Piano Solo - Level 5 - Digital Download SKU: A0.1043795 By Gordon Lightfoot. By Gordon Lightfoot. Arranged by Dean Gilbert. Folk. Score. 6 pages. Dean Gilbert #648473. Published by Dean Gilbert (A0.1043795). Forty-five years ago, on November 10, 1975 29 crew members lost their lives on the Edmund Fitzgerald sailing across Lake Superior. I took Gordon Lightfoot's beautiful song and turned it into my own piano arrangement. You will notice that the ship bell is heard throughout the song. This song is in six parts. The summon begins with the ship's bell ringing summoning everyone to gather for a story, Next is The Voyage Begins with a calm Lake Superior. The ship bell rings again announce heavy seas ahead and we are now into the next section called The Storm Begins. The bell continues to ring warning the crew of heavy waves. The next section is called The Gales of November. The intensity picks up. The bell rings with force calling for help. The next section is called The Sinking. You can hear the waves crashing into the ship as the bell continues to call for help. At the end the ship sinks as the bell continues to ring. There is one last ring as it settles on the bottom of Lake Superior. The last section is The Memorial. It is the stillness of the water after a storm with no sign of the Edmund Fitzgerald. The bell ring 29 times for each of the crew members. Enjoy.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4018 Composed by J.R. Thomas. Mothers & children, Death, Grief, Graves. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4018). She Wept Her Life Away, or, The Orphan. Song With Chorus. Words by Chas. G. Eastman. Music by J.R. Thomas. Published 1861 by H.E. Dodworth, 6 Astor Place in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Death, Grief, Graves. First line reads We lov'd her as our own, poor child, as thro' the weary years.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

C Instrument - Level 3 - Digital Download SKU: A0.1050130 Composed by Calum Wood. Celtic,Folk,Irish,Traditional. Lead Sheet / Fake Book. 1 pages. Calum Wood #654506. Published by Calum Wood (A0.1050130). Are you ready to add a bit of Scottish flair to your guitar playing? Look no further than The Devil's Elbow by Calum Wood. This traditional Scottish tune is a lively and energetic piece that will transport you to the rolling hills and misty glens of the Scottish countryside.Our guitar score of The Devil's Elbow features both TAB and music notation, making it accessible for players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll find this tune to be a fun and challenging addition to your repertoire.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and chord is transcribed with precision, so you can play the song exactly as it was meant to be played. Plus, our score includes helpful tips and suggestions for adding your own personal flair and improvisation to the tune.With The Devil's Elbow in your repertoire, you'll be able to infuse your playing with the spirit and energy of Scottish folk music. The lively and upbeat melody will have your toes tapping and your audience dancing along, and you'll find yourself returning to it again and again for years to come.Don't miss out on the opportunity to add this classic Scottish tune to your collection. Order your guitar score of The Devil's Elbow today and take your guitar playing to the next level with the soulful and spirited sounds of Scotland!The Devil's Elbow is a winding and picturesque section of road located in the Scottish Highlands. The road, also known as the A93, runs between the towns of Blairgowrie and Braemar, and is considered one of the most challenging and scenic drives in Scotland.The origins of the name Devil's Elbow are unclear, but legend has it that the devil himself had a hand in shaping the road. According to folklore, the devil was tasked with creating a road through the hills of the Scottish Highlands, and he chose to build it along the most treacherous and winding path he could find. As he worked, he encountered a particularly difficult section of the road where the hills formed a sharp bend, and he bent the rocks to create a tight hairpin turn that became known as the Devil's Elbow.In reality, the road was likely shaped by centuries of erosion and human activity. The section of road that makes up the Devil's Elbow is part of a larger route that has been used for centuries by traders, farmers, and travelers crossing the Scottish Highlands. The road was improved and expanded over time, and the modern A93 was officially completed in 1932.Despite its treacherous reputation, the Devil's Elbow is a popular destination for tourists and driving enthusiasts. The road offers stunning views of the surrounding hills and valleys, and the hairpin turn at the Devil's Elbow is considered a particular challenge for drivers and cyclists.Today, the Devil's Elbow remains a beloved part of Scotland's landscape and history, and its legend continues to capture the imaginations of visitors and locals alike. Whether you're a traveler seeking adventure or a history buff looking to explore Scotland's rich cultural heritage, the Devil's Elbow is a must-see destination that will leave a lasting impression.

Piano and voice - Digital Download SKU: LV.18445 Composed by J. F. Poole. Humorous pictures, Caricatures, Cartoons, Middle East, Courtship & love, Campaigns & battles, Narcotics, Storytelling, Eating & drinking, Dancing, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18445). The Great Comic Songs. Paddy's The Boy. An Irish Ballad. J.F. Poole. Published 1866 by Frederick Blume, 208 Bowery in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Humorous pictures, Caricatures, Cartoons, Middle East, Courtship & love, Campaigns & battles, Narcotics, Storytelling, Eating & drinking, Dancing, Patriotism. First line reads Oh, its some years ago, I very well know, Since I first saw daylight with my tow blessed eyes.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1002970 Composed by Henry Mollicone. Contemporary. Score. 13 pages. Henry Mollicone Publications #2014939. Published by Henry Mollicone Publications (A0.1002970). Http://www.HenryMollicone.com Derri-air, a ragtime song for baritone and piano, was written during the production of the new feature-length documentary film, THE FACE ON THE BARROOM FLOOR- The Poem, the Place, the opera. The Face on the Barroom Floor refers to the famous picture painted on the floor of the Teller House Bar in Central City, Colorado (inspired by the poem by D’Arcy), and the opera I composed to John S. Bowman’s libretto in 1978, which was performed every season in Central City for 33 years, and continues to be my most performed opera. Film producer Lawrence Kraman found on the internet a poem which tells a similar story of another woman whose backside (clothed in a can can dress) was painted on the ceiling in a bar a few blocks away. Alas, the bar (and the lady on the ceiling) are no longer there, but for those who know the face poem, Bottoms up- or the end of the slip of a miss, the poem by Colorado’s Sid Squibb, published in 1951, is truly funny- a kind of parody of the Face poem, detailing in this case how the painting got to be done on the ceiling! -Henry Mollicone May, 2013 More information: http://henrymollicone.com/catalog/songlist/derri-air-2012/.

