High Voice,Vocal Solo - Level 3 - Digital Download

SKU: A0.787362

Composed by Georgia L. Lockwood. 20th Century,Concert,Contemporary. 4 pages. Burke & Bagley #4846529. Published by Burke & Bagley (A0.787362).

Another Lockwood song whose end phrase popped into the composer’s head and wouldn’t go away until exorcised by completion. For high voice with piano accompaniment.  .

Brass Ensemble - Level 3 - Digital Download

SKU: A0.940770

Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770).

This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.

In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services.

The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:

I know a castle in heaven above,
shining as bright as the sun;
you'll find no sin nor sorrow there,
and never a tear is shed.

I am a weary traveller;
may my path lead me
from here to my Father's land;
God, bless me on my way.

We thank you for eternity
God the Father, one in three.
For you are gentle and mild to us
in Jesus Christ! Amen.

Note to conductors:

The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!

An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. 

Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.

Concert Band - Level 3 - Digital Download

SKU: A0.1324650

Composed by Hans Zimmer. Arranged by Lorenzo Bocci. Contemporary,Film/TV,Lent. 63 pages. Lorenzo Bocci #912854. Published by Lorenzo Bocci (A0.1324650).

CHEVALIERS DE SANGREAL from The Da Vinci Code
for Concert Band - Grade 3 - Digital Download 

Composed by Hans Zimmer. Arranged by Lorenzo Bocci. Film/Movie/Soundtrack. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'51''. Published by Lorenzo Bocci.

Instrumentation:
Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Vibraphone, Tubolar Bells, Timpani, Percussion 1 (Low Tom), Percussion 2 (Bass Drum, Cymb. a 2).

Additional Parts:
Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.

The Da Vinci Code is a 2006 thriller film directed by Ron Howard, based on the novel of the same name written by Dan Brown.
Despite being a box office hit, the film was received with generally negative criticism, especially from the Catholic Church and Opus Dei (religious association mentioned in the film).
The soundtrack to the film The Da Vinci Code was composed by Hans Zimmer and was released on May 9, 2006 via the Decca label. This work earned Zimmer a nomination for the 2007 Golden Globe Award for Best Original Score.
Chevaliers de Sangreal is the main theme of the film's soundtrack. This piece plays at the end of the film when Langdon realizes the duality of the cryptex map and discovers the current location of the Grail, the final resting place of Mary Magdalene.

Handbell - Level 3 - Digital Download

SKU: A0.1451844

Composed by Various. Arranged by Sandra Zylstra. Christian,Instructional,Praise & Worship,Religious,Sacred. Score. 23 pages. Sandra dee zylstra #1031154. Published by sandra dee zylstra (A0.1451844).

Moderate Handbell Hymns is arranged for 2 octaves of handbells in various keys. These level 3 hymns contain a melody arrangement and a basic chord arrangement. The arrangement could be played alone or as an accompaniment with congregational singing. Book contents include: Blessed Assurance, How Firm A Foundation, My Faith Has Found A Resting Place, Revive Us Again, Send The Light, Softly And Tenderly Jesus Is Calling, Sweet Hour Of Prayer, Take The Name Of Jesus With You, Take Time To Be Holy, and To God Be The Glory.  All the arrangements are also available individually. Purchase of this piece gives you permission to make copies for your bell choir only, it may not be duplicated for multiple groups. (23 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.

SA choir and piano - Easy - Digital Download

SKU: MQ.1.3503-E

Composed by Jill Friedersdorf and Melissa Keylock. Secular, Memorial, 21st Century, Hope/Assurance, Lament/Grief/Sorrow. Instrument part. 8 pages. Duration 3 minutes, 20 seconds. Galaxy Music Corporation - Digital #1.3503-E. Published by Galaxy Music Corporation - Digital (MQ.1.3503-E).

UPC: 600313135033. English.

The lyrics to Uphill signify our lives as a journey, with the final resting place as the “inn� which awaits us at the end of our paths. Darkness will not prevent us from finding the “inn� if we follow the path, despite the weariness of travel. Life is therefore an uphill journey, as well as a safe shelter to rest from life’s hardships is prepared and ready at the end of the road. -Melissa Keylock
This reassuring Christina Rossetti text, which is actually a metaphor for life itself, has been set for two part treble voices and piano. Originally written for middle school voices, the choral writing is approachable and the piano part expansive and sonorous. Duration: 3:20.

Organ - Digital Download

SKU: A0.945917

Composed by Mark Andersen. Christian,Sacred,Spiritual. Score. 6 pages. International Artists Foundation #6856539. Published by International Artists Foundation (A0.945917).

Requiem for organ is a reflective composition in the French style suitable for service playing and recital work. Composed by Mark Andersen, it uses dissonances that resolve to a final beautiful resting place.

Composed by Michelle Christensen, Tracey Craig McKibben and Stewart Harris. This edition: scorch. Sacred. Octavo. 14 pages. Duration 235. Hal Leonard - Digital #343993. Published by Hal Leonard - Digital

Organ - Level 3 - Digital Download

SKU: A0.1139947

Composed by Phil Beaman. New Age,Spiritual. Score. 4 pages. Phil Beaman #740213. Published by Phil Beaman (A0.1139947).

This is a unique Organ Meditation. The current media call this style of music Spiritual Minimalism. This particular composition utilizes the centering 'ah' of Buddhism, the meditative resting periods of Zen, the plainchant of Christianity, the minimalism of New Age, and more. My inspiration for the melodic line is the 3 main words in the traditional Ave Maria text; Ave (Hail) higher in the staff for celebration, Gratia (Grace) mid-staff for acceptance, and Dominus (God) low in the staff for humility. The accompaniment is the same in every bar of the entire piece; a circling minimalist 2 chord ostinato which is in 2 voices, the upper voice being an offbeat descending mantra. Whether for personal meditation or public performance, this piece will relax, focus, and recharge all who perform it and hear it. 4 pages; 3:40 minutes.

Brass Ensemble - Level 4 - Digital Download

SKU: A0.767260

Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 70 pages. Lyons Music Services #3125297. Published by Lyons Music Services (A0.767260).

The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible.

This scena in 5 parts marks the first collection in this book. It is plain that the five form a little group within the main body.

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.925020

Composed by Jen Wagner. 20th Century,Classical,Contemporary,Romantic Period,Sacred. Octavo. 12 pages. Jen Wagner #4623157. Published by Jen Wagner (A0.925020).

Octavo Available www.jenwagnermusic.com 

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The text Lacrimósa is taken from the Dies Irae sequence in the Roman Catholic Requiem Mass.  The piece is composed in three sections, representative of the Father, Son and Holy Spirit.  The close harmonies create the mournful emotional tension.  Word painting and story telling is apparent throughout, especially in passages such as resúrget, in which a solo soprano soars above the choir representing the ascension to heaven, and the repeated Lacrimósa, paints an image of tears falling down ones face.  A sense of urgency begins to build in the  Judicándus section, and the melodic and harmonic structure changes.  As the harmonies build and tempo increases you can feel the fear of the unknown future which lies ahead.  Begging and pleading for forgiveness ensues as the voices call out, párce Déus, to be seated at the Father’s side. As the tension builds and harmonies become more complex the piece escalates to its climax and comes to an abrupt end. After a slight pause, the calm settles in.  Judgement has been passed and the tenors transition us to the Píe Jésu section with Dóna éis réquiem, surrounded by the return of the melodic motif meant to appear as the angels delivering the assurances of God’s mercifulness.  The final phrase dóna éis réquiem, is sung with cross voicing found in the tenor and bass section representing the ascension to heaven as the harmonies settle into their final resting place.