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Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.996625

Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625).

This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.

Songs

1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and  other social events.

2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.

3. La Petenera is  a combination of two songs in very different styles - a flamenco Petenera from Andalucía and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.

4. Saetas are religious songs that are performed at Easter (Semana Santa).

5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.

6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.

7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside.  The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.

Seven Spanish Songs
Piano, Voix

$9.99 9.49 € Piano, Voix PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.568484

Composed by Sebastina de Yvradier (1809â??1865). Arranged by Thomas Graf. Folk,World. 12 pages. Thomas Graf - the-hit-factory.com #2961267. Published by Thomas Graf - the-hit-factory.com (A0.568484).

La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.  

Instrumentation:  Part I (Soprano/Alto), Part II (Alto), Part III (Tenor)           

Listen to the recording - a challenge for your ensemble. 

Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N...                               

Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic    New catalogue included

Video: https://www.youtu.be/ERXv2yBGgOA.

La Paloma - Spanish Habanera - Saxophone Trio
3 Saxophones (trio)

$9.49 9.01 € 3 Saxophones (trio) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download

SKU: A0.568938

Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938).

La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.  

Instrumentation:  Soprano (Alto), Alto, Tenor, Baritone           

 Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              


Check out our latest uploads: 
http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              

Video: https://www.youtu.be/qR5PI78fGqM   .

La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf Quatuor de Saxophones: 4 saxophones

$10.49 9.96 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

SATB choir, guitar, 2 violins and double bass (or piano) - Digital Download

SKU: MQ.8194-E

Composed by David Conte. 22 pages. E. C. Schirmer Music Company - Digital #8194-E. Published by E. C. Schirmer Music Company - Digital (MQ.8194-E).

Spanish.

Commissioned by the San Francisco symphony, this three movement suite of folk songs well known in Mexico comes in three separate voicings: SATB, SSAA, and TTBB. A piano accompaniment is provided although the original scoring can also be used. (Guitar, two violins, and double bass or piano.) The Spanish texts straddle the macabre and the humorous in a way that is charming and engaging. Full translations are provided in the forward.

1. La Martiniana (The Martiniana)
2. La Bruja (The Witch)
3. La Llorona (The Weeping Woman)


Instrumental Parts include:
Guitar
Violin I
Violin II
Double Bass.

Three Mexican Folk Songs (Downloadable Piano/Choral Score)
Chorale SATB

$3.20 3.04 € Chorale SATB PDF SheetMusicPlus

TTBB choir, guitar, 2 violins and double bass (or piano) - Moderately Easy - Digital Download

SKU: MQ.8196-E

Composed by David Conte. 23 pages. E. C. Schirmer Music Company - Digital #8196-E. Published by E. C. Schirmer Music Company - Digital (MQ.8196-E).

Spanish.

Commissioned by the San Francisco symphony, this three movement suite of folk songs well known in Mexico comes in three separate voicings: SATB, SSAA, and TTBB. A piano accompaniment is provided although the original scoring can also be used. (Guitar, two violins, and double bass or piano.) The Spanish texts straddle the macabre and the humorous in a way that is charming and engaging. Full translations are provided in the forward.

1. La Martiniana (The Martiniana)
2. La Bruja (The Witch)
3. La Llorona (The Weeping Woman)


Instrumental Parts include:
Guitar
Violin I
Violin II
Double Bass.

Three Mexican Folk Songs (Downloadable Piano/Choral Score)
Chorale TTBB

$4.10 3.89 € Chorale TTBB PDF SheetMusicPlus


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