Easy Piano - Level 1 - Digital Download SKU: A0.1315101 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Christian,Christmas,Instructional. Score. 103 pages. SilverTonalities #896734. Published by SilverTonalities (A0.1315101). The Midwinter Carols of Yesteryear for Easy PianoPlaying Christmas Carols can be a magical experience, even for novice pianists.Midwinter Carols of Yesteryear for Easy Piano, published by SilverTonalities, makes it even easier to learn with letter names embedded in noteheads and fingering suggestions. Let the music transport you to a world of holiday cheer and wonderPREVIEW, pages 1-3ANGELS WE HAVE HEARD ON HIGH, pages 4-5AS WITH GLADNESS MEN OF OLD, pages 6-7AULD LANG SYNE, pages 8-10AWAY IN A MANGER, pages 11-13CAROL OF THE BELLS, pages 14-16THE DEAR OLD CHRISTMAS STORY, pages 17-19DING DONG MERRILY ON HIGH, pages 20-21DRIVE THE COLD WINTER AWAY, pages 22-24EVERYWHERE EVERYWHERE CHRISTMAS TO-NIGHT, pages 25-26THE FIRST NOEL, pages 27-29GATHER AROUND THE CHRISTMAS TREE, pages 30-32THE GOLDEN CAROL, pages 33-35GOOD KING WENCESLAS, pages 36-37HARK THE HERALD ANGELS SING, pages 38-39HERE WE COME A CAROLING, pages 40-41THE HOLLY AND THE IVY, pages 42-44IN THE BLEAK MIDWINTER, pages 45-46JINGLE BELLS, pages 47-49Continued….JOLLY OLD SAINT NICHOLAS, pages 50-52JOY TO THE WORLD, pages 53-54MASTERS IN THIS HALL, pages 55-56A MINCE PIE OR A PUDDING, pages 57-59NOW LIGHT ONE THOUSAND CHRISTMAS LIGHTS, pages 60-62O CHRISTMAS TREE, pages 63-64O COME LITTLE CHILDREN, pages 65-67O HOLY NIGHT, pages 68-71OLD SANTA CLAUS, pages 72-75PARADE OF THE WOODEN SOLDIERS, pages 76-78PAT-A-PAN, pages 79-80THE ROCKING CAROL, pages 81-82STAR OF THE EAST, pages 83-85STILL STILL STILL, pages 86-87SILENT NIGHT, pages 88-90TWELFTH NIGHT SONG, pages 91-95UP ON THE HOUSE TOP, pages 96-98WE WISH YOU A MERRY CHRISTMAS, pages 99-101.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1147801 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Score. 3 pages. Rebecca Summers #747998. Published by Rebecca Summers (A0.1147801). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1147795 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Octavo. 24 pages. Rebecca Summers #747992. Published by Rebecca Summers (A0.1147795). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1147797 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Octavo. 2 pages. Rebecca Summers #747995. Published by Rebecca Summers (A0.1147797). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1147799 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Score. 1 pages. Rebecca Summers #747997. Published by Rebecca Summers (A0.1147799). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1147802 Composed by Australian composer, Rebecca Summers. Children,Contemporary,Contest,Festival,Holiday,Multicultural,World. Score. 12 pages. Rebecca Summers #747999. Published by Rebecca Summers (A0.1147802). This contemporary work for vocal solo, choir and piano, with options for clap sticks and didgeridoo, tells the indigenous story of Muru-Kutchi, the Black Swan of the Maroochy River. Perfect for Naidoc Week celebrations for Primary or Secondary school, it contains a mix of sung and spoken parts, an eerie contrasting mid-section and provides an educational tool for teaching students an indigenous dream-time legend. The Gubbi Gubbi people of the Sunshine Coast, Queensland, Australia have been telling this story for thousands of years as they trod the song lines to the Blackall Ranges, to take part in the Bunya gathering, which occurred every three years or so right up until the early 1900's. Full score, piano/vocal/choir and all individual parts available for sale on this website. Enjoy!

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.

Piano and voice - Digital Download SKU: LV.12413 Composed by Carl Thomas. Portraits--Rutherford B. Hayes, Presidential elections. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12413). We'll Vote For The Buckeye Boy. By Carl Thomas. Published 1876 by G.D. Russell & Company, 126 Tremont St. in Boston. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Portraits--Rutherford B. Hayes, Presidential elections. First line reads The Presidential course is four years long.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

String Trio - Level 2 - Digital Download SKU: A0.1239590 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Traditional. 5 pages. Jmsgu3 #834955. Published by jmsgu3 (A0.1239590). Beethoven's Six Easy Variations on a Swiss Song, WoO 64, is a set of variations for piano composed by Ludwig van Beethoven between 1790 and 1792 in Bonn when he was 21 years old. The theme of the variations is a 17th-century Swiss song called Dursli and Babeli, a favorite of Johann Wolfgang von Goethe, who described it as a charming story of peasant love. The melody is light and soaring, and it resembles a hymn that followed a century or so later, This Joyful Eastertide. In variation I, Beethoven introduces a melody subjected to ornamentation with triplet intervallic and scalar patterns.