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Piano,Violin - Level 2 - Digital Download SKU: A0.589239 Composed by Bedrich Smetana. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. 4 pages. Diego Marani #198528. Published by Diego Marani (A0.589239). The Moldau, Czech Vltava, is a symphonic poem by Bohemian composer Bedřich Smetana that evokes the flow of the Vltava River—or, in German, the Moldau—from its source in the mountains of the Bohemian Forest, through the Czechcountryside, to the city of Prague. A devoutly patriotic work, The Moldau captures in music Smetana’s love of his homeland. Completed in 1874 and first performed the following year, the piece constitutes the second movement of a six-movement suite, Má vlast (My Country), which premiered in its entirety in Prague on November 5, 1882. This easy arrangement for violin with piano accompaniment is suitable for classroom, repertoire and recital.
The Moldau for Violin and Piano
Violon et Piano

$6.99 6.05 € Violon et Piano PDF SheetMusicPlus

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.622201 Composed by John Francis Wade. Arranged by Stephen DeCesare. Christmas,Praise & Worship,Sacred. Octavo. 11 pages. Exultet Music #3593941. Published by Exultet Music (A0.622201). (Also known as Adeste Fideles)  One of the most popular pieces that is played throughout the Christmas season has now been freshly arranged with an upbeat / groove type tempo while respecting the original source material.  Incorporates the singing of Gloria In Excelsis Deo.  Scored for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) , Bb-Trumpet, and Piano.  Appropriate for all levels of singing.  Can be used in a concert as well as church setting.  An accompaniment track is also available.
O Come All Ye Faithful (for 2-part choir)
Chorale 2 parties

$3.99 3.45 € Chorale 2 parties PDF SheetMusicPlus

Marimba Solo - Level 3 - Digital Download SKU: A0.936770 Arranged by James Theobald. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. Individual part. 3 pages. James R Theobald #6013211. Published by James R Theobald (A0.936770). A Mellow Version Of The Beautiful Old Favorites       This hymn is part of a series arranged for solo Marimba. The 15 song collection is designed to be simple to play as well as simple to listen to.     The arrangements center around the importance of the melodies and not around the technical abilities of the performer. I have tried to make the arrangements easy enough for intermediate players yet beautiful and interesting enough for intimate events such as church services, weddings, funerals, etc.     Please enjoy and make use of the natural reverb of the church!!   James Theobald <!-- /* Font Definitions */ @font-face {font-family:Cambria Math; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-536859905 -1073732485 9 0 511 0;} @font-face {font-family:Garamond Three; panose-1:2 0 6 3 0 0 0 0 0 0; mso-font-charset:0; mso-generic-font-family:auto; mso-font-format:other; mso-font-pitch:variable; mso-font-signature:-2147483473 1073741896 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-family:Calibri,sans-serif; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Calibri; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;}size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.WordSection1 {page:WordSection1;}
Solo Marimba "Now The Day Is Over" 2:20 Min. Church Hymns
Marimba

$5.99 5.18 € Marimba PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1466567 By Vangelis. By Vangelis. Arranged by Karya Sucipta. 20th Century,Contemporary,Film/TV,New Age,Pop. Score. 3 pages. Karya Sucipta #1045129. Published by Karya Sucipta (A0.1466567). Chariots of Fire is a 1981 musical score by Greek electronic composer Vangelis (credited as Vangelis Papathanassiou) for the British film Chariots of Fire, which won four Academy Awards including Best Picture and Original Music Score (source: wikipedia).Chariots of Fire adalah partitur musik tahun 1981 karya komposer elektronik Yunani Vangelis (dikreditkan sebagai Vangelis Papathanassiou) untuk film Inggris Chariots of Fire, yang memenangkan empat Academy Awards termasuk Best Picture dan Original Music Score (sumber: wikipedia).
Chariots Of Fire
Piano seul
Vangelis
$4.99 4.32 € Piano seul PDF SheetMusicPlus

Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb

$24.95 21.58 € PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
Zdes' khorosho - Serghei Rachmaninov
Violon et Piano

