Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.1109218 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Stephen DeCesare. Broadway,Contest,Festival,Film/TV,Musical/Show,Standards. Octavo. 3 pages. Exultet Music #711767. Published by Exultet Music (A0.1109218). Featured song in the Broadway musical South Pacific that received scrutiny for its commentary regarding relationship between different races and ethnic groups has been freshly arranged for a Unison choir (Low Key) with Piano accompaniment. True to the original source material.

Piano Solo - Level 1 - Digital Download SKU: A0.1229943 By E.Curtis . By E.Curtis . Arranged by pfkaori. Classical. Score. 2 pages. Pfkaorimusic #825703. Published by pfkaorimusic (A0.1229943). Song: Torna a Sorriento Composer: Curtis Arrangement: piano solo Key: C major Level: Beginner*The YouTube sample sound source is played without repetition.

Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1509377 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Renaissance,Sacred,Standards. 15 pages. Exultet Music #1084620. Published by Exultet Music (A0.1509377). This gentle Christmas carol has been a favorite in Christmas celebrations since the 15th century. This version respects the original source material while adding just enough harmonic difference to keep it fresh for today's audiences.  Scored as a duet for Flute and Bb-Clarinet with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  An accompaniment track is also available.

Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 2 - Digital Download SKU: A0.890763 Composed by Antonio Martín y Coll. Arranged by Sneakwood Editions. Baroque. Score and parts. 3 pages. Sneakwood Editions #2968199. Published by Sneakwood Editions (A0.890763). Las Folias, from Huerto ameno de varias flores de mussica recogidas de varios organistas por Fray Antonio Martín (1709) by Antonio Martín y Coll (Reus, Tarragona, ca. 1660 – Madrid ca. 1734).Ed. Javier Lupiáñez, Source: Biblioteca Asenjo Barbieri M/1360Score for organ: 2 pages. Friendly performance edition.www.snakewoodeditions.com

Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.

Concert Band - Level 5 - Digital Download SKU: A0.1354322 By Alan Silvestri. By Alan Silvestri. Arranged by Jacob Vogel. Film/TV. 67 pages. Jacob Vogel #939039. Published by Jacob Vogel (A0.1354322). PARTS ONLY - Score Sold SeperatelyThis thrilling arrangement captures the excitement and size of Alan Silvestri's record setting orchestral score to Back to the Future. Coming as close as possible to the source material, advanced wind ensembles will enjoy programming this piece for any conert.Instrumentation:Piccolo2 Flutes2 Oboes3 ClarinetsBass Clarinets2 Bassons2 Alto SaxTenor SaxBaritone Sax4 Horns3 Trumpets3 TrombonesBass TromboneEuphoniumTubaString BassTimpani4 Percussion Parts.

Piano Solo - Level 5 - Digital Download SKU: A0.890724 Composed by John Pitts. Contemporary,Standards,World. Score. 33 pages. Intensely Pleasant Music #5012469. Published by Intensely Pleasant Music (A0.890724). The word rÄ�ga literally means ‘colour’, and from that also ‘passion’ or ‘emotion’.  The musical term rÄ�ga refers to a performance, within the melodic and structural conventions of Indian classical music, that evokes a particular emotion.  RÄ�ga Jogiya Kalingra Aroma of Saffron evokes a mood of wonder: It is night-time.  Strong breezes blow through purple fields of the beautiful saffron flower, its red stigma the source of the world’s most expensive spice, releasing wafts of powerful fragrance. This fully composed RÄ�ga Jogiya Kalingra Aroma of Saffron is a solo performance piece for piano lasting around 16 minutes.  It is a fully fleshed-out version of the musical material from the 12th rÄ�ga/raag in the book How to Play Indian Sitar Raags on a Piano (2016) by British composer John Pitts, and is suitable for advanced pianists. Indian rÄ�gas have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy – freely combining elaborate composed melodies with carefully rehearsed improvisation.

Concert Band - Level 3 - Digital Download SKU: A0.1298941 By Boz Scaggs. By Boz Scaggs. Arranged by Popnroll 1976. 20th Century,Funk,Jazz,Pop. Score and Parts. 29 pages. Popnroll 1976 #888792. Published by Popnroll 1976 (A0.1298941). We're All Alone - Bob James (Score & Parts for Band)Jazz fusion keyboard player Bob James released this medium jazz brass band score for Boz Scaggs' hit pop number We're All We're All Alone is a score for medium jazz brass band.The piano theme melody and bass phrases are scored according to the sound source to some extent.The electric piano phrases of the latter half of the theme are included as flutes.Composed by Boz ScaggsPerformed by Bob James (1977)Instrumentation: Flute, Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, Trombone, Rhythm SectionPDF format, 29 pages (9 pages of score + 4 pages of rhythm section score + 2 pages each of 8 parts).

