String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

Piano Solo - Level 2 - Digital Download SKU: A0.960714 Composed by Anonymous. Arranged by Steven Kudlo. Children,Concert,Instructional,Standards. Score. 1 pages. Steven Mark Kudlo #3068635. Published by Steven Mark Kudlo (A0.960714). An English Nursery Rhyme sourced to the eighteenth century, arranged without words for piano.

String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

Unison voices, keyboard - Easy - Digital Download SKU: MQ.50-9805-E Composed by Michael Burkhardt. 19 pages. MorningStar Music Publishers - Digital Sheet Music #50-9805-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-9805-E). Five 8 measure rote songs for 3-5 yr. olds. For young singers to express their faith throughout church year. Includes teaching plan for each song. Purchase gives permission to reproduce teaching aids and melody edition of songs. Resourceful collection for choir program or pre-school music.

String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

Full Orchestra - Level 5 - Digital Download SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #958551. Published by David Warin Solomons (A0.1373984). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat major The pdf contains score and separate guitar partThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.789656 Composed by Shirley M. Evans. Concert,Holiday,Standards. Octavo. 6 pages. Shirley M. Evans #5358285. Published by Shirley M. Evans (A0.789656). An original two-part song for SA voices with piano accompaniment in praise of Mothers everywhere.  This song would b suitable as a concert item at Mothers' Day concerts or at a family birthday party celebration for Mother.  6 pages (including cover)  Words by Johanna Fuchs www.poemsource.com  Duration:  approx. 2 minutes.  Printed by smchoir@hotmail.com  .

English Horn,Piano - Level 4 - Digital Download SKU: A0.534590 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score and part. 45 pages. Musik Fabrik Music Publishing #4736819. Published by Musik Fabrik Music Publishing (A0.534590). Clémence de Grandval was an important French female composer of the 19th century, especially prasied by Saint-Saens, with whom she studied. Only two of the four pieces were published during Grandval's lifetime and the other two aresourced  from a copyist's copy given by Gillet to an oboeist who emigranted to the United States. The four movements are Lamento, Valse, Andante Espressivo (Air d'Atala) and Finale.

C Instrument - Level 2 - Digital Download SKU: A0.1424426 By Christina Perri. By Christina Perri and David Hodges. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Lead Sheet / Fake Book. 4 pages. B. McCormick #1005616. Published by B. McCormick (A0.1424426). “A Thousand Years” Lead Sheet Music Step into the timeless ballad “A Thousand Years” by Christina Perri, featured in the Twilight movie soundtrack. Our meticulously crafted Lead Sheet captures the essence of eternal love, combining the melody line with harmonizing chords. Whether you’re a solo performer, part of an ensemble, or a worship leader, this arrangement invites you to experience romance through music. About the Song “A Thousand Years” resonates with longing and devotion. Written for the novel and subsequent film series Twilight, it captures the love affair between Edward and Bella. The song’s haunting melody and poetic lyrics evoke the timeless promise of forever. Sheet Music Details Our Lead Sheet arrangement simplifies the original score, providing essential elements for performance: Melody Line: The vocal melody, beautifully notated, allows you to sing or play the heart of the song. Harmonizing Chords: Above the melody, chords guide your accompaniment, creating a rich harmonic backdrop. Can be used by any accompanying instruments. Lyrics Included: Sing along or share the story through the words interwoven with the music. Chord Sheet Included: As well as the lead sheet an accompanaying chord sheet with the lyrics and chords is included. This gives additional information, chord diagrams, strumming patterns and fingerpicking patterns making it an ideal tool for both learners and instructors.  Vocal Line Suggestions: During instrumental parts, consider adding further instrumentation (such as violin, flute, or cello) to enhance the arrangement. Melodies for these additional instruments are notated with smaller note heads to distinguish them from the sung melody. About the Arranger: Barry McCormick Barry McCormick, the creative force behind this Lead Sheet arrangement, weaves simplicity and emotion into every note. His musical journey spans years of exploration, from classical compositions to contemporary adaptations. As you play “A Thousand Years,” you’ll connect with Barry’s passion for making music accessible to all. Connect with Barry: X|TT|YT|IG: @resourcefularrangementsBarry invites you to explore the magic of music, one chord at a time. ??.

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.533997 Composed by Germaine Tailleferre. 20th Century,Baroque. Score and parts. 18 pages. Musik Fabrik Music Publishing #3094439. Published by Musik Fabrik Music Publishing (A0.533997). In 1935, Germaine Tailleferre was asked to write the stage music for Jean Sarment's play Madame Quinze which was produced by the Comédie Française. The play was about Madame de Pompadour and Louis XV and also featured the Société de la Musique Ancienne (Henri Casadesus playing the viola d'amour, Marius Casadesus on the quinton, Régina Patorni-Casadesus playing the harpsichord, Lucette Casadesus at the viola de gamba, Maurice Devilliers at the bass viol). The production was reprised by the Comédie Française in 1950, this time at the Odéon theatre and Tailleferre revised her score at that time. These three pieces are not present in the 1935 mansucript score at the Paris Opera Libarary. They were apparently added to the score for the 1950 production and are sourced through materials at the Library of the Comédie Française

String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.