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Piano Solo - Level 3 - Digital Download SKU: A0.1307635 By Chelsea Hillerich. By Chelsea Hillerich. Arranged by Chelsea Hillerich. Classical,Contest,Festival,Halloween,Holiday,Romantic Period. Score. 4 pages. Chelsea Hillerich #896896. Published by Chelsea Hillerich (A0.1307635). Doesn’t it seem like the month of October has two distinct personalities?Of course, I love the dark and spooky side that Halloween brings. But here in Upstate New York, the fall foliage also makes October one of the most beautiful and colorful months of the year! In this classical-style waltz, I tried to capture both of October’s unique personalities. The piece begins and ends with an A-section that is dark and playful, with a hint of Halloween mischief. The contrasting B-section highlights October’s beauty with a nostalgic and lyrical theme.Intermediate players will enjoy how satisfying this piece feels in the fingers! The quick tempo makes this waltz exciting for both performers and audiences alike.
October Waltz
Piano seul
Chelsea Hillerich
$3.99 3.4 € Piano seul PDF SheetMusicPlus

Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1069453 Composed by Matt Smith. Jazz. Full Performance. Duration 286. Matt Smith #6258245. Published by Matt Smith (A0.1069453). The Four Temperaments is a theory created by Ancient Greek physician Aelius Galenus to describe the effect of the four fundamental bodily homours on human personality. The temperaments are Melancholic, Phlegmatic, Choleric, and Sanguine. The theory is that every person has varying levels of each temperament within them, but overall identifies with a single one. Each temperament is related to a classical element and a personality type:Melancholic - Earth - Analytical and QuietPhlegmatic - Water - Relaxed and PeacefulCholeric - Fire - Short tempered and IrritableSanguine - Air - Optimistic and SocialIn this suite we travel through all four of the temperaments, seeing how the same melody is interpreted by each personality type.Duration: About 5 minutesYouTube demo video: https://www.youtube.com/watch?v=zm46LzV604cVisit www.mattsmithmusic.co.uk for more!
The Four Temperaments Suite by Matt Smith - BIG BAND

$2.99 2.55 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.789799 Composed by Matt Smith. Jazz. Score and parts. 57 pages. Matt Smith #6258241. Published by Matt Smith (A0.789799). The Four Temperaments is a theory created by Ancient Greek physician Aelius Galenus to describe the effect of the four fundamental bodily homours on human personality. The temperaments are Melancholic, Phlegmatic, Choleric, and Sanguine. The theory is that every person has varying levels of each temperament within them, but overall identifies with a single one. Each temperament is related to a classical element and a personality type:Melancholic - Earth - Analytical and QuietPhlegmatic - Water - Relaxed and PeacefulCholeric - Fire - Short tempered and IrritableSanguine - Air - Optimistic and SocialIn this suite we travel through all four of the temperaments, seeing how the same melody is interpreted by each personality type.Duration: About 5 minutesYouTube demo video: https://www.youtube.com/watch?v=zm46LzV604cVisit www.mattsmithmusic.co.uk for more!
The Four Temperaments Suite by Matt Smith - BIG BAND
Ensemble Jazz

$39.99 34.11 € Ensemble Jazz PDF SheetMusicPlus

Brass Ensemble Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.750232 Composed by Eddie Lewis. Contemporary. Score and parts. 19 pages. Tiger Music #3007665. Published by Tiger Music (A0.750232). Pearl is the only composition the composer has ever written about a person. He has written works that tell stories about people. He has dedicated compositions to people. He has been inspired by people, but never composed anything that represents someone's personality the way Pearl does. Composed in October 2005, this work is the musical painting of the woman who would become the composer's wife almost two years later. Each musical aspect of the two movements symbolizes a different characteristic of Pearl's personality. Woven into the music is her quiet, caring, devoted nature, her love for God, her passion for the things she believes in, her wisdom, her logical and analytical approach to life, and her care-free disregard for the pressures that force many other women to be less than true to themselves. All of these facets of Pearl are portrayed through symbolism, atmosphere, and mood. The first movement is best described as unfolding. In an unassuming way, the piece unfolds like a delicate blossom confidently moving from bud to full bloom. This unfolding represents the gradual discovery of the depth of a personality as a relationship grows. The second movement represents the patient waiting associated with allowing a relationship to grow and mature. The subtle use of silence is symbolic of this patience, and adds richness to the piece. The debut performance of this remarkable composition formed part of the October 2008 Faculty Recital at Rice University, Houston, Texas.   Pearl is appropriate for college or professional level musicians. As a serious work, Pearl makes an excellent recital piece. The unusual brass trio instrumentation for this work is an added bonus and makes the piece ideal for integration in a brass quintet repertoire, as it provides a rest opportunity for the trombone and one of the trumpets.The MP3 in the sample is only the first movement.
Pearl for Brass Trio - Trumpet, Horn and Tuba by Eddie Lewis

$17.76 15.15 € PDF SheetMusicPlus

High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
Ice! from Songs from the High Sierra
Voix haute

