French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1389329 Composed by Ramón Soler. Arranged by Edition Maulwurf. 19th Century,Romantic Period. 22 pages. Edition Maulwurf #972912. Published by Edition Maulwurf (A0.1389329). Ramón Soler (1853-1925)Dos Sardanasarrangement for horn quartet4 French hornsduration: ca. 7:30 min.grade: intermediate score and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition

Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.527650 Composed by C. Franck. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Sacred,Standards. 9 pages. Diego Marani #3062455. Published by Diego Marani (A0.527650). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the Feast of Corpus Christi as part of a complete liturgy of the feast, including prayers for the Mass and the Liturgy of the Hours.The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ, and incorporated it into his Messe à trois voix, Op. 12.This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.760557 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Classical,Easter,Sacred,Spiritual,Standards. Octavo. 10 pages. Raymond Fenech #5309895. Published by Raymond Fenech (A0.760557). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com

Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.760563 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Easter,Romantic Period,Sacred,Standards. Octavo. 9 pages. Raymond Fenech #5310049. Published by Raymond Fenech (A0.760563). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  

Bassoon,Piano - Level 3 - Digital Download SKU: A0.760574 Composed by Cesar Auguste Franck. Arranged by Raymond Fenech. Classical,Easter,Sacred,Spiritual,Standards. Score and part. 7 pages. Raymond Fenech #5311799. Published by Raymond Fenech (A0.760574). Panis angelicus (Latin for Bread of Angels or Angelic Bread) is the penultimate strophe of the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi as part of a complete liturgy of the feast. The strophe of Sacris solemniis that begins with the words Panis angelicus (bread of angels) has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp, cello, and organ. This arrangement is very ideal for Easter concerts. The level is Intermediate and the duration is 3.50 minutes.  

Easy Piano - Level 2 - Digital Download SKU: A0.1500575 By Aa. By Alexander Zuckowski, Alvaro Soler, Jakke Erixson, Nadir Khayat, and Simon Triebel. Arranged by Música al Piano. 21st Century,Pop. Score. 2 pages. Música al Piano #1076660. Published by Música al Piano (A0.1500575). Sofía by Álvaro Soler. Piano version.

Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età, come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.

Bassoon Solo - Level 1 - Digital Download SKU: A0.1471379 By Alberto Gonzalez. By Alexander Zuckowski, Alvaro Soler, and Simon Triebel. Arranged by Ivan Marini. 21st Century,Latin,Multicultural,Pop,World. Individual part. 2 pages. Www.dalsegno.eu #1049155. Published by www.dalsegno.eu (A0.1471379). High quality transcription for Bassoon (or other Bass Clef instrument) of the 2015 world hit by Alvaro Soler, in EASY KEY (half step higher than original), complete form.Also available for other instruments.Duration: 3' mins., 1 page.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu

String Trio - Level 3 - Digital Download SKU: A0.549171 Composed by César Franck (1822- 1890). Arranged by James M. Guthrie, ASCAP. Easter,Romantic Period,Standards. 13 pages. Jmsgu3 #3455883. Published by jmsgu3 (A0.549171). Musical Significance: Panis Angelicus is a well-known piece of music composed by César Franck. It is a verse from the hymn Sacris solemniis written by Saint Thomas Aquinas for the feast of Corpus Christi. Franck's composition of Panis Angelicus is particularly famous and recorded numerous times, making it one of his most enduringly popular works. Liturgical Context: The hymn Sacris solemniis was written by Saint Thomas Aquinas in the 13th century, and Panis Angelicus is the penultimate stanza of this hymn. It has often been set to music separately from the rest of the hymn, and Franck's setting for tenor voice, harp, cello, and organ is one of the most well-known. Performance History: Panis Angelicus has been performed at significant events, such as the royal wedding of Princess Eugenie and Jack Brooksbank, as well as the Requiem Mass for Robert F. Kennedy and Senator Edward Kennedy's Requiem Mass, where its beauty and emotional impact were particularly notable. Inclusion in Mass: Although known primarily as a stand-alone piece, Franck also included Panis Angelicus in his Mass for Three Voices, adding to its significance within the liturgical context. Panis Angelicus is significant for its musical beauty, historical and liturgical context, and emotional impact when performed at important events. Franck's composition of this hymn has secured its place as one of his most enduringly popular works.

Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com.

Guitar - Level 4 - Digital Download SKU: A0.1388330 By Avanti Guitar Trio. By Padre Antonio Soler. Arranged by Christopher Teves. Baroque,Classical. 13 pages. Christopher c teves #971927. Published by christopher c teves (A0.1388330). Bright and energetic Soler keyboard Sonata arranged for 3 guitars. Guitar 1 level is advanced while guitar 2 and 3 are intermediate. Arranged for the Avanti Guitar Trio, the arrangement works well for intermediate-advanced trios.

C Instrument - Level 1 - Digital Download SKU: A0.1110049 By Alvaro Soler. By Alexander Zuckowski, Alvaro Soler, Jakke Erixson, Nadir Khayat, and Simon Triebel. Arranged by juan carlos esteve / Gran Coda. Latin,Pop. Lead Sheet / Fake Book. 1 pages. Juan Carlos Esteve #712399. Published by Juan Carlos Esteve (A0.1110049). • Transcription of chords of the Sofia theme. • The download contains 1 page in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original tone: Bbm • Total number of bars: 82 • Degree of difficulty: Very easy • This score is set for playing with a group or band. • Contact here to play other scores: https://partiturasgrancoda.com/.

Solo Guitar - Level 5 - Digital Download SKU: A0.1017559 Composed by Padre Antonio Soler. Arranged by Stephen Tafra. Contemporary. Individual part. 20 pages. Stephen Tafra #6565325. Published by Stephen Tafra (A0.1017559). An advanced guitar duo arrangement of Solerâ??s epic Fandango.