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Organ,Trumpet - Level 3 - Digital Download SKU: A0.1000591 Composed by Valentin Rathgeber (1682-1750). Arranged by Matthias Eckart - Edition Ensemble Akzente. Baroque. 39 pages. Matthias Eckart #6351525. Published by Matthias Eckart (A0.1000591). Concerto from Valentin Rathgeber (1682-1750) is a powerful baroque piece for two trumpets and organ (original in Eb for two trumpets and B.C.). Here in two Versions C and D. Parts in A, D, Bb and C are included. An especially piece for concerts.Das Konzert F-Dur von Valentin Rathgeber (1682-1750) ist ein kraftvolles barockes Stück für zwei Trompeten und Orgel. Original komponiert für zwei Trompeten und B.C.. Hier in zwei Fassungen in C- und D-Dur. Stimmen in B, A, D und C sind vorhanden. Ein besonderes Stück für Konzerte.
Concerto from Valentin Rathgeber (original Eb) Vers. in C & D - arrangement for two trumpets & organ
Orgue, Trompette (duo)

$17.00 14.53 € Orgue, Trompette (duo) PDF SheetMusicPlus

Brass Ensemble,Trombone Trio - Level 4 - Digital Download SKU: A0.799009 Composed by August Kuhnel. Arranged by Jörg Richter. Baroque,Renaissance. Score and parts. 33 pages. Jörg Richter #6305455. Published by Jörg Richter (A0.799009). Ein Arrangement der Echo Serenade von August Kühnel für Posaunentrio. August Kühnel war ein deutscher Komponist und Gambist des 17. Jahrhunderts. Das Stück wurde wahrscheinlich ursprünglich für 2 oder 3 Violi da Gamba und Generalbass geschrieben. Das Stück ist eine Suite mit 6 Sätzen: Intrata, Aria, Präludium, Echo, Sarabande, Giga. Die 1. Posaune ist im Altschlüssel, Tenorschlüssel und Bassschlüssel verfügbar. Die 2. Posaune ist im Tenorschlüssel und im Bassschlüssel verfügbar.
Echo Serenade für Posaunentrio

$15.99 13.67 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.964555 Composed by Nancy DeVries. Arranged by St Raphael's Psaltery. Christian,Concert,Sacred. Score. 3 pages. Nancy DeVries #6424373. Published by Nancy DeVries (A0.964555). Adoro Te Devote (Thee We Adore) is a piano arrangement of the familiar Gregorian chant hymn tune of the same name. The text for this Eucharistic hymn was written by St. Thomas Aquinas during the 13th century. As the hymn is in honor of the Most Blessed Sacrament, it is especially appropriate for Church use at Corpus Christi, Eucharistic Adoration or devotions. This meditative piece may also be appreciated for home devotional use, or for performance at programs or recitals. Advanced Intermediate level. Not overly difficult, but some minor challenges re: changes in meter, accidentals and octave work. This piece may be an enjoyable and rewarding work to play for those at this level.    
Adoro Te Devote
Piano seul

$3.99 3.41 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1151961 Composed by Franz Xaver Gruber, Lyric by Joseph Mohr, Bishop John Freeman Young. Arranged by Piacere Music Sheets. Chamber,Christmas,Instructional,Romantic Period,Standards. Score. 6 pages. Piacere Music Sheets #752168. Published by Piacere Music Sheets (A0.1151961). Key/Tone: D Major Movements/Sections: Largo Year/Date of Composition: 1818 Difficulty: Grade 3/12 (Easy) Vocal Range: D4 to G5 (C4 = middle C) Obs.: This beautiful Christmas carol is one of the best-loved carols in the world. The author of the original lyrics (in German) was Joseph Mohr (1792-1848), a Catholic priest. The composer of the music, Franz Xaver Gruber (1787-1863), was an Austrian primary school teacher, church organist and composer of the 19th century. Mohr and Gruber first performed Silent Night on December 24, 1818, at Christmas Mass in St. Nicholas Church in Austria, with guitar accompaniment, and with the St. Nicholas choir repeating the last two lines of each verse. This score is an arrangement for High Voice and Piano, set in the key of D Major. This score includes the complete lyrics in English (3 verses). The English translation was realized by Bishop John Freeman Young (1820-1885). Included: Full score and separated parts for each instrument.
Gruber - Silent Night in D Major for High Voice & Piano - Easy
Piano, Voix

