Choir,Soprano voice - Digital Download SKU: A0.1071552 Composed by Johann Sebastian Bach. Arranged by Laurie Betts Hughes. Baroque,Contemporary,Jazz. Accompaniment. Duration 97. Dandelion Music Press #3104017. Published by Dandelion Music Press (A0.1071552). MIDI soprano practice track for Fugue arranged by Laurie Betts Hughes.

Mezzo-Soprano Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1455981 By Gene Roberson. By Ward. Arranged by Gene Roberson. 21st Century,Christian,Holiday,Patriotic,Spiritual. 6 pages. Gene Roberson #1035138. Published by Gene Roberson (A0.1455981). Arranged for Mezzo Soprano or Tenor soloPiano Accompaniment.

Soprano voice - Digital Download SKU: A0.1069209 Composed by George Frideric Handel. Arranged by MICHAEL MYRICK. Baroque,Christian,Christmas,Sacred. Full Performance. Duration 227. MICHAEL MYRICK #3456849. Published by MICHAEL MYRICK (A0.1069209). Soprano rehearsal track for Handel's Hallelujah Chorus arranged by Michael Myrick. Key of Bb.

A Clarinet,Instrumental Duet,Soprano voice - Level 5 - Digital Download SKU: A0.1096301 Composed by Nancy Bachmann. Chamber,Classical,Contemporary,Religious,Sacred. 18 pages. Nancy Bachmann #700265. Published by Nancy Bachmann (A0.1096301). A touching gem of devotion that blends the unique tonal qualities of Clarinet and Soprano. Digital score purchase includes both a concert pitch score and a score for Clarinet in A.

B-Flat Clarinet,Cello,Congas,Electric Bass Guitar,Flute,Glockenspiel,Piano,Soprano voice,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.1245804 Composed by Jennifer Bellor. 21st Century,Chamber,Classical,Contemporary,Opera. 63 pages. Bellor #840634. Published by Bellor (A0.1245804). Familiar Stranger (2015) for soprano and mixed ensemble: flute, clarinet in Bb, violin, cello, 2 percussion players (vibraphone, congas, glockenspiel), piano, electric bass Duration: 7'Composed by Jennifer Bellor www.jenniferbellor.comListen on SoundCloud

Soprano voice - Digital Download SKU: A0.1069357 Composed by Traditional. Arranged by R. L. Pearsall (1795 - 1856). A Cappella,Christmas,Classical,Sacred,Spiritual. Full Performance. Duration 180. Andrew J Emmet #5208953. Published by Andrew J Emmet (A0.1069357). Practice Soprano part for In Dulci Jubilo SATB A Cappella arrangement.Computer generated.

Guitar,Instrumental Duet,Soprano voice - Level 5 - Digital Download SKU: A0.1496345 By Gabriel Faure. By Gabriel Faure. Arranged by BONAN FAUSTIN. Classical,Religious. 8 pages. Bonan Faustin #1072915. Published by Bonan Faustin (A0.1496345). ARRANGEMENT FOR SOPRANO AND GUITAR.

Soprano voice and continuo - Digital Download Composed by John Eccles. Baroque Period, Early Music. Score. 3 pages. Published by Early Music Scores

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868631 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365804. Published by Really Good Music, LLC. (A0.868631). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune was transposed into B minor (F#4 – A5).  .

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.868634 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. Score. 4 pages. Really Good Music, LLC. #4365816. Published by Really Good Music, LLC. (A0.868634). The canzonetta La mia fede was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The canzonetta may be an invaluable addition to the repertoire of vocal teachers and students. The tune was transposed into E minor (D#4 – F5). .

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868630 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365796. Published by Really Good Music, LLC. (A0.868630). The cantata Crudo amore was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque. The realization of the tune for voice and piano, made by Sergei Pichugin, is based on its early publication in the collection Scelta di canzonette italiane de più autori (London, 1679). The cantata may be an invaluable addition to the repertoire of vocal teachers and students. The tune is available in the original key of G minor (D4 – F5). 

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.868636 Composed by Giacomo CARISSIMI (1605 – 1674). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4365826. Published by Really Good Music, LLC. (A0.868636). The cantata No, no, non si speri was composed by Giacomo CARISSIMI (1605 – 1674), one of the greatest composers of Italian Baroque, and arranged for voice and piano by Sergei Pichugin. The cantata may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (C#4 – A5).

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1349730 Composed by Justus Parrotta (b. 1988). 21st Century,Chamber,Classical,Contemporary. Score. 36 pages. Cherrywood Editions #934502. Published by Cherrywood Editions (A0.1349730). Nightsongs II consists of a series of sketches for voice and piano illustrating nighttime scenes. Odd-numbered movements focus on atmospheric textures, while even-numbered movements dwell on stars and galaxies. Movement I, Vocalise I, is inspired by street lights casting a copper hue against a dark cobalt sky. Movement II, Choose Something Like a Star, shifts between subdued and bright registers of the voice and piano to illustrate the contrast of the stars in the night sky. Movement III, Intermezzo, drives the listener to a country road on a cloudy night with pine trees on either side while the high beams illuminate the path. Frequent 16th notes in this movement create a motor-like motion. Compound meter with quick 16th notes in Movement IV, Returning, imparts a buoyant character that floats through different galaxies along with frequent use of Lydian and Myxolydian Modes and the Acoustic Scale. Movement V, Vocalise II, paints a picture of a hilly grass field and a parking lot on a cloudy and rainy night, surrounded by lights with a muffled glow.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.576204 Composed by David Warin Solomons. Contemporary,World. Score. 12 pages. David Warin Solomons #6489. Published by David Warin Solomons (A0.576204). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 19 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1284047 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Christian,Sacred,Spiritual,Traditional. Score. 15 pages. Maria Thompson Corley #875219. Published by Maria Thompson Corley (A0.1284047). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.