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Piano,Violin - Level 3 - Digital Download SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. Published by Artaria Editions (A0.1488842). Artaria Editions AE436Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. This sonata is the most virtuosic and imposing work in this genre that the composer wrote. Of particular interest is the use of a slow introduction with lyrical violin solo, the long Adagio with its alternating solo passages, and the playful final Scherzo which bears a thematic similarity to the now-lost original third movement of Kraus's Violin Concerto (VB 151). Indeed, this complex work merits the rubric Great C major.Allan Badley.
Sonata for Fortepiano & Violin in C (VB 162)
Violon et Piano

$30.00 25.6 € Violon et Piano PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1092772 Composed by Franz Anton Hoffmeister. Arranged by Artaria Editions. Classical. Score and parts. 27 pages. Artaria Editions #696878. Published by Artaria Editions (A0.1092772). For string quartet Artaria Editions AE272 Edited by Allan Badley 27 pages This is a scholarly edition of a public domain work. The present edition is based on a copy of Torricella's print preserved in the library of the Gesellschaft der Musikfreunde, Steyr (M.S.30380). Torricella's print is a little slipshod in places, particularly in the placement of articulation marks and dynamics. Where these are confusing the editor has standardized the markings in the interests of clarity. Applied markings are indicated by the use of dotted slurs and brackets where appropriate. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in G major, Op. 10, No. 2 - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$28.00 23.89 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.503075 By Antonio Vivaldi. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 96 pages. Published by Santino Cara (A0.503075). Complete score and parts of the Violin Concerto in B flat major RV 375 for Violin concertante, Strings and Cembalo. Composed in Venice presumably between 1723 and 1724 by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2002 by Santino Cara. Single PDF file with full score and separate parts for: Violin concertante, Violins I and Violins II, Cellos (with solo cello), Double basses, Harpsichord. 3 Movements: 1. Calmo-Allegro non tanto, 2. Largo, 3. Allegro Source: this concert was reconstructed from the manuscript kept at the From the manuscript kept at the State Library of the University of Dresden.
Vivaldi - Violin Concerto in B flat major RV 375 for Violin, Strings and Cembalo
Orchestre de chambre
Antonio Vivaldi
$18.90 16.13 € Orchestre de chambre PDF SheetMusicPlus

Ocarina - Level 2 - Digital Download SKU: A0.1497193 Composed by John Playford. Arranged by Thomas Preece. Folk,Renaissance. Score. 2 pages. Preece Music #1073614. Published by Preece Music (A0.1497193). The English Dancing Master, first published by John Playford in 1651, is a significant early source on English country dances ­ that is, social dances for large groups, which generally consist of a repeated sequence of simple steps set to a few simple short phrases of corresponding music. This book contains the tunes for all 105 dances from the first edition of Playford’s work, transposed to suitable keys for the ocarina.This book is suitable for all pendant, transverse or inline ocarinas that can play a full scale. Ocarinas with 4 holes can play roughly half of the arrangements; ocarinas with 6 or 10 holes can play most of them; and ocarinas with 12 holes can play all of the arrangements. The tunes can also be played on almost any other treble-­clef instrument, such as recorder, tin whistle or violin.
Music from Playford's English Dancing Master arranged for ocarina
Ocarina

$9.99 8.53 € Ocarina PDF SheetMusicPlus

Instrumental Duet,Piano B-Flat Trumpet,Horn,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1231037 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Praise & Worship,Religious,Sacred. 6 pages. Benzaiten Editions #826718. Published by Benzaiten Editions (A0.1231037). The Benzaiten Editions Arrangement If you're looking for an easy trumpet (Bb) and horn (F) music sheet with easy piano accompaniment of the classic hymn Amazing Grace, look no further! I have created a simple yet beautiful version of this beloved song that is perfect for beginner trumpet and horn players or those who are just starting to learn how to play. With this arrangement of Amazing Grace, you'll be able to play this timeless melody with ease and grace. The simplified chords and melody make it easy to learn, while still retaining the emotional depth and spiritual resonance of the original hymn. So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy/beginner trumpet and horn music sheet of Amazing Grace is sure to inspire and uplift. About the song Amazing Grace is a beloved hymn written by English poet and clergyman John Newton in the late 18th century. It reflects on his personal journey from a life of sin to one of faith and redemption. The melody's origin is unclear, but it's believed to have originated from an old Scottish folk tune. The hymn has been recorded and performed by countless musicians and artists over the years and has become a source of comfort and hope for people around the world in times of struggle and hardship.
Amazing Grace • super easy trumpet and french horn sheet music with piano accompaniment
Accompagnement Piano

$2.99 2.55 € Accompagnement Piano PDF SheetMusicPlus

Violino da brazzo IV - intermediate - Digital Download SKU: S9.Q6139 Marienvesper. Composed by Claudio Monteverdi. This edition: separate part. Eulenburg Orchestral Series. Downloadable, Individual part. Duration 70 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q6139. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q6139). Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: 'Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments'. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.
Vespro della Beata Vergine
the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at Mantua for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures
$3.99 3.41 € PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1474154 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051783. Published by jmsgu3 (A0.1474154). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
Bach: Toccata and Fugue, BWV 565 for Saxophone Quintet
Quintette de Saxophone: 5 saxophones

$49.95 42.63 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Cello,Piano - Level 4 - Digital Download SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386).  At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
Trois pièces : Andante, Sérénade et Chant Serbe
Violoncelle, Piano

$18.95 16.17 € Violoncelle, Piano PDF SheetMusicPlus

French Horn Solo - Level 3 - Digital Download SKU: A0.921088 Composed by Michael D. Blostein. Instructional. Individual part. 45 pages. Michael D. Blostein #5300205. Published by Michael D. Blostein (A0.921088). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
Etudes for the Developing Horn Player
Cor

$10.00 8.53 € Cor PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.
Sonata for Fortepiano & Violin in E-flat (VB 161)
Violon et Piano

$30.00 25.6 € Violon et Piano PDF SheetMusicPlus






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