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Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry PĂ©licant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale.   The parts are on rental from the publisher. Thierry PĂ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpĂ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrĂ© Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, PĂ©licant reconstructed the Messe solennelle of L.V.A BoĂŻeldieu and Te Deum of 1792 by Philidor and premiĂšred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premiĂšring or recording the works of Dazzi, Marchand, Braconnier, BĂ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantĂŽme) ; With the poet Luis Porquet, he wrote the song cycle Ombre lĂ©gĂšre (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GĂ lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorĂ©e, (quintet for oboe and strings), Sextuor d’étĂ©, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Basson, Piano (duo)

$19.95 17.49 € Basson, Piano (duo) PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.845972 By NEEDTOBREATHE. By Nathaniel Bo Rinehart, Nathaniel Rinehart, William Bear Rinehart, and William Rinehart. Arranged by Kyle Pudenz. Contemporary,Pop,Praise & Worship,Wedding. Score and parts. 52 pages. ViolinVagabond Music #5297799. Published by ViolinVagabond Music (A0.845972). Most folks might tell you that covering a song like this without an acoustic guitar would be impossible.Nay! I say. Impossible is nothing when you have an ambitious group of string players and a thirst for greatness! So I made an interlocking pizzicato part between the 1st & 2nd violin, which re-creates the pulse of the fingerpicking guitar from Needtobreathe's original track. With a little bit of rehearsal, your quartet will soon be sailing through these verses with no need for any assistance from an accompanist.That being said, if your thirst for greatness falls a little short, you can also dial this tune back to easy mode and perform with a guitarist. I have included an acoustic guitar part specifically for this purpose, because I, like you, have done my fair share of wedding gigs where someone calls a tune at the last minute and you have no time (or desire) to waste on a rehearsal.This arrangement uses strum bowing and ghost notes fairly extensively as a means to create rhythmic grooves. If you are unfamiliar with these concepts, I recommend checking out the following series of videos: https://youtu.be/kfX3kxjC93sPerformance time - approximately 4:30Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
Multiplied
Quatuor à cordes: 2 violons, alto, violoncelle
NEEDTOBREATHE
$17.99 15.78 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1386181 Composed by Welsh Folk. Arranged by David Evan Thomas. Celtic,Folk,Irish,Multicultural,Traditional,World. Score. 20 pages. Davidevanthomas.com #970122. Published by davidevanthomas.com (A0.1386181). Eight arrangements of Welsh folk tunes for solo piano, including “The Ash Grove,” “Watching the Wheat,” the rousing march “Men of Harlech,” the popular rugby anthem “Calon Lñn,” and the additive children’s song, “Counting the Goats.” The set culminates in the Welsh national anthem, Hen Wlad Fy Nhadau. The arrangements explore imaginative keyboard styles and colorful harmony. Appropriate for stage or studio.1. The Ash Grove (Llwyn On)2. The Greyhound (Milgi, Milgi) 3. A Pure Heart (Calon Lñn)4.  While There are Two (Tra bo dau)5. Men of Harlech (Rhyfelgyrch Gwyr Harlech)6. Watching the Wheat (Bugeilio'r Gwenith Gwyn)7. Counting the Goats (Cyfri'r Geifr)8. Land of my Fathers (Hen Wlad Fy Nhadau).
Welsh Album/Albwm Gymraeg
Piano seul

$10.00 8.77 € Piano seul PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PĂ©licant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry PĂ©licant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry PĂ©licant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The piano reduction with the solo part is available for sale on this site.Thierry PĂ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpĂ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrĂ© Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, PĂ©licant reconstructed the Messe solennelle of L.V.A BoĂŻeldieu and Te Deum of 1792 by Philidor and premiĂšred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premiĂšring or recording the works of Dazzi, Marchand, Braconnier, BĂ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantĂŽme) ; With the poet Luis Porquet, he wrote the song cycle Ombre lĂ©gĂšre (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GĂ lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorĂ©e (quintet for oboe and strings), Sextuor d’étĂ©, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre

$38.95 34.15 € Orchestre PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry PĂ©licant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale.   The parts are on rental from the publisher. Thierry PĂ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpĂ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrĂ© Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, PĂ©licant reconstructed the Messe solennelle of L.V.A BoĂŻeldieu and Te Deum of 1792 by Philidor and premiĂšred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premiĂšring or recording the works of Dazzi, Marchand, Braconnier, BĂ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantĂŽme) ; With the poet Luis Porquet, he wrote the song cycle Ombre lĂ©gĂšre (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GĂ lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorĂ©e, (quintet for oboe and strings), Sextuor d’étĂ©, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Orchestre de chambre

$29.95 26.26 € Orchestre de chambre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PĂ©licant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry PĂ©licant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry PĂ©licant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The full score is available for sale on this site.Thierry PĂ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpĂ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrĂ© Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, PĂ©licant reconstructed the Messe solennelle of L.V.A BoĂŻeldieu and Te Deum of 1792 by Philidor and premiĂšred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premiĂšring or recording the works of Dazzi, Marchand, Braconnier, BĂ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantĂŽme) ; With the poet Luis Porquet, he wrote the song cycle Ombre lĂ©gĂšre (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GĂ lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorĂ©e (quintet for oboe and strings), Sextuor d’étĂ©, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...ï»ż
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre

$29.95 26.26 € Orchestre PDF SheetMusicPlus






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