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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.
Shadow and Self
Piano Trio: Violon, Alto, Piano

$7.00 6.08 € Piano Trio: Violon, Alto, Piano PDF SheetMusicPlus

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177647 Composed by Leonhard von Call. Arranged by Socrates Arvanitakis. Classical. Individual part. 9 pages. Socrates Arvanitakis #777640. Published by Socrates Arvanitakis (A0.1177647). This sonata in three movements is the first of a group of three sonatas for guitar by the Tyrolian composer and mandolin/guitar virtuoso  Leonhard von Call (1767-1815).The source for this edition is the clearly written manuscript of the three sonatas in the Boije guitar music collection of the National Library of Sweden, marked as Gi Boije 615.The manuscript seems to be based on a 1924 publication of the three sonatas by N. Simrock / Musikverlag / Berlin with catalogue number Verlag 763.Although Von Call was a virtuoso instrumentalist, he seems to have focused on teaching amateurs rather than performing. Consequently, much of his music is not of a very demanding nature, but still well composed and well suited to the instruments for which it was written.From about 1798 until his death in 1815 he was quite successful as a composer in Vienna, and  he composed and published about 150 works, mainly chamber music for different combinations and much vocal music with guitar accompaniment.
SONATA OP.22 NO.1 in C for Classical Guitar - by Leonhard Von Call

$6.00 5.21 € PDF SheetMusicPlus

Flute Quintet,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.1250916 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #845198. Published by Regis Bookshar (A0.1250916). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Flute Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusivley during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of hs Cantata No.   4.This arrangement is for a Flute Quintet. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
Three selections based on "Christ lag in Todesbanden" (Flute Quintet)
Quintette de Flûte : 5 flûtes

$30.00 26.07 € Quintette de Flûte : 5 flûtes PDF SheetMusicPlus






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