Digital Download SKU: A0.1052130 Composed by John Francis Wade. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 199. Exultet Music #2857167. Published by Exultet Music (A0.1052130). (Also known as Adeste Fideles)  One of the most popular pieces that is played throughout the Christmas season has now been freshly arranged with an upbeat / groove type tempo while respecting the original source material.  Incorporates the singing of Gloria In Excelsis Deo.  Scored for Soprano Solo, Alto Solo, Bb-Trumpet, and Piano.  Appropriate for all levels of singing.  Can be used in a concert as well as church setting.  .

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1077446 Composed by Jules Bass and Maury Laws. Arranged by Stephen DeCesare. Children,Christmas,Film/TV. Octavo. 6 pages. Exultet Music #681635. Published by Exultet Music (A0.1077446). The Ragtime, vaudeville song from the Christmas television special The Year Without A Santa Claus has been freshly arranged for a Vocal solo with a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) and Piano accompaniment. True to the original source material.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254358 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1100378 Composed by Sarum chant. Arranged by Sara Garrard. Christmas,Holiday,Medieval,Religious,Sacred. Octavo. 7 pages. Sara Garrard #704207. Published by Sara Garrard (A0.1100378). The words and melody of 'Christe redemptor omnium' are hundreds of years old. Here is an arrangement of the Christmas plainchant hymn for SATB choir divisi, the effect warm and full, building over the sevenfold structure of the piece. 1. Christe, redemptor omnium, ex Patre, Patris unice, solus ante principium natus ineffabiliter, 2. Tu lumen, tu splendor Patris, tu spes perennis omnium, intende quas fundunt preces tui per orbem servuli. 3. Salutis auctor, recole quod nostri quondam corporis, ex illibata Virgine nascendo, formam sumpseris. 4. Hic praesens testatur dies, currens per anni circulum, quod a solus sede Patris mundi salus adveneris; 5. Hunc caelum, terra, hunc mare, hunc omne quod in eis est, auctorem adventus tui laudat exsultans cantico. 6. Nos quoque, qui sancto tuo redempti sumus sanguine, ob diem natalis tui hymnum novum concinimus. 7. Jesu, tibi sit gloria, qui natus es de Virgine, cum Patre et almo Spiritu, in sempiterna saecula. Amen. Rhymed English translation by John Mason Neale (1818-1866) 1. O Christ, the Father's only Son, whose death for all redemption won, before the worlds, of God most high, begotten all ineffably. 2. The Father's Light and Splendour Thou their endless Hope to Thee that bow: accept the prayers and praise today that through the world Thy servants pay. 3. Salvation's author, call to mind how, taking the form of humankind, born of a Virgin undefiled, Thou in man's flesh becamest a Child. 4. Thus testifies the present day Through every year in long array, that Thou, salvation's source alone proceedest from the Father's Throne. 5. Whence sky, and stars, and sea's abyss, and earth, and all that therein is, shall still, with laud and carol meet, the Author of thine Advent greet. 6. And we who, by Thy precious Blood from sin redeemed, are marked for God, on this, the day that saw Thy Birth, sing the new song of ransomed earth. 7. All honour, laud, and glory be, O Iesu, Virgin-born, to Thee; whom with the Father we adore, and Holy Ghost forevermore. Amen.

Choral Choir (TB) - Level 2 - Digital Download SKU: A0.622472 By Sammy Davis Jr. By Anthony Newley and Leslie Bricusse. Arranged by Stephen DeCesare. Jazz. Octavo. 7 pages. Exultet Music #3679877. Published by Exultet Music (A0.622472). The hit song from Willy Wonka and the Chocolate Factory and the number which is recognized as one of Sammy Davis Jr.'s signature songs, has now been freshly arranged for a 2-part choir (TB) with Piano accompaniment. True to the original source material and accessible/appropriate for any school or concert venue.

Flute,Piano - Level 1 - Digital Download SKU: A0.1225569 Composed by Richard Jones. Arranged by Jon Raybould. Baroque,Classical. Score and part. 4 pages. Jon Raybould Music #821641. Published by Jon Raybould Music (A0.1225569). This charming short Baroque piece for flute and harpsichord is by the English composer Richard Jones (1680 - 1744) (known as Dicky). It's adapted from his Suite in A minor for harpsichord, which has 6 short movements. This is the last movement. My grateful thanks to Andrew Edwards from the Facebook Flute Forum who identified the original source of this piece.

String Quartet String Quartet - Digital Download SKU: A0.1092774 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 24 pages. Artaria Editions #696880. Published by Artaria Editions (A0.1092774). For string quartet Artaria Editions AE273 Edited by Allan Badley 24 pages This is a scholarly edition of a public domain work. The present edition is based on a copy of Torricella's print preserved in the library of the Gesellschaft der Musikfreunde, Steyr (M.S.30380). Torricella's print is a little slipshod in places, particularly in the placement of articulation marks and dynamics. Where these are confusing the editor has standardized the markings in the interests of clarity. Applied markings are indicated by the use of dotted slurs and brackets where appropriate. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.