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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.975466 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Thomas J. Dawson, Jr. Contemporary. 10 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247659. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975466). I had no trouble (at all) making my choice for personal favorite of the ten great tunes John offers up… his rendition of Summertime is THE most mellow performance of that classic jazz tune I have ever heard… the vocals just SHIMMER, folks! (Dick Metcalf, Contemporary Fusion Reviews)Rising Star John Redmon, Hollywood Actress/Jazz Singer Linda Purl and Music Legend Thomas Dawson Jr. team up with an arrangement of Summertime that would make even the biggest jazz critic applaud. This piano/vocal arrangement by Dawson takes this delectable Gershwin tune and turns it into a gourmet feast in which you can’t get enough. The chords are delicious!This version of Summertime would be fitting as background music, jazz bars and night clubs, theatrical spaces, concerts, and jazz festivals.Summertime appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.The recorded version is just a little over 4 1/2 minutes.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook:  https://m.facebook.com/johnredmonmusic/Instagram:  https://www.instagram.com/johnredmonmusic/Twitter:  https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/
Summertime
Voix duo, Piano

$4.99 4.38 € Voix duo, Piano PDF SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1089673 Composed by Felix Bartholdy Mendelssohn. Arranged by Erin Miesner. 19th Century,Chamber,Classical,Contest,Festival. 89 pages. Erin Miesner #693880. Published by Erin Miesner (A0.1089673). Hang on to your seats while playing this overture to the incidental music Felix Mendelssohn composed for a production of Shakespeare’s classic play, A Midsummer Night’s Dream. With challenging parts but plenty of fun to be had, your group is sure to enjoy this fantastical musical journey.For more information and other arrangements, check out www.ehmpublishing.com.Includes Score (48 pgs.) and 5 Parts: Clarinet in E-Flat or Clarinet in B-Flat 1, Clarinet in B-Flat 2, Clarinet in B-Flat 3, Bass Clarinet in B-Flat.
Overture to "A Midsummer Night's Dream" for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes

$39.95 35.03 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Flugelhorn,Horn Quintet - Level 2 - Digital Download SKU: A0.828643 Composed by Felix Mendelssohn-Bartholdy (1809-1847). Arranged by Theodore A. Samuels. Contemporary,Film/TV,Multicultural,Romantic Period,World. 29 pages. Theodore A. Samuels #12201. Published by Theodore A. Samuels (A0.828643). This is a horn quintet arrangement of the Nocturne from Felix Mendelssohn's incidental music for Shakespeare's A Midsummer Night's Dream.  It has been transposed down from the original key of E Major to Eb.  However, since horns tend to be in short supply, parts have been included for a Flugelhorn to replace Horn 1, and 2 Baritones/Euphoniums to replace Horns 4 and 5. The performance time is approximately 2.5 minutes.NOTE: The YouTube link is for an older version with only 4 horns.
Notturno (Nocturne) for Shakespeare's "A Midsummer Night's Dream" (horn quintet)

$14.99 13.14 € PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Tuba - Digital Download SKU: A0.802521 Composed by Felix Bartholdy Mendelssohn. Arranged by Peet du Toit. Romantic Period. Score and parts. 8 pages. Peet du Toit #5765187. Published by Peet du Toit (A0.802521). Mendelssohn composed the music for Shakespeare's play, A Midsummer Night's Dream. But not all in one go. His concert overture (Op. 21) preceded the incidental music (Op. 61), of which the famous Wedding March is also a movement/scene. The Nocturne is a tranquil section where the music (instrumental only) accompanies the sleeping lovers in the tale. Here's your condensed version thereof to exhibit the beautiful sound of the French Horn, accompanied by the other conical instruments (Flügelhorns, Euphonium and Tuba).
Nocturne from Midsummer Night's Dream - F Mendelssohn (Brass Quintet - Horn solo)

$12.00 10.52 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575653 Composed by Chris Benson and David Warin Solomons. 20th Century,Ragtime. Octavo. 13 pages. David Warin Solomons #49825. Published by David Warin Solomons (A0.575653). In the Summertime a choral song SATB with cello and guitar accompaniment) based on Chris Benson's cello and guitar duet Summertime Rag (also available here) words and choral parts by David W Solomons. The audio sample is performed by The Composer's Choir under Daniel Shaw. I have also provided on this site an mp3 of the guitar and cello accompaniment (known as Summertime Rag) which can be used for practice purposes: http://www.sheetmusicplus.com/title/20109846?aff_id=175705 This score appears with permission of the heir of Chris Benson, who will receive a share of the proceeds.  The pdf file contains the score and the separate instrumental parts.
In the summertime
Chorale SATB

$3.99 3.5 € Chorale SATB PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163 Composed by Martin J. Wimmer. Score and Parts. 26 pages. Imagine Music - Digital #CBS163. Published by Imagine Music - Digital (IZ.CBS163). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
March of the Shadows
Orchestre d'harmonie

$40.00 35.08 € Orchestre d'harmonie PDF SheetMusicPlus

Concert band - Grade 1 - Digital Download SKU: IZ.CBS163-S Composed by Martin J. Wimmer. Score. 10 pages. Imagine Music - Digital #CBS163-S. Published by Imagine Music - Digital (IZ.CBS163-S). 9 x 12 in inches.March of the Shadows is a Grade 1 1/2 work for second-year elementary band. As a veteran elementary band director,I am keenly aware of what students are able to accomplish at this level. March of the Shadows is a fun, slightlychallenging, and completely achievable work. It is a work that would be useful at the beginning of the school yearwhen it feels too summery to begin holiday music. March of the Shadows would be perfect for a Halloween orAutumn Concert.March of the Shadows begins with a whistle! It calls the show by announcing each new section of the piece. (Astudy of form.) It even reacts to a momentary modulation. The whistle part has all sorts of fun staging potential,including having it played by the director! The initial whistle is followed by a percussion introduction which sets thebeat. Seven percussion parts, three of them optional, have been included so that everyone in a large percussionsection will be kept engaged and out of trouble! The body of the work includes two alternating themes, one dark andshadowy in minor, the other bright, heroic and slightly syncopated in major. Every part gets the melody at somepoint, even the low brass and woodwinds! Ranges are all standard for early second-year band players, i.e. clarinetsdo not go over the break, trumpets do not go higher than middle line B, the snare drum part is sprinkled with basicrudiments such as flams and paradiddles. Even the horn gets a crack at the tune! Every part is fun, interesting andeducational.
March of the Shadows
Orchestre d'harmonie

$8.00 7.02 € Orchestre d'harmonie PDF SheetMusicPlus






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