$9.99 8.64 € Violon et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.723186 Composed by Joseph M. Lacalle. Arranged by Joel Jacklich (ASCAP). Jazz,Latin. Score and parts. 8 pages. Joel Jacklich #6717947. Published by Joel Jacklich (A0.723186). Amapola is here arranged for string quartet by Joel Jacklich (A.S.C.A.P.).Joseph M. LaCalle (1860 - June 11, 1937) was a clarinetist, composer, conductor and music critic. He is most well known for composing the song Amapola.LaCalle was born in Cadiz, Spain and emigrated to the United States as a young man. He performed on woodwind instruments with a number of popular bands including the John Phillip Sousa Band, the Gilmore Band, the 7th Regiment Band, the Hoadley Musical Society Amateur Orchestra, and the Columbia Spanish Band. He conducted his own band, the LaCalle Band, and the 23rd Regiment Band. LaCalle participated in early recordings for Columbia and other recording companies.LaCalle composed numerous songs and marches, including Twenty-third Regiment March (1902), Pobrecito Faraon (1923) Amapola (1924), Aquel Beso (1927) and The Light That Never Fails (Luz Eterna) (1928).Amapola was originally composed without lyrics. In the early 1940s Amapola was given English lyrics by Albert Gamse. The song was then recorded by a number of artists. (Source: Wikipedia)
Amapola
Quatuor à cordes: 2 violons, alto, violoncelle

$7.99 6.91 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Flute Duet Flute - Level 4 - Digital Download SKU: A0.1182912 By Helene Schulthess. By Helene Schulthess. Arranged by Helene Schulthess. Chamber,Contest,Festival,Folk,Patriotic,Traditional. Score. 5 pages. Helene Schulthess #782661. Published by Helene Schulthess (A0.1182912). You can purchase all 26 folkdances for 30 $ under this link: https://www.sheetmusicplus.com/title/26-swiss-folk-dances-for-2-flutes-and-accompaniment-digital-sheet-music/21673528The document contents 26 folk dances for two flutes (49 pages) and a score (52 pages)Swiss folk music is very lively. Its diversity reflects the small regional and cultural spaces of Switzerland. Influences from other European countries have also shaped this kind of music since the early 19th century. Polka and Mazurka have their roots in Poland, the Scottish in Scotland. The music has been passed on by word of mouth or has been written down in musicians’ notebooks.Between 1940 and 1960, the ethnomusicologist Hanny Christen travelled through Switzerland and collected thousands of melodies from the period between 1800 and 1960. The musicians played or sang in front of her. Some permitted her to write off their own hand-written dance booklets in full. In 1956, Hanny Christen began to record this music with a tape recorder. It is thanks to her that over 12,000 instrumental dance movements of Switzerland and many other pieces of tradition (costumes, biographies, musical instruments etc.) were saved from being forgotten.The instruments used in traditional folk music vary depending on the type of dance and region. Flutes are more or less non-existent. The author would like to fill a gap with this publication. She has therefore adapted one folk dance per canton from the Hanny Christen-collection* for two flutes. The pieces from the cantons of Basel City, Thurgau and Geneva do not come from this source, though.The melodies from the other 23 cantons are taken unchanged from the collection. The second voice was not always composed quite traditional. The melody follows - if possible - a contrapuntal melody of its own and is directed to the flute (difficulty grade 3 +).The editor, Helene Schulthess, is a flutist with a wide repertoire. She lives in Switzerland. She performs as a soloist, makes chamber music and is active as a music teacher. She is involved in various musical projects (www.helene-schulthess.ch).* Swiss Folk Music Collection. The dance music of Switzerland of the 19th and first half of the 20th century. From the estate of Hanny Christen. Edited by Fabian Müller under the auspices of the Society for Folk Music in Switzerland (GVS/SMPS). Music print. Mülirad, Zürich 2002.
Swiss Folk Dance for two flutes and piano – 19 Canton Aargau – Rosenwalzer
2 Flûtes traversières, Piano
Helene Schulthess
$6.00 5.19 € 2 Flûtes traversières, Piano PDF SheetMusicPlus

Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1237678 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Praise & Worship,Religious,Sacred. 4 pages. Benzaiten Editions #833172. Published by Benzaiten Editions (A0.1237678). The Benzaiten Editions Arrangement If you're looking for an easy violin and viola duo arrangement of the classic hymn Amazing Grace, look no further!  I have created a simple yet beautiful version of this beloved song that is perfect for beginner pianists or those who are just starting to learn how to play. With this arrangement of Amazing Grace, you'll be able to play this timeless melody with ease and grace. The simplified chords and melody make it easy to learn, while still retaining the emotional depth and spiritual resonance of the original hymn. So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy intermediate violin and viola duet arrangement of Amazing Grace is sure to inspire and uplift. About the song Amazing Grace is a beloved hymn written by English poet and clergyman John Newton in the late 18th century. It reflects on his personal journey from a life of sin to one of faith and redemption. The melody's origin is unclear, but it's believed to have originated from an old Scottish folk tune. The hymn has been recorded and performed by countless musicians and artists over the years and has become a source of comfort and hope for people around the world in times of struggle and hardship.
Amazing Grace • easy violin and viola sheet music with chords
Violon, Alto (duo)

$1.99 1.72 € Violon, Alto (duo) PDF SheetMusicPlus






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