Digital Download SKU: HX.128251 Composed by Keith Wilkerson. Concert,Sacred. Choral Instrumental Pak. 3 pages. Duration 290. Hal Leonard - Digital #138499. Published by Hal Leonard - Digital (HX.128251).

String Orchestra - Level 5 - Digital Download SKU: A0.1471428 Composed by Bernard Herrmann. Arranged by Nathan Morson. Film/TV. 11 pages. Nathan Morson #1049205. Published by Nathan Morson (A0.1471428). The Madhouse for String Orchestra - Score and PartsDuration: 1:55www.nathanmorson.com.

Bassoon Solo - Level 1 - Digital Download SKU: A0.598721 Arranged by Kevin Busse. Christmas. Individual part. 1 pages. Kevin Busse #3387645. Published by Kevin Busse (A0.598721). This is a simple transcription of Up On The Housetop for Bassoon

Bassoon,Piano - Level 3 - Digital Download SKU: A0.967621 Composed by Benjamin Russell Hanby. Arranged by Lawrence H. Underwood. Blues,Children,Christmas,Jazz,Pop. Score and part. 9 pages. Lawrence H Underwood #6188871. Published by Lawrence H Underwood (A0.967621). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the eleventh installment in his A Christmas Portfolio series, this blues shuffle setting of Up on the Housetop is a blast! The piano sets up the boogie-woogie feel from the very start, and then the piece doesn't let up until the last rollicking second! A perfect and fun addition to any holiday performance setting.

Bassoon Solo - Level 1 - Digital Download SKU: A0.604457 Arranged by Kevin Busse. Christmas. Individual part. 1 pages. Kevin Busse #3906889. Published by Kevin Busse (A0.604457). This is a simple transcription of Up On The Housetops in the easy key of C for Bassoon.

Guitar - Level 2 - Digital Download SKU: A0.1491701 Composed by Woody Jackson. Arranged by Mar. 21st Century,Country,Video Game. Tablature. 1 pages. Mar #1068374. Published by Mar (A0.1491701). Experience the evocative and nostalgic beauty of the Homebuilding Theme from the critically acclaimed video game Red Dead Redemption 2. This touching piece, composed by Woody Jackson, captures the essence of the game's rich narrative and immersive world.Features: Authentic Arrangement: Faithfully transcribed to bring the original in-game theme to your instrument. Clear Notation: Easy-to-read sheet music layout for pianists and guitarists alike. Emotionally Resonant: Designed to convey the heartfelt and poignant mood of the theme, perfect for performances and personal enjoyment. Comprehensive Notes: Includes performance tips and dynamics to help you achieve an authentic rendition. Whether you're a fan of the game or simply appreciate beautiful, emotive music, this sheet music will allow you to bring the beloved Homebuilding Theme to life. Ideal for practice and adding a touch of gaming nostalgia to your musical repertoire.

Piano Solo - Level 5 - Digital Download SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Voice, Choir, SATB, SA - Digital Download Composed by Chris Lawry, Angela Cope. 21st Century, 20th Century, Christian, Praise & Worship, General Worship. 8 pages. Published by Moonhouse Music

