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String Quartet String Quartet - Digital Download SKU: A0.1092729 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 17 pages. Artaria Editions #696835. Published by Artaria Editions (A0.1092729). For string quartet Artaria Editions AE225 Edited by Robert Hoskins 17 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in C minor, Op. 3, No. 6 - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$28.00 23.8 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092723 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 32 pages. Artaria Editions #696829. Published by Artaria Editions (A0.1092723). For string quartet Artaria Editions AE223 Edited by Robert Hoskins 32 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in E flat major, Op. 3, No. 4 (score and parts)
Quatuor à cordes: 2 violons, alto, violoncelle

$53.00 45.04 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1092145 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 15 pages. Artaria Editions #696256. Published by Artaria Editions (A0.1092145). For string quartet Artaria Editions AE220 Edited by Robert Hoskins 15 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in B flat major, Op. 3, No. 1 - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$28.00 23.8 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092148 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 32 pages. Artaria Editions #696259. Published by Artaria Editions (A0.1092148). For string quartet Artaria Editions AE220 Edited by Robert Hoskins 32 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in B flat major, Op. 3, No. 1 (score and parts)
Quatuor à cordes: 2 violons, alto, violoncelle

$53.00 45.04 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1092724 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 17 pages. Artaria Editions #696830. Published by Artaria Editions (A0.1092724). For string quartet Artaria Editions AE224 Edited by Robert Hoskins 17 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in D major, Op. 3, No. 5 - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$28.00 23.8 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: In Nomine CXIX for String Orchestra - Score Only
Orchestre à Cordes

$32.95 28 € Orchestre à Cordes PDF SheetMusicPlus

English Horn,Piano - Level 4 - Digital Download SKU: A0.534590 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score and part. 45 pages. Musik Fabrik Music Publishing #4736819. Published by Musik Fabrik Music Publishing (A0.534590). Clémence de Grandval was an important French female composer of the 19th century, especially prasied by Saint-Saens, with whom she studied. Only two of the four pieces were published during Grandval's lifetime and the other two aresourced  from a copyist's copy given by Gillet to an oboeist who emigranted to the United States. The four movements are Lamento, Valse, Andante Espressivo (Air d'Atala) and Finale.
Clémenace de Grandval: Quatre Pièces (Four Pieces) for English Horn and PIano
Cor anglais, Piano

$19.95 16.95 € Cor anglais, Piano PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1292203 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 28 pages. Jmsgu3 #882794. Published by jmsgu3 (A0.1292203). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoints characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: In Nomine CXIX for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 24.6 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1291365 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 15 pages. Jmsgu3 #882016. Published by jmsgu3 (A0.1291365). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
Bull: Salvator mundi for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$24.95 21.2 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1421852 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by B. McCormick. Christian,Praise & Worship,Religious,Sacred. Score. 3 pages. B. McCormick #1003200. Published by B. McCormick (A0.1421852). Discover the enduring hymn In Christ Alone through our carefully arranged Piano/Vocal and Guitar score. This adaptable sheet music weaves together the piano's tune, the song's emotive lyrics, and the guitar's complementary chords, providing a perfect fit for worship services, personal contemplation, or group renditions. About the Songwriters Keith Getty and Stuart Townend, the brilliant minds behind “In Christ Alone,†have left an indelible mark on contemporary Christian music. Their collaboration birthed this powerful anthem that resonates with believers worldwide. As you explore this arrangement, you’ll connect with the heart and inspiration of these gifted composers. About the Song “In Christ Alone†stands as a testament to unwavering faith and the unshakable foundation found in Jesus Christ. Written in 2001, this hymn has become a staple in congregational worship, capturing the essence of salvation, hope, and redemption. Its poetic lyrics and memorable melody evoke deep reflection and praise.Significant Statistics:First Released: 2001Key: D MajorTime Signature: 3/4Tempo: Moderate About the Sheet Music Our Piano/Vocal and Guitar arrangement provides a seamless blend of piano melody and guitar accompaniment. The piano part carries the emotional weight of the lyrics, while the guitar chords enhance the harmonic richness. Whether you’re performing solo or collaborating with others, this sheet music invites you to express your faith through music. Suggestions for Use: Worship Services: Enrich congregational singing during worship services, emphasizing the song’s profound message. Personal Practice: Intermediate-level pianists can explore the melody and chords, gradually mastering the arrangement. Ensemble Performances: Collaborate with vocalists, guitarists, or other instrumentalists to create a harmonious rendition. About the Arranger: Barry McCormick Barry McCormick, an accomplished musician and arranger, brings his expertise to this arrangement. With a background in music and theology, Barry’s arrangements resonate with clarity and precision. His commitment to creating accessible music ensures that intermediate-level piano players can engage with this beautiful hymn. Connect with Barry: Follow Barry on social media:X/TT/YT/IG: @resourcefularrangementsBarry’s passion for music education and arrangement shines through in this heartfelt adaptation of “In Christ Alone.†May your piano and guitar resonate with the timeless truth of this hymn!
In Christ Alone
Piano, Voix et Guitare
Margaret Becker
$4.99 4.24 € Piano, Voix et Guitare PDF SheetMusicPlus






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