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Baritone Horn TC - Level 2 - Digital Download SKU: A0.1270558 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862930. Published by jmsgu3 (A0.1270558). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Baritone Horn Trio

$24.95 21.55 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1270529 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862904. Published by jmsgu3 (A0.1270529). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Clarinet Trio
3 Clarinettes (trio)

$24.95 21.55 € 3 Clarinettes (trio) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone - Level 2 - Digital Download SKU: A0.1270547 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862918. Published by jmsgu3 (A0.1270547). INSTRUMENTATION: ALTO SAX, BARITONE SAX, CONTRABASS SAXSources suggest that the song is a love ballad that praises the beauty and virtues of Calextone, a lady from the town of Arouse. The lyrics describe her as having great value and worth; her beauty and grace are compared to smoke and mist. The song composer, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is a representative example of French secular music from the late fourteenth century. It is unknown whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an essential example of medieval French music and its evolution.
Solage: Calextone qui fut dame for Saxophone Trio
3 Saxophones (trio)

$24.95 21.55 € 3 Saxophones (trio) PDF SheetMusicPlus

Flute Solo - Digital Download SKU: A0.508866 By Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift. By Irving Berlin. Arranged by Leo Silva. Children,Christmas,Holiday,Traditional. Individual part. 1 pages. Published by MP Sheet Music (A0.508866). White Christmas is a Christmas song composed by Irving Berlin and originally recorded by Bing Crosby. Crosby's version is listed on Guinness World Records as the best-selling single of all time, having surpassed 50 million copies worldwide. Other versions of the song, adding to Crosby's, have sold more than 150 million copies. Sources vary on when and where Berlin composed the song. One version claims the song was written in 1940 in the city of La Quinta, California, with other sources claiming its origins are at the Arizona Biltmore hotel. According to Berlin himself, White Christmas is the best song ever written.
White Christmas
Flûte traversière
Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift
$4.99 4.31 € Flûte traversière PDF SheetMusicPlus

Alto Saxophone Solo - Digital Download SKU: A0.508873 By Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift. By Irving Berlin. Arranged by Leo Silva. Children,Christmas,Holiday,Traditional. Individual part. 1 pages. Published by MP Sheet Music (A0.508873). White Christmas is a Christmas song composed by Irving Berlin and originally recorded by Bing Crosby. Crosby's version is listed on Guinness World Records as the best-selling single of all time, having surpassed 50 million copies worldwide. Other versions of the song, adding to Crosby's, have sold more than 150 million copies. Sources vary on when and where Berlin composed the song. One version claims the song was written in 1940 in the city of La Quinta, California, with other sources claiming its origins are at the Arizona Biltmore hotel. According to Berlin himself, White Christmas is the best song ever written.
White Christmas
Saxophone Alto
Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift
$4.99 4.31 € Saxophone Alto PDF SheetMusicPlus

Easy Piano - Digital Download SKU: A0.508875 By Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift. By Irving Berlin. Arranged by Leo Silva. Children,Christmas,Holiday,Traditional. Score. 1 pages. Published by MP Sheet Music (A0.508875). White Christmas is a Christmas song composed by Irving Berlin and originally recorded by Bing Crosby. Crosby's version is listed on Guinness World Records as the best-selling single of all time, having surpassed 50 million copies worldwide. Other versions of the song, adding to Crosby's, have sold more than 150 million copies. Sources vary on when and where Berlin composed the song. One version claims the song was written in 1940 in the city of La Quinta, California, with other sources claiming its origins are at the Arizona Biltmore hotel. According to Berlin himself, White Christmas is the best song ever written.
White Christmas
Piano Facile
Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift
$4.99 4.31 € Piano Facile PDF SheetMusicPlus

Violin Solo - Digital Download SKU: A0.508867 By Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift. By Irving Berlin. Arranged by Leo Silva. Children,Christmas,Holiday,Traditional. 1 pages. Published by MP Sheet Music (A0.508867). White Christmas is a Christmas song composed by Irving Berlin and originally recorded by Bing Crosby. Crosby's version is listed on Guinness World Records as the best-selling single of all time, having surpassed 50 million copies worldwide. Other versions of the song, adding to Crosby's, have sold more than 150 million copies. Sources vary on when and where Berlin composed the song. One version claims the song was written in 1940 in the city of La Quinta, California, with other sources claiming its origins are at the Arizona Biltmore hotel. According to Berlin himself, White Christmas is the best song ever written.
White Christmas
Violon
Dave Koz & Kelly Sweet, Garth Brooks, Martina McBride, Michael Buble Duet With Shania Twain, Rascal Flatts, and Taylor Swift
$4.99 4.31 € Violon PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1270343 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862753. Published by jmsgu3 (A0.1270343). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Bassoon Trio
3 Bassons

$24.95 21.55 € 3 Bassons PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). Antonín Emil Titl   Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
Serenade for flute, horn and orchestra
Orchestre de chambre

$30.00 25.92 € Orchestre de chambre PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1270939 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 13 pages. Jmsgu3 #863314. Published by jmsgu3 (A0.1270939). INSTRUMENTATION: 2 Concert Flutes, 1 Alto FluteSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Flute Trio
Trio de Flûtes: 3 flûtes

$24.95 21.55 € Trio de Flûtes: 3 flûtes PDF SheetMusicPlus

Horn,Trombone - Level 2 - Digital Download SKU: A0.1270186 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862614. Published by jmsgu3 (A0.1270186). INSTRUMENTATION: HORN and 2 TROMBONESSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Brass Trio

$24.95 21.55 € PDF SheetMusicPlus

Trombone - Level 2 - Digital Download SKU: A0.1270948 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863333. Published by jmsgu3 (A0.1270948). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Trombone Trio
3 Trombones (trio)

$24.95 21.55 € 3 Trombones (trio) PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1266223 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 14 pages. Sneakwood Editions #858970. Published by Sneakwood Editions (A0.1266223). Vivaldi – Sinfonia (first Allegro) for strings and continuo from L’Olimpiade RV 725. Preface + Score + Parts (PDF) Preface and Notes Score Parts (Violin I, Violin II, Viola and Basso) Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725L´Olimpiade. Dramma per Musica, is an opera in three acts based on a libretto by Pietro Metastasio composed by Vivaldi and premiered at the Teatro Sant’Angelo on February 17, 1734, during the carnival. There is an earlier version based on the same libretto but written by Antonio Caldara in 1733. There are more than 50 later versions written by various authors, including Pergolesi (1735).Vivaldi’s opera begins with a Sinfonia for strings (Allegro) followed by two instrumental movements: Andante in cut time, and Allegro in 3/8 time. This edition includes just the first Allegro.There is an autograph copy in score format contained in the manuscript I-Tn, Foà 39, Bl. 1-140. The present edition is based on this manuscript.It is very interesting to mention that there is a violin concerto based on this same symphony (or perhaps the thematic transfer was from the concerto to the symphony). It is the violin concerto in C major rv 177.There are several sources for this concerto: Vivaldi’s autograph contained in the manuscript I-Tn, Foà 31, Bl. 14-25, in score format, and two sources in Dresden, the manuscript D-Dl, Mus. 2389-O-83 (score) and D-Dl, Mus. 2389-O-83a.The concerto includes some changes from the Sinfonia. Although these are different works, the connection between the two pieces seems obvious and the annotations that we find in the violin concerto could complement the information that appears in the Sinfonia. For this reason, it is interesting to mention these changes in this edition.
Vivaldi – Sinfonia for strings and continuo from L’Olimpiade RV 725
Orchestre à Cordes

$16.00 13.82 € Orchestre à Cordes PDF SheetMusicPlus






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