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Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.799608 Composed by Franz Joseph Haydn. Arranged by Nicole Elyse DiPaolo. Classical,Romantic Period,Standards. Score and parts. 5 pages. Nicole Elyse DiPaolo #4611217. Published by Nicole Elyse DiPaolo (A0.799608). This theme is originally attributed to Franz Joseph Haydn, who included it as the slow movement of his Divertimento for Winds in Bb, Hob.II:46. However, it's uncertain whether he actually wrote the theme or took it from another source (like a hymn tune, which the St. Anthony name would suggest, or a folksong). Several decades later, Johannes Brahms ran across Haydn's Divertimento, liked the theme, and used it in his Variations on a Theme by Haydn, now the most famous setting of this theme. Carl Czerny also used it for a variation set. Specifically arranged for the early-stage piano student who is just beginning to play hands together, and for teachers who don't wish to prolong the hands alone stage, this unique adaptation keeps the hands in rhythmic unison and symmetrical contrary motion, optimizing ease of playing when first beginning to engage the both hands motor area of the brain. Throughout the piece, the student uses the same finger at the same time in both hands, and the fingers are matched to both-white or both-black keys, respectively. Strongly auditory and kinesthetic learners who don't require visual feedback may successfully learn this piece via rote instruction, too. This arrangement has also been designed so that it can work in both 2-piano 4-hands and 1-piano 4-hands settings.Additionally, the transposition to G-flat major (from B-flat) allows the student to take advantage of the black keys' inherent posture- and accuracy-enhancing qualities, which are vital in those early lessons when correct technique habits need to be installed. Finally, particularly for the adult student who's keen to dive into the classical repertoire: this is a genuine, well-known piece of music treated by multiple famous composers from the common practice era. Even finicky audience members will enjoy this piece, which will not sound like something a first-year piano student might play: some of the world's most elite orchestras have also recorded this work in Brahms's arrangement. Given that the tune is potentially a bit long for a beginner student, I've placed a double bar after m. 10, noting that if necessary, a student could excerpt mm. 1-10 and perform these without the middle section and return of A. I have not reproduced Haydn's original(?) repeats, but the student and teacher could add them if desired. The PDF, when purchased, will include both the student part (half of which is pictured) and a full score in standard notation for the teacher.
Chorale St. Antoni - Proto-Notation Beginner Arrangement w/ Teacher Duet (2P4H or 1P4H)
Piano Facile

$3.99 3.45 € Piano Facile PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1257934 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #851170. Published by Regis Bookshar (A0.1257934). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Woodwind Quintet (1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn, 1 Bassoon) - Advanced /Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Littel Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Bb Clarinet, 1 French Horn and 1 Bassoon. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Woodwind Quintet - 1 Flute, 1 Oboe, ...)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$30.00 25.93 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.723186 Composed by Joseph M. Lacalle. Arranged by Joel Jacklich (ASCAP). Jazz,Latin. Score and parts. 8 pages. Joel Jacklich #6717947. Published by Joel Jacklich (A0.723186). Amapola is here arranged for string quartet by Joel Jacklich (A.S.C.A.P.).Joseph M. LaCalle (1860 - June 11, 1937) was a clarinetist, composer, conductor and music critic. He is most well known for composing the song Amapola.LaCalle was born in Cadiz, Spain and emigrated to the United States as a young man. He performed on woodwind instruments with a number of popular bands including the John Phillip Sousa Band, the Gilmore Band, the 7th Regiment Band, the Hoadley Musical Society Amateur Orchestra, and the Columbia Spanish Band. He conducted his own band, the LaCalle Band, and the 23rd Regiment Band. LaCalle participated in early recordings for Columbia and other recording companies.LaCalle composed numerous songs and marches, including Twenty-third Regiment March (1902), Pobrecito Faraon (1923) Amapola (1924), Aquel Beso (1927) and The Light That Never Fails (Luz Eterna) (1928).Amapola was originally composed without lyrics. In the early 1940s Amapola was given English lyrics by Albert Gamse. The song was then recorded by a number of artists. (Source: Wikipedia)
Amapola
Quatuor à cordes: 2 violons, alto, violoncelle

$7.99 6.91 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.  
Bach: Bist du bei mir BWV 508 for Viola & Piano
Alto, Piano

$32.95 28.48 € Alto, Piano PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1092772 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 27 pages. Artaria Editions #696878. Published by Artaria Editions (A0.1092772). For string quartet Artaria Editions AE272 Edited by Allan Badley 27 pages This is a scholarly edition of a public domain work. The present edition is based on a copy of Torricella's print preserved in the library of the Gesellschaft der Musikfreunde, Steyr (M.S.30380). Torricella's print is a little slipshod in places, particularly in the placement of articulation marks and dynamics. Where these are confusing the editor has standardized the markings in the interests of clarity. Applied markings are indicated by the use of dotted slurs and brackets where appropriate. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in G major, Op. 10, No. 2 - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$28.00 24.2 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.619822 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Stephen DeCesare. Broadway,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 15 pages. Exultet Music #3046589. Published by Exultet Music (A0.619822). The highly evocative song from the opera / musical Porgy and Bess has been freshly arranged for a Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment and additional instrumentation of a Violin and Keyboard.  True to the original source material, this arrangement is accessible and appropriate for any concert setting.
Summertime
Quatuor de Cuivres: 2 trompettes, Cor, trombone

$12.99 11.23 € Quatuor de Cuivres: 2 trompettes, Cor, trombone PDF SheetMusicPlus

Violin and basso continuo - intermediate - Digital Download SKU: S9.Q16120 Composed by Jean-Marie Leclair. This edition: Sheet music. Violin Library. Leclair gehört zu den großen klassischen Meistern der Violine; unter den französischen Komponisten für dieses Instrument steht er an erster Stelle. Downloadable. Op. 9/3. Schott Music - Digital #Q16120. Published by Schott Music - Digital (S9.Q16120). Key: D major.Jean Marie Leclair l'aîné (1697-1764) was born in Lyon. He studied u.a. in Turin at J.B. Somis, a pupil of Corelli, lived from 1728 permanently in Paris and was active until 1736 as a violinist of the Royal Chapel. Leclair belongs to the great classical masters of the violin; he is considered the number one French composer for the violin. This edition offers two sonatas from the 4th book, op. 9, no. 3, D major and No. 5, A minor. The source for this was a copy of the New York Public Library's copy of the first edition published in Paris in 1738. The piano score presented in this edition reproduces the violin part and the numbered bass exactly in the exact manner as the original.
Sonata D Major
Violon, Basse continue

$16.99 14.68 € Violon, Basse continue PDF SheetMusicPlus

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.946346 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 16 pages. Benjamin Karaca #6266395. Published by Benjamin Karaca (A0.946346). This piece was originally composed for harpsichord. Its authorship by Bach is disputed.Originally, when writing this arrangement, I had the lineup of Alto, Tenor, and Baritone Sax (ATB) in mind. However, the first part can also be played on the Soprano Sax, and the second part on the Alto Sax. Thus, this arrangement can be performed with various instrument combinations. Apart from very few changes, this arrangement closely follows the source material. I opted not to add articulations and have retained the original key of A minor.Saxophone Trio ATB (SAB / STB / AAB). Duration: 3:00 min. Level: 3/5.Part 1: Soprano Sax / Alto SaxPart 2: Alto Sax / Tenor SaxPart 3: Baritone SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
Fugue in A minor, BWV 958
3 Saxophones (trio)

$14.95 12.92 € 3 Saxophones (trio) PDF SheetMusicPlus






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