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Voice and piano - intermediate - Digital Download SKU: S9.Q7130 For Voice and Piano. Composed by Richard Strauss. This edition: Sheet music. Aus der Kindheit ist eins von drei verschollenen Liedern, die der junge Richard Strauss mit 15 Jahren komponiert hat. Im Rahmen des Richard Strauss Festivals wird das Lied von Annette Dasch und Wolfram Rieger erstmals aufgeführt. Downloadable. Duration 2 minutes. Schott Music - Digital #Q7130. Published by Schott Music - Digital (S9.Q7130). German.A special discovery: the three songs composed by Richard Strauss at the age of 15 had long been regarded as lost. The song Aus der Kindheit, dedicated to ‘Frau Sophie Dietz k. bair. Kammersängerin hochachtungsvollst’, is published for the first time. It cannot be said with any certainty if this song was performed in private in Strauss’ lifetime.
Aus der Kindheit
Piano, Voix

$10.99 9.37 € Piano, Voix PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.1281512 Composed by David Popper. 19th Century,Classical,Romantic Period. Score and part. 39 pages. Paladino Editions #872852. Published by Paladino Editions (A0.1281512). Looking at David Popper’s Walzer-Suite, Op. 60, from the perspective of its surrounding opus numbers, it dates most probably from the late 1880s. As with so many others of his pieces, this suite was mainly written for his own performances. At the time of its composition Popper was still married to Sophie Menter and at the peak of his solo career. Besides the obvious similarities to the works of the Strauß dynasty, the musical language of Richard Strauss can already be found in Popper’s Waltz Suite. Like Josef Merk’s Valses Brillantes, Op. 6, the work is a series of waltzes framed by an introduction and a virtuoso finale which are linked by a mutual theme. This newly typeset edition provides two cello parts: one with Popper's original markings, and one with performance suggestions by Martin Rummel.
Walzer-Suite ("Waltz Suite") for Violoncello and Piano, Op. 60
Violoncelle, Piano

$19.95 17.01 € Violoncelle, Piano PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download SKU: A0.1167952 By Michael Buble. By Anthony Newley and Leslie Bricusse. Arranged by Fabio Eduardo de Oliveira. Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. Fabio Eduardo #768308. Published by Fabio Eduardo (A0.1167952). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadFeeling Good (also known as Feelin' Good) is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour and by Gilbert Price in 1965 with the original Broadway cast.Nina Simone recorded Feeling Good for her 1965 album I Put a Spell on You. The song has also been covered by Sammy Davis Jr., Traffic, Michael Bublé, John Coltrane, George Michael, Victory, Eels, Joe Bonamassa, Eden, Muse, Black Cat Bones, Bassnectar, Sophie B. Hawkins, Leslie West, Avicii, Chlöe and Lauryn Hill among others. It was also performed by John Legend as part of the Celebrating America performance marking the inauguration of Joe Biden and Kamala Harris on January 20, 2021.
Feeling Good
Piano Facile
Michael Buble
$3.99 3.4 € Piano Facile PDF SheetMusicPlus

2 (1. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 · 2 · 2 · 1 - P. S. (Glsp. · Marimba · Crot. · 2 hg. Beck. · Tamt. · 3 Bong.) (2 Spieler) - Hfe. - Str. violin and orchestra - Digital Download SKU: S9.Q6297 Nocturne for Violin and Orchestra. Composed by Henri Dutilleux. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q6297. Published by Schott Music - Digital (S9.Q6297). Sur le même accord (about a single chord) is - as the subtitle suggests - a nocturne-like work. Although in one mouvement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra. In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colours transform this chord, but it is omnipresent, an obsession. This relatively short work is dedicated to Anne-Sophie Mutter, to whom I was introduced by Paul Sacher about fifteen years ago. Since then, this great artist, who captivates so many composers, has unceasingly added to her repertoire music of our time by commissioning new works in many genres from contemporary composers. - Henry Dutilleux.
Sur le même accord

$33.99 28.99 € PDF SheetMusicPlus


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