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1475302 By Shaboozey. By Chibueze Collins Obinna, Collins Obinna Chibueze, Jerrell Jones, Joe Anthony Kent, Mark Allen Williams, Nevin Sastry, and Sean Cook. Arranged by Barry McCormick. Country,Pop,Singer/Songwriter. Score. 7 pages. B. McCormick #1052845. Published by B. McCormick (A0.1475302). “A Bar Song (Tipsy)” Piano/Vocal/Guitar Arrangement About the Song and Artist: “A Bar Song (Tipsy)” is a lively, feel-good track by Shaboozey. With its catchy melody and playful lyrics, it captures the carefree spirit of a night out with friends. Shaboozey’s blend of acoustic guitar, vocals, and infectious rhythm makes this song a crowd favorite. Key Features: Vocal Clarity and Chord Symbols: The vocal line is clearly notated, allowing singers to express the playful lyrics. Above, you’ll find simplified chord symbols for guitarists to strum along. Harmonic Simplicity: The song’s heart lies in its four recurring chords. We’ve captured that simplicity, making it accessible for beginners and seasoned players alike. Rhythmic Feel: The arrangement mirrors the guitar’s rhythmic vibe, emphasizing the left-hand bass part. Harmonic rhythm variations between sections add interest and progression. Violin/Fiddle Melody: The piano part weaves in the captivating violin/fiddle melody from the recording, elevating the overall experience. Difficulty Levels: Guitarists: Beginner-friendly, with the challenge of an F#m barre chord. Simplify further by using a regular E chord or employing a capo (we also have lead sheeat with a Guitar Chord Sheet you can also purchase). Vocalists: The melody’s modest range suits most voices. Transposition may be necessary for specific vocal registers. Pianists: Intermediate level—simple yet engaging accompaniment. Not recommended for absolute beginners. Who is this for? 1. Musicians and Singers: Solo Performers: Singer-songwriters, acoustic guitarists, and pianists looking for an engaging piece to perform. Small Ensembles: Duos or trios (vocals, guitar, and piano) seeking a fun addition to their repertoire. Educators and Students: Music Teachers: Ideal for teaching chord progressions, rhythm, and vocal expression. Classroom Settings: Suitable for music classes, workshops, or school performances. Content Creators: YouTube Channels: Musicians sharing covers or tutorials. Podcasts: Add a musical interlude or theme. Where you can use this: Open Mic Nights at Cafés or Bars: Perform “A Bar Song (Tipsy)” in an intimate setting, capturing the song’s laid-back vibe. Engage with the audience and encourage sing-alongs. Music Schools and Workshops: Use this arrangement as a teaching tool for chord transitions, strumming patterns, and vocal dynamics. Discuss the song’s structure and how it reflects the carefree spirit of a night out. House Concerts and Gatherings: Host a cozy gathering with friends and family. Invite a vocalist, guitarist, and pianist to collaborate on this arrangement. Online Platforms: Share a video performance on YouTube or social media. “Raise your glass to ‘A Bar Song (Tipsy)’! Explore our sheet music and bring this lively tune to life. Cheers!”

Book - Digital Download SKU: LX.9781429140157 General Music. Classroom Music. 24 pages. Heritage Music Press #e9781429140157. Published by Heritage Music Press (LX.9781429140157). ISBN 9781429140157. Text: Mary Helen Solomon.This collection of speech pieces, songs, and instrumental works will enliven the Orff classroom. Some pieces are traditional, and some are Mary Helen Solomon's original compositions. All of them will stimulate creativity and highlight important elements like movement, singing, and notation.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1095815 By Bruce Hornsby. By Bruce Hornsby and Chip Dematteo. Arranged by Jeff Tincher. Contemporary,Pop. 15 pages. Jeff Tincher #699783. Published by Jeff Tincher (A0.1095815). Here is an uptempo but sad song. A song about a child in a family that wishes for things that will never be. In the original key from Bruce Hornsby's Absolute Zero project. Duration = 3:26. Visit by websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Concert Band - Level 3 - Digital Download SKU: A0.553549 Composed by Ray Thompson. Contemporary. Score and parts. 147 pages. RayThompsonMusic #3056477. Published by RayThompsonMusic (A0.553549). This is an original composition that was written for my band: The Alnwick Playhouse Concert Band.The 4 Movements of my Tyneside Songs Suite  are all based on well known tunes (Geordie Songs) from the North East of England . They are:Mvt 1: March (in 2/4) : Lambton Worm / Wor Nannies a MazorMvt 2: Tranquillo : Cushie ButterfieldMvt 3: Allegro : Bobbie ShaftoeMvt 4: March (& Fugue) (in 6/8) Blaydon Races (The Geordie Anthem)I composed this piece after playing in, and directing the Second Suite in F by Gustav Holst.