$7.25 6.18 € Voix haute PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
LÄTTA FINGRAR

$1.99 1.7 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
SNÖKÄNGAN

$1.99 1.7 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1004156 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score. 5 pages. Matthew Scott Phillips #6213017. Published by Matthew Scott Phillips (A0.1004156). Program Notes: In 2010 I composed a work for solo piano entitled, Trio for Piano Alone. The work was texturally, and philosophically complex, attempting to analogize the component parts of a personality, which might seem on the surface to be an indivisible whole. With this work, I have revisited my previous one, and recomposed it. This new work is in a radically different, and distinctly more minimal style. Having explored the great complexity of personality in the first one, I am here exploring that very one-ness that is either the result of all that complexity or (as I suspect) the truth of our being despite it.
Trio Recomposed
Piano seul

$4.99 4.26 € Piano seul PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
FORNUDDSVALSEN

$1.99 1.7 € PDF SheetMusicPlus

Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in Čelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St Martín. According to Dlabacž, he studied organ under Bohuslav Matěj Černohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St Martín, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
Jan Zach - Fugue in C Minor
Orgue
early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz He visited Italy in 1746 and, briefly, Bohemia in 1747
$4.99 4.26 € Orgue PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
VALS FRÅN DREFVIKEN

$1.99 1.7 € PDF SheetMusicPlus

Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
LOVELY THOUGHTS

$1.99 1.7 € PDF SheetMusicPlus

Xylophone Solo - Level 3 - Digital Download SKU: A0.1403805 By The Beatles. By George Harrison. Arranged by Rodrigo Faleiros. Chamber,Folk,Pop,Rock,Wedding. 2 pages. Rodrigo Faleiros #986916. Published by Rodrigo Faleiros (A0.1403805). Embark on a musical journey with our enchanting arrangement of Here Comes The Sun for solo xylophone with chords. Tailored for intermediate percussionists, this arrangement captures the essence of The Beatles' classic, allowing you to immerse yourself in its iconic melodies while exploring harmonic accompaniment with the included chords. Key Features: Expressive Xylophone Performance: Dive into the serene beauty of Here Comes The Sun with a captivating xylophone performance that showcases the song's iconic melodies and nuances. Chord Accompaniment: Enhance your playing experience and explore harmonic possibilities with the included chord symbols, allowing for creative interpretations and personalized renditions. Intermediate Level: Perfect for percussionists seeking to expand their repertoire and musical skills, this arrangement offers a rewarding challenge without overwhelming complexity. Explore more arrangements here!
Here Comes The Sun
Xylophone
The Beatles
$4.99 4.26 € Xylophone PDF SheetMusicPlus

Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.1403791 By The Beatles. By George Harrison. Arranged by Rodrigo Faleiros. Chamber,Folk,Pop,Rock,Wedding. Individual part. 2 pages. Rodrigo Faleiros #986880. Published by Rodrigo Faleiros (A0.1403791). Embark on a musical journey with our enchanting arrangement of Here Comes The Sun for solo baritone sax with chords. Tailored for intermediate saxophonists, this arrangement captures the essence of The Beatles' classic, allowing you to immerse yourself in its iconic melodies while exploring harmonic accompaniment with the included chords. Key Features: Expressive Baritone Sax Performance: Dive into the serene beauty of Here Comes The Sun with a captivating baritone sax performance that showcases the song's iconic melodies and nuances. Chord Accompaniment: Enhance your playing experience and explore harmonic possibilities with the included chord symbols, allowing for creative interpretations and personalized renditions. Intermediate Level: Perfect for saxophonists seeking to expand their repertoire and musical skills, this arrangement offers a rewarding challenge without overwhelming complexity. Explore more arrangements here!
Here Comes The Sun
Saxophone Baryton
The Beatles
$4.99 4.26 € Saxophone Baryton PDF SheetMusicPlus

Oboe Solo - Level 3 - Digital Download SKU: A0.1403751 By The Beatles. By George Harrison. Arranged by Rodrigo Faleiros. Chamber,Folk,Pop,Rock,Wedding. Individual part. 2 pages. Rodrigo Faleiros #986852. Published by Rodrigo Faleiros (A0.1403751). Embark on a musical journey with our enchanting arrangement of Here Comes The Sun for solo oboe with chords. Tailored for intermediate oboists, this arrangement captures the essence of The Beatles' classic, allowing you to immerse yourself in its iconic melodies while exploring harmonic accompaniment with the included chords. Key Features: Expressive Oboe Performance: Dive into the serene beauty of Here Comes The Sun with a captivating oboe performance that showcases the song's iconic melodies and nuances. Chord Accompaniment: Enhance your playing experience and explore harmonic possibilities with the included chord symbols, allowing for creative interpretations and personalized renditions. Intermediate Level: Perfect for oboists seeking to expand their repertoire and musical skills, this arrangement offers a rewarding challenge without overwhelming complexity. Explore more arrangements here!
Here Comes The Sun
Hautbois
The Beatles
$4.99 4.26 € Hautbois PDF SheetMusicPlus


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