Easy Piano - Level 1 - Digital Download SKU: A0.1393436 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Singer/Songwriter. Score. 1 pages. Rodrigo Faleiros #975714. Published by Rodrigo Faleiros (A0.1393436). Experience the beauty of Shania Twain's From This Moment On with our simplified piano arrangement, perfect for beginner pianists. Dive into the heartfelt melody as it gently unfolds, allowing you to focus solely on mastering each note and expressing the emotion of the music. Key Features: Beginner-Friendly Notation: Designed with novice pianists in mind, our arrangement features simplified notation, making it accessible for learners of all ages. Captivating Melody: Immerse yourself in the emotional depth of the melody as it flows gracefully through the keys, evoking feelings of love and romance. Perfect for Practice and Performance: Ideal for piano students honing their skills or for casual performances at home, recitals, or gatherings. Instant Digital Download: Start playing From This Moment On on the piano right away with our convenient PDF download. Whether you're just beginning your piano journey or looking for an accessible arrangement to enjoy, our simplified version of From This Moment On promises to bring joy and musical fulfillment to your practice sessions and performances.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983). With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.From Wikepedia:Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork. The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.

Solo Guitar - Level 3 - Digital Download SKU: A0.789392 Composed by Padre Antonio Soler. Arranged by Roberto García. Baroque,Classical,Standards. Individual part. 9 pages. Apt4guitar #3674827. Published by apt4guitar (A0.789392). Arranged for guitar duet.

Composed by Serge Di Mosole. 16 pages. Les Productions d'OZ - Digital #DZ 2177. Published by Les Productions d'OZ - Digital (ZZ.DZ-2177). - - - Les Productions d'OZ - Digital

Piano,Violin - Level 5 - Digital Download SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 19 pages. Keith Terrett #1026498. Published by Keith Terrett (A0.1446732). Liebesfreud for Solo Violin & Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.

Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).    CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!

Piano Solo - Level 4 - Digital Download SKU: A0.956284 Composed by Rowland Hugh Prichard. Arranged by Jennifer A. Henderson. Christian,Praise & Worship,Sacred. Score. 12 pages. ISFS Productions #6119653. Published by ISFS Productions (A0.956284). This piano arrangement is appropriate for church or devotional services (including as a musical number in sacrament meetings). It begins solemnly before shifting to a more flowing setting. The final verse is a triumphant reflection of Charles Wesley’s text: Changed from glory into glory, till in heav’n we take our place.

SATB choir and organ - Moderately Easy - Digital Download SKU: MQ.8370-E Composed by Edward Elgar and Stanley M. Hoffman. Arranged by Stanley M. Hoffman. Ordination, Ordination/Installation, Romantic, Vocation/Ministry. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8370-E. Published by E. C. Schirmer Music Company - Digital (MQ.8370-E). Latin. Ecclesiasticus 44:16-17.The words for Ecce sacerdos magnus by Edward Elgar (1857–1934) are from Ecclesiasticus 44:16–17. Also known as the Book of the All-Virtuous Wisdom (or simply the Book of Wisdom), Ecclesiasticus was written by the Jewish scribe Shimon ben Yeshua ben Eliezer ben Sira (also known as Jesus of Sirach) of Jerusalem. This volume of ethical teachings dates from around 200–175 BCE. Ecce sacerdos magnus is an antiphon and a responsory from the common of confessor bishops in the Liturgy of the Hours and in the Graduale Romanum, and the Epistle in their proper Mass. The responsory is for the festival of a confessor bishop, from the Liber Responsorialis juxta Ritum Monasticum, Solesmes, 1895. Since it is the second responsory of its nocturn, it does not have a half-doxology. The responsory ends with the repetition of the partial respond. Ecce sacerdos magnus has also been set to music by other composers including Anton Bruckner (1824–1896) and Jules Van Nuffel (1883–1953).

Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0.976877). 2017 Holiday Contest Entry* • .¸¸. ♫ Like a flower (Faust, powders and potions) ♫ • *'¯` * .¸¸. ♫ I seek peace, I want to light…   Is one of those days that the silence takes away   that last smile and dies in throat happiness   The old desires   resurface here and there   and move the dish intact   the food don't takes me away hunger     I would to be a flower   needs has never   the sun heats   the wind then lull it   the rain mixes with my tears that goes   my steps echo in the nothing of city     and while I walked in to the melancholy   with only my sad thoughts to keep me company   with the mind's eye   I had seen him already   beautiful in appearance, but in the heart the ice he has     It 's so much waiting for you but   I have eternity   it's true ,to have you tried  and you're back here,   you good acrobat, actress without identity   it is useless to run away, it is written in the DNA.   Do not you remember? but that good days   powders and concoctions   that filled your eternal empty   watched yourself  now   always the same   love, affection   is a life that you are looking for   Surrender and you'll see ....   here with me, no one in the world,   will can hurt you or harm you will do   damnation, pure invention   and heaven will remain empty   But do not you realize? you're out of time and out of place in this society   if you disappear at this instant   of your essence, what will be left?     Do-sol   do-sol   energy becomes infinite   Re- la   Re- la   and from the heart goes to the fingers   MI- si   mi- si   search keys, caresses them   and finally there is sweetness also for me     Do-sol   do-sol   so tired of being alone   re-la   re-la   fly music and consoles   mi-si mi-si   remove  also  this love too   and as a flower   without treatment, I wither     Stay with me   I want to light   Stay with me   I look for peace   like a flower that does not give answers   here with you there is no peace   here with you without light   like a flower   without the sun I will die     Sweetes.

Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale.   The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Chamber Music & Piano Accompaniment Soprano or Tenor Saxophone, Piano - Grade 3 - Digital Download SKU: FX.FX073728 Composed by Pascal Proust. Original Composition. Classical, Educational. Score and Set of Parts. 7 pages. Duration 3 minutes, 25 seconds. FLEX Editions - Digital Sheet Music #FX073728. Published by FLEX Editions - Digital Sheet Music (FX.FX073728). Some obsolete tunes coming straight out of an old photo album, for young instrumentalists from 4 or 5 years of instrument practice. - Pascal PROUST ; Instruments: 1 Soprano or Tenor Saxophone 1 Piano.

Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931280 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Graduation. Score and parts. 10 pages. Music Macri Editions #6359937. Published by Music Macri Editions (A0.931280). Nell’Inghilterra del XVII secolo la musica ha un ruolo importante nel teatro; canzoni e brevi pezzi per orchestra tengono desta l’attenzione del pubblico all’inizio e alla fine delle rappresentazioni e durante il cambio delle scene.Scritte nel 1695, l’anno della sua prematura scomparsa, le musiche di scena per Abdelazer, o La Vendetta del Moro sono l’ultima composizione di Henry Purcell in questo genere. La fosca tragedia di Aphra Behn, portata sulle scene nel 1676 senza musica, viene riproposta nel 1695 alla riapertura del Drury Lane Theatre. La vicenda di Abdelazer, principe moresco che per vendicare l’assassinio del padre cerca subdolamente di usurpare il trono di Spagna attraverso l’affetto della regina spagnola, viene introdotta da una solenne Ouverture in tonalità minore che ne evidenzia la drammaticità. La tragedia suscita pochi entusiasmi tra il pubblico che, peraltro, apprezza moltissimo le musiche di Purcell e soprattutto la canzone finale Lucinda is bewitching fair, affidata al cantante tredicenne Jemmy Bowen, che viene pubblicata immediatamente come Aria a sé stante; le musiche poi verranno pubblicate postume nel 1697 come suite per archi e basso continuo nella quale l’ordine dei movimenti è differente da quella adottata per l’esecuzione teatrale.La suite è formata da Ouverture, Rondeau, Air I & II, Minuetto, Air, Giga, Hornpipe, Air. Il Minuetto è un pezzo di particolare eleganza, ma è il Rondeau che ha assicurato alla suite fama duratura; questo movimento è alla base della celebre composizione di Benjamin Britten Guida all’orchestra per i giovani, Variazioni e fuga su un tema di Henry Purcell. Il Rondeau, poi, è stato utilizzato come tema per la serie TV della BBC del 1969 The First Churchills e come sottofondo musicale per gioco Intellivision Thunder Castle del 1986; lo troviamo anche nel film di Joe Wright Orgoglio e pregiudizio, eseguito durante il ballo a Netherfield.

Trumpet Duet Trumpet - Level 1 - Digital Download SKU: A0.1186163 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. Score. 3 pages. M das Melodias #785818. Published by M das Melodias (A0.1186163). Amazing Grace é uma música cristã que se tornou um hino popular em todo o mundo, e é frequentemente tocada em funerais, serviços religiosos e eventos solenes. A música foi escrita pelo poeta e clérigo anglicano John Newton no século XVIII, originalmente como um hino para o serviço dominical da Igreja da Inglaterra.Sheet Music for Trumpets Duet.A letra da música fala sobre a graça redentora de Deus e a salvação que Ele oferece a todos, independentemente de suas falhas e pecados. A letra também reflete a própria história de vida de Newton, que anteriormente era um comerciante de escravos, mas depois se converteu ao cristianismo e se tornou um defensor da abolição da escravidão.A melodia da música é baseada em uma antiga melodia escocesa, e é simples e comovente, permitindo que as letras se destaquem. A música é geralmente cantada em um ritmo lento e emocional, com arranjos instrumentais minimalistas que destacam ainda mais a beleza das letras.Amazing Grace é considerada uma das músicas mais conhecidas e amadas da tradição cristã, e já foi gravada por inúmeros artistas em todo o mundo, em uma variedade de estilos musicais diferentes. A música também é um exemplo do poder da música em conectar as pessoas, independentemente de sua fé ou crenças, e em oferecer conforto e esperança em tempos difíceis.