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Cello,Piano - Level 4 - Digital Download SKU: A0.1033841 Composed by Cesar Auguste Franck. Arranged by Yuki Hasegawa. Concert,Romantic Period,Wedding. Score and part. 59 pages. Edition les bons concerts #6662399. Published by Edition les bons concerts (A0.1033841). Special piano part for cellist! Arrangement performed at the Cello recital by the 1st soloist of Paris Opéra, Aurélien Sabouret, acclaimed by the Japanese prestigious music magazine Ongaku-no-tomo has been published.Compatible with your own cello part! (Cello part of Yuki's revision is also attached*)- Cello can sing using up to pianissimo. Piano part avoided same range.- Reduced the scenes without soprano. New score realizes natural sound spread.- Avoided the dialogue cello-piano between the ranges too far awayAfter the concert, the arrangement was so natural that no one mentioned it!Also, kind material for pianist:- Piano score’s cello part is written only with G&F clef.- Rehearsal numbers and bar numbers are compatible with the 1st edition by Delsart, Bärenreiter edition and Henle edition.- Page layout is same as 1st edition to facilitate comparison.Arranger Yuki HASEGAWA, biography: Arranger, pianist, conductor and producer. She completed the department of piano at the Kunitachi College of Music, and the departments of chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement. She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado. In recent years she has been the frequent guest conductor and commissioned arranger to the Japan Croatia Music Society, etc. As a chamber musician, she has worked on numerous experimental harmony works of the early 20th century, and made CD recordings including the Violin Sonata by Louis Vierne, César Franck's pupil. She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed by representative organisations in each country. Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan. (As of 20, December 2021) Latest information & inquiries: https://yukihasegawa.com *The cello part is the same as the one distributed free of charge on the official website http://yukihasegawa.com/01 .Piano part (score) has 37 pages. Preface and comments for the score are 2 pages (English / French).
César Franck: Sonata that sounds good on the Cello / Arrangement of the piano part by Yuki Hasegawa Violoncelle, Piano

$29.95 25.5 € Violoncelle, Piano PDF SheetMusicPlus

Cl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - Digital #FM633. Published by Forton Music - Digital (F2.FM633). ISBN 9790570485321.The Sonata for Clarinet in B flat and Piano comes from a relatively unsettled period. Much of the music is a reflection on the cyclic nature of negative thought, the recurring arpeggios at the opening give some indication of this. Breaking out of these patterns only seems to lead to further dissonance and uncertainty. It also explores the effect of lowering notes by a single semitone and how the smallest of intervals can have a significant impact on the harmony at any given moment. The work is in four movements: 1. Andante moderato. This movement features two main musical statements pivoting around a central dance like idea. 2. Largo. A movement exploring a sense of isolation and disconnect between the Clarinet and Piano. 3. Largo con moto. A moment of calm, featuring some of the melodic contours from the previous movement but treated as if heard with a different frame of mind. 4. Allegro con moto. A slightly mischievous finale, featuring moments where the instruments imitate each other in an almost mocking fashion.
Sonata for Clarinet and Piano Clarinette et Piano

$14.95 12.73 € Clarinette et Piano PDF SheetMusicPlus

Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar Guitare

$5.00 4.26 € Guitare PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1485608 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. Score. 52 pages. Artaria Editions #1062673. Published by Artaria Editions (A0.1485608). The dates of the two sonatas is not known, although it is clear stylistically that the E major is a much more advanced work compositionally than the E-flat major. The latter also exists in a version as a sonata for violin and keyboard, which can be dated to Kraus's grand tour, having been written in Paris in 1785 and subsequently distributed by the Viennese publisher Johann Traeg. Since there are substantive differences in the two versions, it is impossible to say which came first, and Hans Eppstein has suggested that their may even have been a third, now lost original for fortepiano, since the extant solo keyboard version clearly represents a more advanced version. This cannot be proven, but it seems clear that the version presented here can be considered Kraus's last word in this tortuous compositional trail, probably receiving its final form for publication as part of the Due Sonata per il Forte Piano that hlstrm published about 1788 as one of the first editions stemming from his new privilege. Given that the E major work is one of considerable complexity and virtuosity, it is probable that this sonata at least was composed especially for the publication. In any case, hlstrm's edition is the earliest source of the works; a number of additional copies dating from about 1795 and later all can be traced back to it. That the composer himself was involved intimately with the edition can be seen by the unusual number of clear and precise markings and articulations.These have been accepted without comment or alteration. Occasional obvious wrong notes, the result of overlooked proof reading, have been tacitly corrected, and some of the slurrings have been regularized according to parallel passages where such do not appear to have been deliberately varied. It is the suggestion of the editor that the Adagio of the E majot sonata should be performed la C.P.E.Bach in a fantasia manner with considerable flexibility in terms of tempo and relative rhythm; to play it in a strict fashion obliviates the flow of the movement. Bertil van Boer.
2 Sonatas for Fortepiano Piano seul

$37.00 31.51 € Piano seul PDF SheetMusicPlus






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