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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.869909 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane, Gene Klosner. Christmas,Sacred. 14 pages. Cher & Gene Klosner #4990957. Published by Cher & Gene Klosner (A0.869909). Featured on Cher & Gene Klosner's NPM (National Association of Pastoral Ministers) Lunchtime Concert:https://youtu.be/QjX1ljNIKDI?si=AO545zAKfUK9Sn-9Responsorial Psalm. USCCB-approved for Catholic and liturgical use. Verbatim Text on refrain and verses.Contemporary setting of Psalm 98 with Psalm Tone verses.Use for:Christmas Mass During the Day ABC (xmdayABC)Common Psalm for Christmas season (xmcom)Saturday of the 4th Week of Easter (east4Sa)Jan 2Jan 3Jan 4: incl'g Memorial of St. Elizabeth Ann Seton, religious (mem0104)Various Needs: For the Evangelization of PeoplesOfficial Liturgical text: All the ends of the earth have seen the saving power of God.Available in Octavo complete package and in Soloist/Small Group format and MP3.Includes different sets of verses for each different day/occasion.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosnerIntroductory video: https://youtu.be/ohQUCOh28xE
All the Ends of the Earth (Ps. 98) [Octavo - Complete Package]
Chorale SATB
Cher & Gene Klosner
$1.99 1.71 € Chorale SATB PDF SheetMusicPlus

SAB choir and piano - Medium - Digital Download SKU: MQ.8703-E Composed by Sasha Johnson Manning. Lent, Funeral. Instrument parts. 11 pages. Duration 4 minutes, 35 seconds. E. C. Schirmer Music Company - Digital #8703-E. Published by E. C. Schirmer Music Company - Digital (MQ.8703-E). English. Psalms 130.This tonal setting of Psalm 130 follows the strophic translation created by the Elizabethan poet and composer Thomas Campion. Each verse follows an original melody, which is elaborated upon progressively throughout the different verses. The piano part is constructed independently of the four voice parts and is equal to them in the overall construction of the piece. The piece is rooted thoroughly in the minor and supports the pleading nature of the words throughout. It is ideally suited to the season of Lent but would also complement any penitential service or memorial. It was created for the English-born conductor Philip Barnes, and his singers at the Third Baptist Church, which is in Grand Center, St. Louis, Missouri. Duration: 4:35.
Out of My Soul's Depths (De profundis) (Downloadable)
Chorale 3 parties

$2.65 2.27 € Chorale 3 parties PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1133351 Composed by Traditional Christmas & Folk Tunes. Arranged by Elizabeth Essex. Children,Christmas,Contemporary,Holiday,Multicultural,World. Score. 27 pages. Elizabeth Essex #733504. Published by Elizabeth Essex (A0.1133351). The arrangements in Christmas: Songs on the Black Keys are great for new beginner piano students who can read using finger numbers on the black keys, but aren't ready to make the jump to reading with all alpha notes. For example, songs like O Christmas Tree introduce the B and F keys, but keeps the rest of the fingers on the black keys. Every song has an illustration of the hand position. Notes are color-coded by hand-- green for right hand and red for left hand. Illustrations of each hand are also included at the start of each song which is vital for those pre-school kids that still have trouble telling right from left. The result is a set of songs attractive and playable for beginners of all ages. Lyrics included with most songs. Some songs contain religious content. Check my profile for the secular version. 26 pages, landscape. Easy for pre-readers and beginners. Preschool. Finger numbers. Pre-staff / prestaff, pre-reader / prereader, pre-reading / prereading. Beginner. Late beginners. Contents: 1. Jolly Old St. Nicholas 2. Up on the Housetop 3. Go Tell It on the Mountain 4. Jingle Bells 5. We Three Elves (parody of We Three Kings) 6. O Christmas Tree 7. O Come All to My Igloo (parody of O Come All Ye Faithful) 8. Dance of the Reed Flutes, from The Nutcracker Suite 9. Arabian Dance - duet, from The Nutcracker Suite 10. Chinese Dance - duet, from The Nutcracker Suite 11. Deck the Halls See my other arrangements: Sheet Music Press (copyrighted music available)
Christmas: SECULAR Songs on the Black Keys - Pre-staff Piano Sheet Music
Piano Facile

$12.99 11.15 € Piano Facile PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522421 Composed by Traditional Irish Folk Tune. Arranged by Paul A. Jorg. A Cappella,Christian,Holiday,Sacred. Octavo. 2 pages. Paul A. Jorg #6102165. Published by Paul A. Jorg (A0.522421). The history of the song goes back to the 5th century in Ireland and St. Patrick. In the 8th century, a monk named Dallan Forgaill wrote the Irish poem, Rop tú mo Baile (Be Thou my Vision), to remember and honor the faith that St. Patrick had shown in his defiance of King Logaire of Tara’s decree three centuries earlier. His poetry lived on as a part of the Irish monastic tradition for centuries until, in the early 20th century, Mary Elizabeth Byrne translated the poem into English, and in 1912, Eleanor Hull versified the text into what is now the lyrics of a well-loved hymn. The music SLANE is an ancient Irish folk tune which became a hymn tune when it was arranged by David Evans and set to the Irish hymn Be Thou My Vision in 1927.  This hymn acts as a prayer to our God that He would be the first that we seek after, and continually refocus the direction of our life.  This arrangement is for 4 part male harmony (TTBB) a cappella.
BE THOU MY VISION
Chorale TTBB

$4.59 3.94 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score.  The vocal score is available for sale.  The parts are available on rental from the publisher.
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra

$32.95 28.28 € PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.727499 Composed by Frederick William Faber and Henri F. Hemy. Arranged by Carol Troutman Wiggins. Christian,Holiday,Religious,Sacred,Traditional. 4 pages. Carol Troutman Wiggins #4596037. Published by Carol Troutman Wiggins (A0.727499). FAITH OF OUR FATHERS Violin & Piano DuetOriginally written as a Catholic hymn by Frederick William Faber in 1849, this popular hymn is now used in the congregations of many denominations. The melody is ‎St. Catherine by Henri F. Hemy. It was written in memory of the Catholic martyrs during the establishment of the Church of England by Henry VIII and Queen Elizabeth.Intermediate level solo and piano accompanimentExcellent for preludes, offertories, and postludes.Perfect for celebration of Father's Day or Memorial DayPiano Accompaniment Track available on this site.
Faith of Our Fathers (Violin & Piano)
Violon et Piano

$9.99 8.57 € Violon et Piano PDF SheetMusicPlus

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
Supercollider
Quatuor à cordes: 2 violons, alto, violoncelle

$35.00 30.04 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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