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String Orchestra - Level 3 - Digital Download

SKU: A0.945375

Composed by Antonio Vivaldi. Arranged by Wendy Hellmann. Baroque,Concert. Score and parts. 26 pages. Gwendolyn Hellmann #6616107. Published by Gwendolyn Hellmann (A0.945375).

Originally written in the key of A minor for violin, this arrangement of Vivaldi's Concerto in D minor has been transposed for Solo Viola to be accompanied by chamber strings. The bass part has been slightly modified to eliminate some octave jumps that would otherwise be too heavy for the style or require an extension. Violin 2, Viola 2, and Bass drop out during solo parts, and begin playing again during tutti moments. This is the first movement only.

The PDF download contains both a full score as well as a set of individual parts.

Vivaldi Concerto in D minor (transposed for Solo Viola, Chamber Strings)
Orchestre à Cordes

$9.49 9.01 € Orchestre à Cordes PDF SheetMusicPlus

Level 3 - Digital Download

SKU: A0.1401939

Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939).

Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.
He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. 

He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.
The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). 

Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).
2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.

Saint-Saëns: Oratorio de Noël, 5 soli, SSAA choir, harp, organ and strings - Score Only
Chorale SSAA

$20.00 18.99 € Chorale SSAA PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1019348

Composed by Kevin Longley. Contemporary. Score and parts. 6 pages. Kevin Longley #3222633. Published by Kevin Longley (A0.1019348).

Psalm For Strings, scored for 2 violins, viola and cello was composed in 1991 and later revised in 2017. Drawing inspiration from Psalm 29, the piece focuses upon the following text:

Give unto the Lord, O ye mighty, give unto the Lord glory and strength. Give unto the Lord the glory due unto his name; worship the Lord in the beauty of holiness.

While the piece begins with an Aeolian mode melody, as played by the cello, the music quickly shifts to the major key at measure nine bringing with it a sense of optimism. A return to the inspiration of the opening lines of the psalm, at measure seventeen, introduces an additional melody. Enhanced through warm rich harmonies we now hear the fullness of the entire ensemble. A change in mood felt at measure thirty conveys reverence, as the music suddenly softens and beckons us to...

Worship the Lord in beauty of holiness.

The melody first introduced in measure nine, along with its optimism, reappears at measure thirty seven and then returns to the opening melody at measure forty three, now played in a lush string harmony.

The same shift in mood felt at measure thirty appears in measure sixty three though a subtle change to the music is made; a shift to the minor key is used instead of a major key adding a sense of drama to the music.

At measure sixty-nine a reprise of the opening melody leads to the glorious ending of hope and peace as the psalmist intended.

The Lord will give strength unto his people; the Lord will bless his people with peace

Psalm For Strings
Quatuor à cordes: 2 violons, alto, violoncelle

$4.50 4.27 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus




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