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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.899605 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Blankenship. Classical. 22 pages. C Blankenship #6203575. Published by C Blankenship (A0.899605). The piece was commissioned by Count Joseph Deym von Stritetz for use as a funeral mass to be played on a mechanical organ clock in the mausoleum for the recently deceased Generalfeldmarschall (Fieldmarshall) Ernst Gideon von Laudon, part of the Müllersche Kunstgalerie, the wax art gallery and organ museum of Joseph Müller (which was the Count Deym's assumed name). This displayed a casket covered with glass, through which one could view a wax figure of the Field Marshall. When the clock struck the hour, a lament was heard: a new one each week, one of which was Mozart's Adagio and Allegro.Although Mozart intended the piece to be played on a mechanical clockwork organ, he wished later that it could be played on a conventional organ. In a letter to his wife Constanze dated 3rd October, 1790, he wrote, If it were on a large clock-work with a sound like an organ, I'd be glad to do it; but as it is a thing made up of tiny pipes only, which sound too shrill and childish for me. As time passed, Mozart seemed to be content with the decision, saying later that the work and its installation in the gallery in fruitlessness and purity and compatibility to the works of art eclipses anything that anyone has ever succeeded in producing.
Adagio and Allegro in F minor, K. 594
Quintette de Clarinettes: 5 clarinettes

$9.99 8.42 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859710 Composed by Sydney Stevens. Children,Country,Folk,New Age. 31 pages. Sydney Stevens, Water Music #5954113. Published by Sydney Stevens, Water Music (A0.859710). Contact: sydneystevenspianostudio@gmail.comTumbleweed: Gentle folk-based piano/vocal by Sydney Stevens (ASCAP). Arrangement is for piano/vocal/chords/Vln I, II. Full score and part scores included with download.Sounds like: Dar Williams, Rose Polenzani, Christina PerriFrom Album: Cycles of Life   Theme: I am a tumbleweed tumbling todayMood: Gentle, warm, emotional, comforting, innocent.Musical Traits: Simple, broken chords in the left hand piano along with right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter. Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a b.
"Tumbleweed" - (Part Scores)
Voix Alto, Piano

$9.95 8.39 € Voix Alto, Piano PDF SheetMusicPlus

Instrumental Duet Alto Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577527 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985931. Published by David Warin Solomons (A0.577527). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
Up I arose in verno tempore for alto flute and guitar
Flûte et Guitare

$6.00 5.06 € Flûte et Guitare PDF SheetMusicPlus

Instrumental Duet Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
2 Guitares (duo)

$4.19 3.53 € 2 Guitares (duo) PDF SheetMusicPlus

Instrumental Duet Bassoon,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.577528 Composed by Anon. Arranged by David Warin Solomons. Classical,Renaissance,World. Score and parts. 6 pages. David Warin Solomons #1985935. Published by David Warin Solomons (A0.577528). Instrumental duo based on an anonymous 15th century macaronic song about a girl who was made pregnant, and then abandoned, by a cleric. The melody is taken by the guitar in with variations in the middle, while the melody instrument has a countermelody, and then, in the final section, the melody instruments provides a few divisions. The sound sample is an electronic preview For interest here are the words of the original song with my translation of the Latin bits: Up I arose in verno tempore [in springtime] and found a maiden sub quadam arbore [under some tree] that did complain in suo pectore [in her bosom] saying I feel puerum movere [the little boy moving] Adieu pleasures antiquo tempore, [in times gone by] full oft with you solebam ludere. [I used to play] but for my sins mihi deridere [they hold me in derision] with right good cause incipio flere [I start to weep] Now what shall I say meis parentibus, [to my parents] because I lay with quidam clericus [some man of the cloth] They will beat me cum virgis et fustibus [with sticks and clubs] and me sore chaste coram omnibus [in front of everybody] With the said child quid faciam [what shall I do] shall I it keep vel interficiam [or kill it] If I slay it quo loco fugiam [where shall I flee to] I shall lose God et vitam eternam [and eternal life].
Up I arose in verno tempore for bassoon and guitar
Guitare, Basson

$6.00 5.06 € Guitare, Basson PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.1117870 Composed by Cole Porter. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719382. Published by John Fries (A0.1117870). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Night and Day is a popular song by Cole Porter that was written for the 1932 musical Gay Divorce. It is perhaps Porter's most popular contribution to the Great American Songbook and has been recorded by dozens of musicians. There are several accounts about the song's origin. One mentions that Porter was inspired by an Islamic prayer when he visited Morocco. Another account says he was inspired by the Moorish architecture of the Alcazar Hotel in Cleveland Heights, Ohio. Others mention that he was inspired by a Mosaic of the Mausoleum of Galla Placidia in Ravenna, he had been visiting during a trip of his honeymoon in Italy.
Night And Day
Instruments en Do

$3.99 3.36 € Instruments en Do PDF SheetMusicPlus






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