemble de cuivres

$13.00 11.09 € Ensemble de cuivres PDF SheetMusicPlus

Organ - Level 3 - Digital Download SKU: A0.1258044 Composed by Phil Lehenbauer. Classical,Contemporary,Sacred,Traditional,Wedding. Score. 5 pages. Phil Lehenbauer #851282. Published by Phil Lehenbauer (A0.1258044). This original organ work has a joyful feel, almost like a march.  It could definitely be used like a trumpet tune, and will work as a prelude or postlude.  Even though it's in A major, it fits easily under the fingers, and was written and recorded on a two manual instrument, so don't be fearful that it's too difficult!  I dedicated the work to organist Lynn Mellinger Vera for all her kindness and in thanking her for all the works of mine she has played for services and recitals!  I truly appreciate it!
Voluntary in A, organ work by Phil Lehenbauer
Orgue

$3.50 2.99 € Orgue PDF SheetMusicPlus

Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324813. Published by Rebecca J. Wood (A0.996561). Hear 30 second clip, beginning at measure 1.  Arrangement about 1 min 30 secs performance time.  This arrangement has a surprise ending, so the title needs to be just Angels.  The chords bring wonderful emotions which climax at m 52, followed by the surprise ending, the heart-swell.  Could be done by YWIH, high school age girls or Women's Choruses.  Use for shows, but not for Competition.  Some churches might allow it for Mother's Day services.  Feedback would be appreciated.  After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song.  After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here.  Such a tear-jerker, I think!!
Angels, We Call Them Mothers Down Here

$1.99 1.7 € PDF SheetMusicPlus






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