Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar.  â€˜Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.

Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.1016063 Composed by Gunter Scholler. Christian,Concert,Contemporary,Sacred. Octavo. 7 pages. Scholler #5286149. Published by Scholler (A0.1016063). Spiritual contemporary-classical Music creating unearthly sounds for professional mixed choir & stringsBig choir and String Orchestra  Great music for Live-performancesmovement number 6 of R E I S E N D E    D E S   J  A K O B S W E G E S  8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune),  Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ?  (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanish

Strings Choir - Level 3 - Digital Download SKU: A0.1016073 Composed by Gunter Scholler. 20th Century,Classical,Contemporary,Multicultural,Praise & Worship,World. 6 pages. Scholler #5297813. Published by Scholler (A0.1016073). Worn and calm and solemn in french & german for mixed choir & stringsBig choir and String Orchestra  Great music for Live-performancesmovement number 5 of R E I S E N D E    D E S   J  A K O B S W E G E S  8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune),  Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ?  (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanishEmbrace the transformative power of musichttps://linktr.ee/schollermusicUnleash the power of multilingual musical expression with our captivating score for choir and string orchestra. This exceptional composition spans the realms of classical to modern, seamlessly blending languages such as French, German, Spanish, and Latin to create a truly international experience. Immerse yourself in the richness of these diverse linguistic tapestries, as the voices intertwine with the vibrant strings, creating a harmonious fusion of cultures. Perfect for ensembles seeking to showcase their versatility and celebrate the beauty of global languages, this score opens doors to a world of musical exploration. From elegant classical passages to contemporary twists, let the voices and strings transport you on a captivating journey through time and language. Embrace the magic of cultural diversity and musical unity with this extraordinary choral and orchestral masterpiece.   

Strings Choir - Level 3 - Digital Download SKU: A0.1016071 Composed by Gunter Scholler. 20th Century,Classical,Contemporary,Praise & Worship,Sacred. 11 pages. Scholler #5297811. Published by Scholler (A0.1016071). Big sound, thrilling and impressive for mixed choir & stringsBig choir and String Orchestra  Great music for Live-performancesmovement number 7 of R E I S E N D E    D E S   J  A K O B S W E G E S  8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune),  Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ?  (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanishEmbrace the transformative power of musichttps://linktr.ee/schollermusicUnleash the power of multilingual musical expression with our captivating score for choir and string orchestra. This exceptional composition spans the realms of classical to modern, seamlessly blending languages such as French, German, Spanish, and Latin to create a truly international experience. Immerse yourself in the richness of these diverse linguistic tapestries, as the voices intertwine with the vibrant strings, creating a harmonious fusion of cultures. Perfect for ensembles seeking to showcase their versatility and celebrate the beauty of global languages, this score opens doors to a world of musical exploration. From elegant classical passages to contemporary twists, let the voices and strings transport you on a captivating journey through time and language. Embrace the magic of cultural diversity and musical unity with this extraordinary choral and orchestral masterpiece.   

Flute Solo - Level 2 - Digital Download SKU: A0.1237596 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contest,Disco,Festival,Latin,Multicultural,Pop,World. Individual part. 1 pages. Musikeo #833106. Published by Musikeo (A0.1237596). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Màxim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.

Strings Choir - Level 3 - Digital Download SKU: A0.1016060 Composed by Gunter Scholler. Classical,Contest,Festival,Latin,Multicultural,New Age,World. 13 pages. Scholler #5222653. Published by Scholler (A0.1016060). Big choir and String Orchestra  Great music for Live-performancesFirst movement of R E I S E N D E    D E S   J  A K O B S W E G E S   8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune),  Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ?  (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanishEmbrace the transformative power of musicschollermusic

Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. â€˜Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 4 - Digital Download SKU: A0.1242493 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by a do Ray me flute studio production Ray-Michael Kauffman. 21st Century,Contemporary,Film/TV,Pop,Singer/Songwriter. 53 pages. As do Ray meflute studio production #837642. Published by as do Ray meflute studio production (A0.1242493). The Village by Wrabel, arranged for flute choir /ensemble arranged by me, Ray-Michael Kauffman. This beautiful and poignant song  is part of my Compositions that care series, meaning all profits from thios arrangemnt goes to a charity. This charity is for LGBTQ+. ( about the song meaning)Wrabel, the composer, stated the song is about the LGBTQ+ community and all the hardships they face.The song is directed and to encourage and give hope to a trans person who is being treated poorly and ostracized , and to let that perosn struggling know that there is absolutely Nothing wrong with you and there's soemthing wrong with the village.Too many of the trans/LGBTQ+ comminity are struggling , especially in todays political climate. All around the world LGBTQ+ persons are being bullied, discriminated against , attacked, thrown in jail , and even killed with liitle to no laws to protect people.in my own personal life, as a victim of a horrible hate crime where the person involved attmepted to beat me and kill me , unfortuanelty i found out very qucikly how laws even in the USA do not protect me , how many cops ignored me and/or attmepted to make the attack  my fault , and how laywers did not want to help and judges either ,and beacsue of the laws i was not protected as a minority and the crime wasn't a hate crime even though the criminals admitted this as the reason of the attack.I was told that this was not a hate crime , unless the criminals made me a victim of S.A., used a car/vehicle , or a gun, or actually ended my life. I also wanted to add , this brutal attack ( recorded on video by the criminals )  which caused such serious bodily harm, had me in the hospital for surgeries, and required months of long and painful rehab and therapy.As a country, as a society, as a planet ,  we all need to do better, and have to have more protections for such a discriminated group of persons.I did want to add , all the issues happening around the world, and even here in the USA, such as the awful and fascist discrimitory laws in Florida and other states it's no wonder the statistics of LGBTQ+ that contemplate ending their person or even attempting the act .I ask respectfully  that every one please go to law makers and demand better laws and treatments of people no matter what community there are of. All people deserve respect, proper medcial care, and to have the same rights as every other human being.  We all  can and must  be the change  you wish to see in the world. ( Ganhdi)Thank you for checking my  special arrangement out, and please check out my other arrangements on SheetMusicPlus and my Website  @ doRaymeflute.com 

Soprano voice and piano - Medium - Digital Download SKU: MQ.8609D-2E Composed by Tom Cipullo. 21st Century. Secular. 5 pages. E. C. Schirmer Music Company - Digital #8609D-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8609D-2E). Although these arias are sung by the character Alyce, in the production they represent the younger and older versions of herself and are played by two different singers. Young Alyce sings My Darling Jim, writing a letter to her husband prior to his being taken prisoner during the Vietnam War. The first aria captures emotions through a brief snapshot of everyday life. The second takes place after his return from captivity. Alyce has moved on with her life with another man. The aria is painful and moving as she suggests that, while he can see the kids, he certainly doesn't have to see her face ever again.Contents:1. My Darling Jim2. After You Hear Me Out.

Choral Choir (SA) - Digital Download SKU: A0.890837 By The Civil Wars. By John White and Joy Williams. Arranged by JD Hayes. Contemporary. Octavo. 7 pages. JD Hayes #4278297. Published by JD Hayes (A0.890837). This earnest, evocative arrangement of the Civil Wars' Falling, which describes the painful process of falling out of love, is beautifully set for handbells, handchimes, and SA duet.http://youtu.be/6_LD77ogVi8?t=11m40s

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.

Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack� or “life soundtrack� with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).

Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.1022551 Composed by Guido Mallardi. Contemporary. Score and parts. 2 pages. Guido Mallardi #2034581. Published by Guido Mallardi (A0.1022551). In front of JHVH God's throne depicted in the book of Revelation there is something like a sea of glass, clear as crystal... (Revelation 4:4-6) Allegri's Miserere is hidden in this music, and this fact metaphorically mirrors the hidden supernatural reality and, on the other side it also suggests the painful human condition caused by the imperfection due to our first ancestors bad choice. The famous piece cannot be heard despite it is present; maybe because we are imperfect... Neither we can't see even our imperfection sometimes.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.918799 By Hailee Steinfeld. By Daniel Wayne Sermon, Hailee Steinfeld, Jorgen Michael Odegard, Joshua Gudwin, Kennedi Lykken, Michael Pollack, and Wayne Sermon. Arranged by Jason Howard. Contemporary. Score. 7 pages. Jason Howard #4405436. Published by Jason Howard (A0.918799). This arrangement of Back to Life  from Bumblebee the 2018 Original Motion Picture is written for piano and solo voice. However, there are also harmony parts written in certain parts of the song, so the piece can be done as many as three vocalists. I chose this song because I love the lyrical content so much. To me this beautiful song is about how love can bring people back together even from the most painful of circumstances. I hope you enjoy this arrangement as much as I loved creating it.I hope that you enjoy my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!

Choral Choir (SA) - Digital Download SKU: A0.890834 By The Civil Wars. By John White and Joy Williams. Arranged by JD Hayes. Contemporary. Octavo. 7 pages. JD Hayes #4278293. Published by JD Hayes (A0.890834). This earnest, evocative arrangement of the Civil Wars' Falling, which describes the painful process of falling out of love, is beautifully set for handbells, handchimes, and SA duet.http://youtu.be/6_LD77ogVi8?t=11m40s