Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß� with “ss� in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.� and “dim.� markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.516501 Composed by Verdi Giuseppe. Arranged by Santino Cara. Opera. Octavo. 103 pages. Santino Cara #11207. Published by Santino Cara (A0.516501). Act 1, Scene VII., VIII., IX., for solo voices, chorus STB and piano from: I Lombardi in the first Crusade! by Giuseppe Verdi on the libretto by Temistocle Solera. In the pdf file, in addition to the complete score for voices and piano, also includes the parts of the solo voices and the part for chorus Scenes: Scene VII. Continuation of the Finale I° Vieni! già posa Arvino Scene VIII., IX. Quintetto Finale I°, continuation of the scene IX. Mostro d’averno orribile Continuation of the scene IX. and Stretta of the finale I° Va! sul capo ti grava l’Eterno Roles of the characters: Giselda – Soprano Viclinda – Soprano Arvino – Tenor Pagano – Bass Pirro – Bass Chorus STB ( Sopranos, tenors and Basses).

Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1404104 Composed by Johann Sebastian Bach. Arranged by Ciro Hernández. Baroque,Chamber,Historic,Opera,Religious. 9 pages. Ciro Hernández #987285. Published by Ciro Hernández (A0.1404104). I have adapted the Quia Respexit by adding the oboe part of love to the first violin and through the figured bass the voices of the viola, the cello and the second violin, having as a starting point the piano part normally used by sopranos.The soprano part is not included in this score as it is to share the adaptation for string instruments. However, the first violin has a built-in guide to the singer's entrances and exits to help the ensemble. The articulation proposed at the beginning can be modified as this always depends on the character you want to give it: more historical or more personal.The written dynamics are those corresponding to the original score, however, it is an accompaniment music that must continuously follow the musicality of the soprano.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.981551 Composed by Wolfgang Amadeus Mozart. Arranged by Helios D'Andrea. Classical. Octavo. 11 pages. D'Andrea Helios #6587435. Published by D'Andrea Helios (A0.981551). The original version for voice and continuous bass is in C major. The bass has been harmonized and lowered by a third minor below.

Alto Saxophone,Soprano Saxophone,Tenor Saxophone,Voice - Level 3 - Digital Download SKU: A0.668379 Composed by Nameless. Arranged by MSM. Classical,Romantic Period. 8 pages. Open Cloud #4414625. Published by Open Cloud (A0.668379). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Nameless (Nameless), 17-19century, for Voice and Piano.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796576 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 25 pages. DR GARY D BELSHAW #2857017. Published by DR GARY D BELSHAW (A0.796576).     Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it.     The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau.     Your download includes an accompanist score at half price.

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796587 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 14 pages. DR GARY D BELSHAW #2927197. Published by DR GARY D BELSHAW (A0.796587).     Certain sopranos get to play roles like Despina, complaining chambermaid who whines about food. And with any luck they’ll sing the Queen of the Night! This energetic aria from the two act music comedy Incident at Burro Java surveys that repertoire and explores the character of the sopranos who sing it.     The character who performs this aria in the music comedy is a first-year graduate student at an imaginary urban university’s School of Music. The role was created by Aimee Pineau.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.559828 Composed by Greg Jasperse. Arranged by Lisa Ochoco. Contemporary. 17 pages. Lisa L Ochoco #4831787. Published by Lisa L Ochoco (A0.559828). This beautiful and rhythmic piece was written by vocal jazz composer and singer, Greg Jasperse. While he wrote this for the voice, it translates well to an instrumental piece.

Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. Published by C8 Music (A0.924066). Rhythm Herd is a celebration of rhythmic energy in words and music. Euan Tait's poem harnesses the stampede of whinnying horses, the crackle of the fire, thundering south and gives the singers the power of nature's forces. The four sopranos keep constant pulse passed between the voices as the quavers are herded into chords, melody, phrases and whole movements. Their warm tones are punctuated by riffs on the recorder, building up to an extended obbligato fughetta. Finally, the heart dissolves to ashes, the pulse of the sopranos slows, while the recorder maintains the rhythmic riffs, now in time with the human heart. Rhythm Herd was commissioned by Philomel and first performed by them on 24 November 2018.

Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.978438 Composed by Edward Elgar. Arranged by Sandstone Music. Concert,Romantic Period. Score and parts. 40 pages. Sandstone Music #6059095. Published by Sandstone Music (A0.978438). This newly edited version of Elgar's 'Sea Pictures' matches up this piano vocal score with a new set of orchestra parts (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the conductor score and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for contraltos and mezzo-sopranos and is frequently a major study work at conservatoires and universities. This new version is for voice and piano, with the piano part adjusted to more closely resemble the orchestral parts. Whilst Elgar originally wrote Sea Pictures for a soprano soloist, he lowered the key to suit contralto Dame Clara Butt, who gave the premiere. This edition is in the traditionally performed lower keys, suitable for mezzo-soprano or contralto (we also publish this in the original higher keys for soprano on SheetMusicPlus).

Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !

Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.957643 By Digital Version: Low Voice Live Performance. By Francis Osentowski DMA University of North Texas and Lyrics Compilation: Francis Osentowski. Contemporary,Holiday,Wedding. Score. 6 pages. Francis Osentowski #3093961. Published by Francis Osentowski (A0.957643). A Charming and Humorous solo song for high voice and piano. The text is a compilation of public domain romantic tweets. The language of the younger generation in tweets some of which are silly, funny, and ending with a full voiced statement of love. Appropriate for audiences of all ages and for concert venues and wedding events. Technical level is moderate with vocal range appropriate for soprano or mezzo soprano. Note: A concert performance is available at YouTube.com (Only bass/baritone live performance available).