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Piano Solo - Digital Download SKU: A0.1178488 Composed by Julián De La Chica. Classical,Contemporary,Film/TV. Score. 25 pages. Vagabundo Music Publishing #778453. Published by Vagabundo Music Publishing (A0.1178488). The current pianistic postminimalism draws heavily from Ambient music, this is how it tries to build surfaces. We hear it in popular figures such as Max Richter, Hania Arani, Olafur Arnalds or Nils Frahm. In the Silencios Fatuos (2021) by Colombian composer Julián De La Chica, this search seems to find threads that weave with the phosphorescent and radioactive shadows left by the twentieth century, and to which we return when listening to the flashes of sonorities that refer us to Ryuichi Sakamoto or David Sylvian. In previous productions, such as the  Preludes Op. 8, and his Voyeuristic Images Op. 10, De La Chica's pianism shows a constant exploration and research. The composer-pianist urges within the parameters of the new simplicity, challenging himself in a kind of minimal eroticism. In Silencios fatuos the artist gradually sheds his skins, confronting the very fatuity of postminimalism. And in this way, he seems to sprout abstaining from any violent rebellion, in a kind of superfluity, allowing the passage of time, building surfaces with curved lines that twist on themselves without noise, without groans, contemplating the absurd with an unsettling serenity.— Susan Campos-Fonseca, PhDMusicologist & composer
De La Chica: Silencios Fatuos, Op. 16
Piano seul

$45.00 38.64 € Piano seul PDF SheetMusicPlus

Jazz Combo - Level 4 - Digital Download SKU: A0.970760 Composed by Mike Strand. Concert,Jazz. Score and parts. 4 pages. Michael M. Strand #5795683. Published by Michael M. Strand (A0.970760). By Mike Strand, ASCAPHere’s a swing tune lead sheet, with lyrics, chord symbols, and guitar fret boards, for a jazz group, large or small, with a singer.  It’s a solid foundation for a variety of arrangements, contra facts, and improvisations. The audio file is a swing accompaniment from iReal Pro, combined with the melody from Finale PrintMusic. In this sample, you hear a baritone saxophone in place of the singer, and an electric guitar for the instrumental sections. The lyrics express frustration with white bigotry toward people with dark skin, and how that brand of racism surfaces in acts of police brutality. The lyrics pose both practical and ideal solutions. Here are the lyrics: For Way Too LongFor way too long, dark skin has been called blight, And just to breathe, black folks have had to fight. Civil rights laws are there; it’s only fair, we give them real bite. (Instrumental) Civil rights laws are there; it’s only fair, we give them real bite.   For way too long, bad cops have broken rules, While their good partners get put down by them as fools. But now we all may see the fall of bigots using blacks as tools. (Instrumental) But now we all may see the fall of bigots using blacks as tools.   For way too long, cold hearts remain unchanged. But with strong rules, constraints can be arranged.  Enforcing laws need not be cause for folks to be estranged.Lord, may our hearts be changed!
For Way Too Long
Jazz combo
Mike Strand, ASCAP

Here’s a swing tune lead sheet, with lyrics, chord symbols, and guitar fret boards, for a jazz group, large or small, with a singer   It’s a solid foundation for a variety of arrangements, contra facts, and improvisations
$3.00 2.58 € Jazz combo PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016224_C1 1st B-flat Clarinet. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_C1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
Pure Imagination (from Willy Wonka and the Chocolate Factory): 1st B-flat Clarinet
Orchestre d'harmonie

