Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490864 Composed by Enrique Granados. Arranged by Kan Saito / Japan Duo Notes. 19th Century,Classical,Contest,Festival,Folk,Multicultural,World. Score. 2 pages. Japan Duo Notes #1067648. Published by Japan Duo Notes (A0.1490864). Title: Andaluza by Enrique Granados – Flute Duet ArrangementDescription:Explore the passionate rhythms and rich melodies of Enrique Granados’s Andaluza with this expressive flute duet arrangement. Originally part of Granados’s Twelve Spanish Dances (Danzas Españolas), Andaluza—also known as Playera—captures the vibrant spirit of Andalusian folk music. This arrangement for two flutes brings the fiery and emotive character of the original piece to life, offering a dynamic and engaging performance experience.Key Features:Composer: Enrique GranadosArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet arrangement of Andaluza maintains the essence of Granados’s original composition, translating its passionate melodies and intricate rhythms into a captivating dialogue between two flutes. Ideal for recitals, chamber music performances, and cultural events, this piece allows flutists to delve into the expressive and rhythmic nuances that define Spanish music.Why Choose This Arrangement?Authentic Adaptation: Faithfully captures the rhythmic vitality and emotional depth of Granados’s Andaluza, reimagined for two flutes.Versatile and Expressive: Perfect for a variety of performance settings, including formal recitals, chamber music concerts, and themed cultural events.Musically Rewarding: Designed for intermediate to advanced flutists, offering a blend of technical challenge and expressive opportunity.Add the fiery elegance of Spanish music to your flute repertoire with this stunning arrangement of Enrique Granados’s Andaluza. It’s an ideal choice for flutists who appreciate the rich cultural influences of Andalusian music and wish to perform a piece that is both passionate and evocative.Keywords: Enrique Granados, Andaluza, Playera, flute duet, flute sheet music, Granados arrangements, Spanish music, Andalusian music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music.

Viola Solo - Level 2 - Digital Download SKU: A0.1237587 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contest,Disco,Festival,Latin,Multicultural,Pop,World. Individual part. 1 pages. Musikeo #833104. Published by Musikeo (A0.1237587). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Màxim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.

Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. â€˜Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.

Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. â€˜Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.

Piano - Level 2 - Digital Download SKU: A0.1140477 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Unimusic Academy (Academia Unimusica). Contemporary,Pop,Rock,Singer/Songwriter. Score (Chords/Lyrics). 8 pages. Unimusic Academy (Academia Unimusica) #740673. Published by Unimusic Academy (Academia Unimusica) (A0.1140477). Thank You for the Music is a song by the Swedish pop group ABBA. It was originally featured on the group's fifth studio album, The Album (1977), and was released as a double-A sided single with Eagle in May 1978 in limited territories, namely Belgium, the Netherlands, Germany, France, Austria, Switzerland and Australia. In South Africa where it peaked at number 2 in August 1978 and became the eighteenth best-selling single of that year. Gracias por la Música is the Spanish-language recording of Thank You for the Music, with lyrics by Buddy and Mary McCluskey. The B-side was the Spanish-language version of Gimme! Gimme! Gimme! (A Man After Midnight) entitled ¡Dame! ¡Dame! ¡Dame!. The song was released in 1980 to promote the band's Spanish-language album/compilation Gracias Por La Música. It was the group's seventh best-selling Spanish single, and also peaked at number 4 in Argentina.

Concert Band - Digital Download SKU: AX.00-PC-0015797_B1 Bassoon. Composed by Jose Padilla. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015797_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015797_B1). UPC: 038081430041.El Relicario is a well-known pasodoble by Spanish composer JosA(c) Padilla (1889--1960). The pasodoble (meaning double step) is a type of Spanish march that is performed at bullfights, usually when the participants enter the arena. An enchanting Spanish flourish for your developing band . . . OlA(c)! (2:30) This title is available in SmartMusic.

Concert Band - Digital Download SKU: AX.00-PC-0017598_C2 2nd B-flat Clarinet. Arranged by Michael Story. Latin; Multicultural. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017598_C2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017598_C2). UPC: 038081529462.Three contrasting and delightful traditional Spanish melodies are seamlessly interwoven for concert or contest programming. Including the revered Asturias by Isaac AlbA(c)niz, Granados' Spanish Dance #5 from his Twelve Spanish Dances, and the well-known EspaA+-a CaA+-i, a paso doble by Pascual Marquina Narro featuring a wide variety of ensemble textures. Intellectual, musical, and worldly! (3:45)Concert/Contest; Festival.