$4.95 4.23 € Piano, Voix PDF SheetMusicPlus

Harmonica - Level 2 - Digital Download SKU: A0.1359235 By Bob Dylan. By Bob Dylan. Arranged by songbooks.info. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Score. 4 pages. Songbooks.info #943695. Published by songbooks.info (A0.1359235). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was adapted for the Chromatic Harmonica and provided with symbols for the channel number, blow/draw and the slider. These symbols are briefly explained in the appendix. The classic musical notation and/or the lyrics help to develop the song, so that even those unfamiliar with music notes can learn to play the song with this arrangement.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Blowin’ in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelin’ veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Chromatische Mundharmonika adaptiert und mit Symbolen für Kanalnummer, Blas-/Ziehton und dem Schieber versehen. Diese Symbole werden im Anhang kurz erklärt. Die klassische Notenschrift und/oder der Liedtext helfen beim Erarbeiten des Liedes, sodaß auch Noten-Unkundige mit diesem Arrangement das Lied spielen lernen können.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
Blowin' In The Wind
Harmonica
Bob Dylan
$4.99 4.27 € Harmonica PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.1359220 By Bob Dylan. By Bob Dylan. Arranged by Bettina Schipp. 20th Century,Country,Folk,Singer/Songwriter,Traditional. Individual part. 4 pages. Songbooks.info #943679. Published by songbooks.info (A0.1359220). Blowin' in the Wind is a folk song by Bob Dylan, released on the 1963 studio album The Freewheelin'. The song is one of Bob Dylon's best-known pieces; parts of the melody come from the traditional gospel No More Auction Block.The song became an anthem of the American civil rights and peace movements; Rolling Stone lists the piece at number 14 on the 500 best songs of all time.The song was arranged for the Guitar and notated in classical musical notation and tablature.The sound of a Vibraphone was used in the setting, so the sound does not mix with the sound of your own instrument. The melody is backed by a metronome and quietly by an organ. We hope you enjoy making music...!Blowin’ in the Wind ist ein Folksong von Bob Dylan, 1963 auf dem Studioalbum The Freewheelin’ veröffentlicht. Der Song gehört zu den bekanntesten Stücken von Bob Dylon, Teile der Melodie stammen aus dem traditionellen Gospel No More Auction Block.Der Song wurde zu einer Hymne der amerikanischen Bürgerrechts- und Friedensbewegung, der Rolling Stone listet das Stück auf Platz 14 der 500 besten Songs aller Zeiten.Das Lied wurde für die Gitarre arrangiert und in klassischer Notenschrift und Tabulatur notiert.In der Vertonung wurde der Sound eines Vibraphones verwendet, so vermischt sich der Klang nicht mit dem Klang des eigenen Instrumentes. Hinterlegt ist die Melodie mit einem Metronom sowie leise mit einer Orgel. Wir wünschen viel Spaß beim Musizieren...!
Blowin' In The Wind
Guitare notes et tablatures
Bob Dylan
$4.99 4.27 € Guitare notes et tablatures PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3651 Composed by J.R. Thomas. Forests, Deer, Nature, Seasons, Symbols. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3651). Birds of the Angel Wing. Song and Quartette. Words by R. Ashley Cohen. Music by J.R. Thomas. Published 1868 by P.L. Huyett & Son, No. 9 Fourth St. in St. Joseph, Mo. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Forests, Deer, Nature, Seasons, Symbols. First line reads Bird of the angel wing, beautiful bird!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Birds of the Angel Wing. Song and Quartette
Chorale SATB

$5.99 5.12 € Chorale SATB PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.549614 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 24 pages. Jmsgu3 #3514627. Published by jmsgu3 (A0.549614). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.  
Tchaikovsky: Overture from Nutcracker Suite for Cello & Piano
Violoncelle, Piano

$32.95 28.17 € Violoncelle, Piano PDF SheetMusicPlus

Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
Ensemble de Clarinettes

$49.95 42.7 € Ensemble de Clarinettes PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!
Symphony In Riffs
Ensemble Jazz

$49.99 42.74 € Ensemble Jazz PDF SheetMusicPlus






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