SKU: A0.1063281

This is the piano demonstration performance of Stevens' Fallen Leaves.

SKU: HX.133625

SKU: A0.1147085

This is the piano demonstration performance of Stevens' When Night Has Fallen..

SKU: A0.761688

This setting of Robert Louis Stevenson's poem, The Wind, from A Child's Garden of Verses, is composed for two-part SA treble chorus with piano accompaniment. The extended tonal harmonies ask students to hear and resolve suspended and non-chord pitches within easily accessible thirds and sixths, while Part I can help develop range for the higher voices.  In terms of text, Stevenson’s poem provides mature lyrics for young musicians as well as an opportunity for cross-discipline literary learning.  A current and respected choral director who reviewed the piece referred to the piano accompaniment as fun to play and varied nicely.  In response to the piece as a whole, she also said, I do think the young choral world can use more challenging pieces..

SKU: A0.1147134

Written December 17, 2022, this is an original piano composition in a slow and reflective style with a lot of jazz undertones. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' on streaming services worldwide including Spotify, Pandora, Amazon, Apple, and others.

SKU: A0.499971

Written October 22 2021, this is an original piano composition in a quiet and reflective style in D minor. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. Follow Dr. Stevens' music on streaming platforms such as Spotify, Apple Music, Pandora Radio, and Amazon Music.

SKU: A0.925205

This three movement work, originally for pipe organ, has been arranged for symphonic concert band.  This is the version played by the Allentown Band.

SKU: A0.1127638

Arranged for ease of learning - includes alpha notes, tablature, chord symbols, lyrics and concerted rhythm.

SKU: HX.133619

SKU: A0.1392677

This fun and exciting song from pop band AJR is arranged here for a trio of 2 Tenor Trombones and Bass Trombone or Tuba but can also be pulled off with any combination of bass clef instruments: Trombones, Baritones/Euphoniums or Bassoons. The form here emulates the beginning of the AJR track with chorus, verse, chorus, then moves ahead to a different sort of trombone jam/playout (beginning at measure 51) which calls out some London-flavored melodies before a restatement of the last phrase of the chorus.


The 1st part keeps the melody throughout this arrangement. There are some lower octave cues in the verse that will allow the player to only have to briefly touch on some F's and G's above the staff a few times if they donâ??t have a high B-flat at the ready. The remaining parts shoulder the greater technical challenge but also have some simplified cue notes available if needed.


Optionally, if your group prefers not to undertake the brief tempo change (and Rule Britannia! quote) you can optionally skip measures 57 and 58 without slowing, but the chuckle from your audience will surely be worth the extra effort.