Piano Solo - Level 3 - Digital Download SKU: A0.1001018 Composed by Septimus Winner. Arranged by Jo Fulham. Folk. Score. 3 pages. Jo Fulham #5983267. Published by Jo Fulham (A0.1001018). A jazzy version for 4 1�2 stanzas. The original title Ten Little Injuns was renamed for reasons of neutrality.

Violin and piano - Digital Download SKU: S9.Q21149 Composed by Stefan Heucke. This edition: Sheet music. Violin Library. Downloadable. Op. 58. Duration 21 minutes. Schott Music - Digital #Q21149. Published by Schott Music - Digital (S9.Q21149). Die zweite Violinsonate op. 58 entstand im November und Dezember 2009 und ist als freundliches Gegenstück zu der düster-aufgewühlten ersten Violinsonate op. 38 (2000) konzipiert. Die helle Grundstimmung des Werkes ist sicherlich nicht zuletzt durch seinen Enstehungsort Cervo an der ligurischen Riviera, meiner italienischen Wahlheimat, buchstäblich bei Sonnenschein unter blauem Himmel entstanden, beeinflusst. Dem ganzen Werk liegt ein musikalisches Motto zugrunde, das jedoch erst im abschließenden zehntaktigen Adagio amoroso, das aus einer versunkenen Welt zu entstammen scheint, verraten wird. Alles Material ist darauf bezogen und die ganze Sonate scheint eigentlich nur komponiert worden zu sein, um diese Schlussaussage formulieren zu können. Der erste Satz ist ein breit angelegtes Moderato mit zwei Themen in strenger Sonatenhauptsatzform. Sowohl thematisches Material als auch alle formalen Verbindungsglieder sind harmonisch wie melodisch aus den Intervallen der kleinen und großen Terz und deren Komplementärintervallen, der großen und kleinen Sext gebildet. Dieses beinahe serielle Verfahren wird allerdings von dem überschwänglich romantischen Gestus der Musik vollkommen kaschiert. Der sehr schnelle, federleicht schwebende zweite Scherzosatz wird beherrscht vom luftigen Pizzicato der Violine und flüchtigen Klavierfiguren, nur im gesanglichen Trio erhebt sich die Violine zu einer vierphrasigen, langsam aufsteigenden Kantilene auf choralartig akkordischem Untergrund des Klaviers. Die langsame Einleitung des Finalsatzes nähert sich dem abschließenden Motto bereits sehr deutlich ohne es ganz erklingen zu lassen. Diese Introduktion wird in die Mitte des zweithemigen, feurig dahinstürmenden Allegro anstelle einer Durchführung wieder aufgenommen und in den lebhaften Gestus des Schlusssatzes umgewandelt. Mit dem Erklingen des eigentlichen Herzstück des Werkes als Adagio amoroso schließt das Werk, sicherlich sehr überraschend für Neue Musik. - Stefan Heucke.

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8086-E Composed by Joshua Fishbein. 19 pages. E. C. Schirmer Music Company - Digital #8086-E. Published by E. C. Schirmer Music Company - Digital (MQ.8086-E). English.John Keats's poem is colorfully painted with dense harmonies, imitative counterpoint, and repeated ostinatos, to evoke spring, summer, autumn, and winter. Like bookends, the opening two lines are repeated at the closing, with the ensemble ending softly together on a complex pentatonic sonority. May be performed jointly as Two Keats Choruses with The Poetry of Earth (8087).

Instrumental Duet Alto Saxophone,Baritone Saxophone,Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534369 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #3395439. Published by Musik Fabrik Music Publishing (A0.534369). I. InventionII. AriosoIII. GigueThe Sonatine for Two Like Saxophones is dedicated to the memory of Germaine Tailleferreand is especially influenced by her Sonata for Solo Clarinet, a work in which she exploredatonal language. It may be played on any two saxophones of the same type (ie two sopranosaxophones in Bb, two baritone saxophones in Eb etc).The work is in three movements. The first, « Invention », uses a strict contrapunctaltreatment of a theme in fourths. The Second, « Arioso », is a slow lyric dance in ¾. TheThird movement, « Gigue », is based on a « hunting horn » motif which also exploits the useof 6/8 superimposed on ¾.

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.533670 Composed by Carson Cooman. Concert,Contemporary,Standards. 11 pages. Musik Fabrik Music Publishing #3037093. Published by Musik Fabrik Music Publishing (A0.533670). Waxing and Waning (2005) for baritone and piano is a set of three songs on texts byAmerican poet Elizabeth Kirschner. (The first song was composed in 2004, and the othertwo were added in Fall of 2005.)Although intended to be performed as a set, individual songs may be excerpted as needed.

Easy Piano Solo, Piano, Piano/Keyboard - Interactive Download SKU: HX.1086312 Composed by Kristen Anderson-Lopez & Robert Lopez. Arranged by Kevin Olson. This edition: Interactive Download, pdf, scorch. Children, Disney, Film/TV. 3 pages. Hal Leonard - Digital #289586. Published by Hal Leonard - Digital (HX.1086312).