$3.00 2.58 € Orchestre d'harmonie PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1438982 Composed by Apostolos Paraskevas. Classical,Contemporary,New Age. 37 pages. Silver Sickle Publications #1019009. Published by Silver Sickle Publications (A0.1438982). Aegean Fire Magnus My music always has a cinematographic attitude, as if it wants to follow a film that has not yet been created.  With this work, the listener could wander and experience life around a Greek island. In the beginning, a Greek dance unfolds that develops into a faint prayer; shortly after, a waltz as a distant memory surfaces. The first theme of the work reappears to end the work in a triumphal and frenzy happy fiesta. The idea of the work came after a suggestion by Panos Liaropoulos to compose a string quartet for the summer of 2015. ‘Aegean Fire’ had its premiere in Greece by L’Anima string quartet and shortly after in Boston in February 2016. The Berklee Contemporary Symphony Orchestra under Francisco Noya presented the orchestral version ‘Aegean Fire Magnus’ in its American premiere in 2016 at Jordan Hall in Boston..
Aegean Fire Magnus - Score Only
Orchestre

$25.00 21.47 € Orchestre PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016224_BBC1 Baritone B.C.. Composed by Anthony Newley and Leslie Bricusse. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016224_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016224_BBC1). UPC: 038081453095.With its message of endless possibilities and dreams fulfilled, this piece, from the 1971 Academy-award nominated film score of Roald Dahl's Charlie and the Chocolate Factory (1964), by songwriting team Leslie Bricusse and Anthony Newley, has remained popular since the 1970s---and even more so today, or so says the more than 5.5 million views on YouTube. The tune surfaces three times in the movie, first during the opening title music, then as the feature number by Gene Wilder as he leads his assembled golden ticket winners into the chocolate room, and finally, as part of the Wonkavator music at the end. Great fun for all generations, and all generations to come! This arrangement provides a dramatic opportunity to teach expression. A charming and musical choice, it is memorable and heartwarming. (2:45) This title is available in SmartMusic.
Pure Imagination (from Willy Wonka and the Chocolate Factory): Baritone B.C.
Orchestre d'harmonie

$3.00 2.58 € Orchestre d'harmonie PDF SheetMusicPlus

Percussion Ensemble - Digital Download SKU: A0.935382 Arranged by Dan Heslink. Christian,Christmas,Contemporary. Score and parts. 27 pages. Pharaoh Publications #5212785. Published by Pharaoh Publications (A0.935382). Holiday Bolero for percussion ensemble                                                       arr. by Dan Heslink This arrangement is available in two versions, a quintet for xylophone and four marimbas and a percussion ensemble octet for orchestra bells, vibes, 3 marimbas, snare drum, timpani and multiple percussion. These comments refer to the percussion ensemble arrangement. While the term Bolero can be applied to a variety of slow-tempo Latin dances, for most orchestral performers the title will evoke the stirring rhythms of Ravel’s famous Bolero. Similarities include the driving 3/4 bolero rhythm, the building of tension over one long-range crescendo, and the climactic conclusion. The pitch content is based on O Holy Night, the well-known Christmas carol composed by Adolphe Adam in 1847. The difficulty level in terms of executing notes and rhythms is medium-easy. At the same time, the dynamic planning and control of the crescendo requires considerable musical judgment, particularly in the snare drum part. All of the keyboard parts require only two mallets per player, with the exception of the vibe part’s necessity of 3 or 4 mallets. There are no key changes, or mallet and hand independence. Pedaling on the vibes for the most part is suggested by the harmonic rhythm and is not notated. Setup of the general percussion part in the manner of a multiple percussion solo, where all playing surfaces are comfortably accessible. Holiday Bolero is sure to be an audience pleaser during a winter concert, especially close to Christmas. It would serve equally well in a percussion recital or a church service. In church this work would be appropriate as special music or as an offertory. Duration is 2:52. The arranger, Dan Heslink, can be contacted at dan@dheslink.com.
Holiday Bolero for Percussion Ensemble
Ensemble de Percussions

$9.99 8.58 € Ensemble de Percussions PDF SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries                                                                      by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles.  It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation.   The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics  Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested.   Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
Asian Symmetries
Ensemble de Percussions

$4.99 4.28 € Ensemble de Percussions PDF SheetMusicPlus


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