Concert Band - Digital Download SKU: AX.00-PC-0015797_BTC1 Baritone T.C.. Composed by Jose Padilla. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015797_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015797_BTC1). UPC: 038081430041.El Relicario is a well-known pasodoble by Spanish composer JosA(c) Padilla (1889--1960). The pasodoble (meaning double step) is a type of Spanish march that is performed at bullfights, usually when the participants enter the arena. An enchanting Spanish flourish for your developing band . . . OlA(c)! (2:30) This title is available in SmartMusic.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.999871 Composed by William P. Gorton. 20th Century,Concert,Contemporary. Score. 3 pages. William P. Gorton #6116329. Published by William P. Gorton (A0.999871). This haunting lullaby/love song in Spanish is a gem! It would be great material for a student or faculty conservatory recital or public art song concert, especially as part of a set (see other Spanish compositions by William P. Gorton: Luna reluciente, Valentía, So el olivar). Intended to be sung in Castillian Spanish (i.e. the title would be pronounced bre-tho, with flipped r and theta-ized z and c where appropriate). This song happens to be Dr. Gorton's premier composition, and it is a real favorite with singers and audiences alike. Intermediate level.

Small Ensemble Electronic Keyboard,Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.1027862 Composed by Antonio Gervasoni. Broadway,Classical,Contemporary,Film/TV,Musical/Show. Score and parts. 167 pages. Antonio Gervasoni #3038785. Published by Antonio Gervasoni (A0.1027862). Twenty-six-movement work for violin, guitar, piano and electronic keyboard. A collection of pieces from the music composed by Antonio Gervasoni in 2006 for a setting of the play Los árboles mueren de pie (Trees die standing tall) by Spanish playwright Alejandro Casona. Comedy, drama, suspense and romance are all mixed up in this play that tells a heartbreaking story about love and the courage to face life’s hardest blows. Although this set of pieces was written with Casona’s play in mind, it can certainly be used as incidental music for any other tragicomedy, in which case, the pieces may have to be adapted accordingly. This score has been designed so that it serves also as the part for the keyboard player. This would let him assume the role of music director and thus ensure that the music is synchronized with the action and dialogues. All other parts have been included after the score of the final movement. Note: being that the play is in Spanish, the score and all the texts in it are also in Spanish.

Recorder Solo - Level 2 - Digital Download SKU: A0.1472457 Composed by Sebastian Yradier. Arranged by P. R. Frederick. Folk,Traditional. Individual part. 1 pages. P. R. Frederick #1050103. Published by P. R. Frederick (A0.1472457). “La Palomais a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. Iradier was to die in obscurity within few years, never to learn how popular his song would become.There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish songHere it is arranged for recorder.Se my other recorder songs here

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1393179 Composed by Manuel Penella. Arranged by Robert Stevens. 20th Century,Chamber,Classical,Latin,Opera. 24 pages. SAXpress.com #976674. Published by SAXpress.com (A0.1393179). El Gato Montes, Paso Doble Torero Manuel Penella arranged for saxophone quintet This transcription is for saxophone quintet (SAATB or AAATB). Lively Spanish rhythms, a moderate allegro tempo (q = 104-112), semi-independent parts, and a moderate range make this a challenging but achievable piece for intermediate sax players.  The brief length (under 3 minutes taking all repeats), simple time signature (2/4 throughout) and manageable key signature (G minor throughout) will contribute to your players' success. After a unison fanfare introduction, the Soprano or Alto alternate takes the lead throughout but the supporting parts are featured in countermelodies and rhythmic figures. The Baritone provides a classic passo doble bass line as the foundation.The following parts are included with this arrangement: Soprano Sax Alto Sax A, soprano sax double Alto Sax 1 Alto Sax 2 Tenor Sax Baritone Sax Spanish composer Manuel Penella (1880-1939) wrote much for the stage including opera and zarzuela (Spanish musical theater). His best known work is the pasodoble El Gato Montes or “The Wildcat� from the 1916 opera of the same name. Your audience will be shouting “OLE� and throwing their hats into the air when you play this lively pasodoble!

Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.999885 Composed by William P. Gorton. 20th Century,Concert,Contemporary. Score. 3 pages. William P. Gorton #6116891. Published by William P. Gorton (A0.999885). So el olivar is a lament, describing a dark little girl weeping under the olive tree, mourning her dead friend; which made the branches tremble. Haunting and poignant, this beautiful Spanish art song would be a great addition to a recital program, especially in a set (see other Spanish compositions by William P. Gorton: Luna reluciente, Valentía, Brezo). Intended to be sung in Castillian Spanish (i.e. the title would be pronounced bre-tho, with flipped r and theta-ized z and c where appropriate).

Clarinet Duet Clarinet - Level 2 - Digital Download SKU: A0.1472734 Composed by Sebastian de Yradier. Arranged by P. R. Frederick. Folk,Traditional. 2 scores. 7 pages. P. R. Frederick #1050387. Published by P. R. Frederick (A0.1472734). “La Palomais a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was written by the Spanish Basque composer Sebastián Iradier (later Yradier) around 1860 after a visit to Cuba. Iradier was to die in obscurity within few years, never to learn how popular his song would become.There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish songHere it is arranged as a clarinet duet. A score and separate parts are provided.See my other clarinet duets here