Piano Solo - Level 1 - Digital Download SKU: A0.889312 Composed by Anna Maliszewski. Classical,Contemporary. Score. 2 pages. Anna Maliszewski Music #2007893. Published by Anna Maliszewski Music (A0.889312). This charming little Sonatina has a wonderful melody, entirely using the progression chords: I-IV-V7. It works great as a solo piece and as a lesson playing those progressions broken and blocked. Key: C minor Pages: 2.

Piano Solo - Level 4 - Digital Download SKU: A0.960655 Composed by Steven Kudlo. Contemporary,Standards. Score. 18 pages. Steven Mark Kudlo #44221. Published by Steven Mark Kudlo (A0.960655). Yet another sonata from the pen of the unjustly neglected composer of the Popular Sonata series. While most in the series are more like sonatinas, the first movement of this attempt is larger by far than the other three movements. It is responsible for the Advanced in the title, because of the difficulty. Nevertheless, the whole sonata reaches pleasure centers maybe not known before. Always tonal, always popular.

By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque, Classical, Contest, Festival, Instructional. Score. 8 pages. FRC Music #721174. Published by FRC Music

Choir,Piano - Digital Download SKU: A0.1069497 Composed by Joanna Mills. Children,Instructional,Standards. Accompaniment. Duration 98. Joanna Mills Music #5197935. Published by Joanna Mills Music (A0.1069497). Use this piano track to accompany Rain, Rain, Go Away! (Songs for a Rainy Day) (S0.706285) 3-part choir arrangement for rehearsal or performances.This charming 3-Part choir arrangement is a quodlibet of three traditional songs about rain: Rain, Rain, Go Away; It's Raining, It's Pouring; and Pitter Patter Raindrops. It begins with a sparse staccato section which builds quickly to emulate the start of a rain shower, and then each song is added one after another until all three songs are sung at the same time. Then the rain sounds begin again until the rain shower ends with one final Drop. The piano score is simple and supports the singers, and because the song is in the key of F, Orff instruments can easily be added (or replace the piano entirely). Suitable for elementary aged students (range E4-D5), and perfect for a fall (autumn), spring, or early summer concert, or classroom instruction. Approximate performance time 1:40. Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922827 Composed by Chris Driesbach, Jayne Nitz. Children,Christian,Contemporary,Praise & Worship. Score. 30 pages. Jayne Nitz #6323265. Published by Jayne Nitz (A0.922827). Based on God’s true words in the Bible, these catchy, original Christian songs for children are favorites from Chris Driesbach’s CD, Feed Your Faith, and address unique Bible topics not always found in kids’ songs. Includes guitar chords! This songbook is meant for home singing. For children’s choir singing, please purchase the separate titles, which also include reproducible lyric and lead sheets.Feed Your FaithYour faith needs to be fed to be strong and grow! Any occasion.Scripture: 1 Peter3:15, Romans 10:17, Matthew 4:4, 1 Peter 2:2.Because My Father Loves MeEspecially fitting for Trinity Sunday, this song teaches about our Triune God.Scripture: Genesis 1, John 14:1-2, Romans 5:8, 2 Peter 1:21.I’m a Saint!Because of Jesus’ life and death, my status is perfect in God’s eyes. Any occasion.Scripture: Psalm 51:5, John 14:6, Ephesians 1:1, John 3:16, Hebrews 10:14.We LoveWe love each other dearly because God loves us dearly, but it isn’t always easy! Any occasion.Scripture: 1 John 4:19, John 13:34, John 13:1-17, Matthew 18:1-35.Download these songs or the entire album atwww.chrisdriesbach.com/musicPurchase the physical Feed Your Faith CD atwww.nph.netJayne Nitz has more children’s songs here, and at Northwestern Publishing House:

Choral Choir (4-Part) - Level 2 - Digital Download SKU: A0.986174 Composed by George & Ira Gershwin (1927) Arranged by Graham Dickson-place. Arranged by Arr. by Graham Dickson-Place TBB a capella. A Cappella,Concert,Holiday,Musical/Show,Wedding. Octavo. 5 pages. Gramonimusica 2021 #6359579. Published by Gramonimusica 2021 (A0.986174). This is a simple arrangement of this wonderful song by Gershwin. It is arranged for TBB a capella by Graham Dickson-Place

Piano,Trombone - Level 3 - Digital Download SKU: A0.1253585 Composed by George Frideric Handel. Arranged by Vern Weygandt. Baroque. Score and part. 18 pages. Vern Weygandt #847233. Published by Vern Weygandt (A0.1253585). Originally composed for recorder and piano, this version of Handel's Sonata in A Minor (Hallenser Sonate Nr.1, HWV 374) was edited and arranged for trombone in the same manner as Keith Brown's edition of Telemann's Sonata in F, originally for bassoon.