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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
Legacy
Orchestre

$49.95 42.63 € Orchestre PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1485676 Composed by Gioachino Rossini. Arranged by Albert Schwarzmann. 19th Century,21st Century,Classical,Opera,Romantic Period. 211 pages. Edition Schwalbe #1062745. Published by Edition Schwalbe (A0.1485676). When arranging the overture of Rossini's opera  Il barbiere di Siviglia (The Barber of Seville) the choice of the original source  is an important question, as there exist more versions in different scorings, with or without piccolo flute, with or without trombones. In this case the arranger was to be chosen the scientific original text edition published by the Rossini foundation. The arrangement  is transposed from the original key E to E flat. The ad libitum parts of Euphonium and Tuba are only recommended to be used,  if there is a lack of low winds and double bass players in the orchestra performing. This arrangement was first time performed by  Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6th January 2010  in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television.  A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/le-rendez-voud-de-chasse/ or  https://www.jpc.de/jpcng/classic/detail/-/art/le-rendez-vous-de-chasse/hnum/10428700.
Il barbiere di Siviglia - Sinfonia (The Barber of Seville - Overture)
Orchestre d'harmonie

$130.00 110.94 € Orchestre d'harmonie PDF SheetMusicPlus

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.946346 Composed by Johann Sebastian Bach. Arranged by Benjamin Karaca. Baroque,Chamber,Christian,Classical,Multicultural,World. 16 pages. Benjamin Karaca #6266395. Published by Benjamin Karaca (A0.946346). This piece was originally composed for harpsichord. Its authorship by Bach is disputed.Originally, when writing this arrangement, I had the lineup of Alto, Tenor, and Baritone Sax (ATB) in mind. However, the first part can also be played on the Soprano Sax, and the second part on the Alto Sax. Thus, this arrangement can be performed with various instrument combinations. Apart from very few changes, this arrangement closely follows the source material. I opted not to add articulations and have retained the original key of A minor.Saxophone Trio ATB (SAB / STB / AAB). Duration: 3:00 min. Level: 3/5.Part 1: Soprano Sax / Alto SaxPart 2: Alto Sax / Tenor SaxPart 3: Baritone SaxScore in CA high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website: www.benjaminkaraca.com.
Fugue in A minor, BWV 958
3 Saxophones (trio)

$14.95 12.76 € 3 Saxophones (trio) PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1298941 By Boz Scaggs. By Boz Scaggs. Arranged by Popnroll 1976. 20th Century,Funk,Jazz,Pop. Score and Parts. 29 pages. Popnroll 1976 #888792. Published by Popnroll 1976 (A0.1298941). We're All Alone - Bob James (Score & Parts for Band)Jazz fusion keyboard player Bob James released this medium jazz brass band score for Boz Scaggs' hit pop number We're All We're All Alone is a score for medium jazz brass band.The piano theme melody and bass phrases are scored according to the sound source to some extent.The electric piano phrases of the latter half of the theme are included as flutes.Composed by Boz ScaggsPerformed by Bob James (1977)Instrumentation: Flute, Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1, Trumpet 2, Trombone, Rhythm SectionPDF format, 29 pages (9 pages of score + 4 pages of rhythm section score + 2 pages each of 8 parts).
We're All Alone
Orchestre d'harmonie
Boz Scaggs
$49.99 42.66 € Orchestre d'harmonie PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1289744 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 16 pages. Jmsgu3 #880444. Published by jmsgu3 (A0.1289744). Source: Fitzwilliam Fantasia LIIWilliam Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
Byrd: Fantasia in A Minor for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$22.95 19.59 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - Digital Download SKU: A0.811731 Composed by Franz Schubert (1797 - 1828). Arranged by Pat Spence. Concert,Romantic Period,Standards,Wedding. Score and parts. 20 pages. Piper Publications #5333961. Published by Piper Publications (A0.811731). THE FIRST 5 OF 20 MINUETS WITH TRIOS D.41 arranged for flute, oboe & bassoon or cello. Schubert wrote these in 1813 at the age of sixteen though they were unpublished until 1889. They would have been played at social gatherings by Schubert and provided him with a source of income. They certainly show that Schubert was never short of musical ideas. Players of intermediate standard and above will enjoy playing them.
SCHUBERT 5 MINUETS WITH TRIOS D.41 FOR FLUTE, OBOE & BASSOON OR CELLO

$12.00 10.24 € PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1232543 Composed by John Newton. Arranged by Benzaiten Editions. Christian,Early Music,Praise & Worship,Religious,Sacred. 6 pages. Benzaiten Editions #828206. Published by Benzaiten Editions (A0.1232543). The Benzaiten Editions Arrangement If you're looking for an easy violin and violoncello with easy piano accompaniment music sheet of the classic hymn Amazing Grace, look no further! I have created a simple yet beautiful version of this beloved song that is perfect for beginner violin and violoncello players or those who are just starting to learn how to play. With this arrangement of Amazing Grace, you'll be able to play this timeless melody with ease and grace. The simplified chords and melody make it easy to learn, while still retaining the emotional depth and spiritual resonance of the original hymn. So whether you're looking to add a new piece to your repertoire or share the gift of music with others, our easy/beginner violin and violoncello music sheet of Amazing Grace is sure to inspire and uplift. About the song Amazing Grace is a beloved hymn written by English poet and clergyman John Newton in the late 18th century. It reflects on his personal journey from a life of sin to one of faith and redemption. The melody's origin is unclear, but it's believed to have originated from an old Scottish folk tune. The hymn has been recorded and performed by countless musicians and artists over the years and has become a source of comfort and hope for people around the world in times of struggle and hardship.
Amazing Grace • super easy violin and violoncello sheet music with piano accompaniment
Piano Trio: piano, violon, violoncelle

$2.99 2.55 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus






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