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Viola Solo - Level 4 - Digital Download SKU: A0.869657 Composed by Thomas Oboe Lee. Contemporary. Individual part. 15 pages. Thomas Oboe Lee #5888345. Published by Thomas Oboe Lee (A0.869657). There is a lot of time to compose when you are stuck at home during the Pandemic of 2020. This is the fifth work I completed under lockdown.:Trio 803 was completed on April 7, 2020Kindertodtotenlieder was completed on May 13, 2020Préludes … Hommage à C.D. was completed on June 5, 2020Chansons de Maeterlinck was completed on June 20, 2020I have always been a huge fan of the Mendelssohn Octet for double string quartet. In my search of octets on YouTube I noticed that there were a number of octets that used a double bass instead of a second cello. I thought that configuration would suit what I had in mind for my octet.Octet for Strings is in five movements.I. AdagioII. Allegro III. AdagioIV. Allegro TRIOV. AndantinoTotal duration, ca. 22 minutes.Enjoy!!!
Octet for Strings (2020) viola I part
Alto (partie séparée)

$1.99 1.73 € Alto (partie séparée) PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 75 pages. Musik Fabrik Music Publishing #2035303. Published by Musik Fabrik Music Publishing (A0.775997). Quartet for Piano and Strings (A Sea Liturgy) (2009) was jointly commissioned for the Moscow Studio for New Music and the Arcturus Chamber Ensemble (Sarah Darling, artistic director). It is dedicated to the Arcturus Chamber Ensemble on its 10th anniversary. The work is cast in a single movement and is conceived as a sea liturgy. It attempts to conjure up an imagined set of spiritual rituals (not connected to any specific religion)-a ceremony of transformation and renewal performed in the context of a sea landscape. Though not broken into movements, the formal design of the work could be seen as follows: Processional - (Ritornello) - Invocation - Offering - (Ritornello) - Baptism - Rebirth - Recessional As with so many of my works, much of the initial musical planning took place in the context of the oceanscapes of Nantucket Island, Massachusetts. Those particular sea landscape were foremost in my mind while writing. The listener may also discard the imagined liturgical apparatus and simply listen to the work as a series of seascapes. (For the purposes of narrative clarity, the above section descriptors will be used in the below narrative.) The opening Processional begins with focused, austere intensity: the instruments unfold from a single pitch (E) into a more rich harmonic landscape. A Ritornello of pulsating string harmonics leads into Invocation, a warmly lyrical discourse. The Offering is a faster, jubilant development of the Invocation, where the prayerful melodies of the Invocation are transformed into a gift for the sea. A return of the Ritornello leads to the Baptism. In this section, heterophonic melodies unfold out of the new substrate pitch (D). In the transforming crucible of the water, these lines becomes more and more extended harmonically. The Rebirth is a dancing development of the Baptism; the harmonic extensions are pushed from dissonance into chords of pure joy. Emerging out of the afterglow of the Rebirth is the Recessional, in which the music of the Processional is revisited, now transformed by the ritual to center on the pitch D. The Recessional fades away peacefully, yet fervently.
Carson Cooman : Quartet for Piano and Strings (A Sea Liturgy) (2009) for violin, viola, cello and pi

$38.95 33.93 € PDF SheetMusicPlus






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