Brass Ensemble,Brass Trio - Level 1 - Digital Download SKU: A0.1503468 Composed by Glauco Silva Araujo Ferreira, Homero Da Silva Araujo Ferreira, and Ivan Silva Araujo Ferreira. Arranged by Helicleiton. Latin. 2 pages. Helicleiton #1078917. Published by Helicleiton (A0.1503468). If you're looking for a vibrant and unique arrangement for trumpet, saxophone, and trombone, my version of the iconic Me dá um dinheiro aí is the perfect choice. Blending the contagious energy of samba with rich and dynamic harmonies that highlight each instrument, this arrangement offers a truly unique musical experience. The trumpet shines with a bright and striking tone, the saxophone adds smoothness and charm, while the trombone completes the sound with its depth and power. Every phrase has been carefully crafted to create a fluid interaction between the instruments, respecting the essence of the original melody, yet with a modern twist that will surprise listeners.This arrangement is tailored for musicians seeking something distinct and impactful for their repertoire, especially for events, ensemble performances, and shows that demand a standout moment. The choice of trumpet, sax, and trombone is intentional—these instruments, when played together, create the perfect balance between brilliance and depth, producing a rich sound that fills any space. The arrangement explores various registers, providing moments of dialogue between the instruments, as well as unison passages that emphasize the strength of the composition. It’s a versatile piece that can be adapted to different settings without losing its original charm.Focused on creative and sophisticated arrangements, this work is ideal for musicians looking to add a popular yet stylish piece to their repertoire. In addition to offering an interesting technical challenge for the performers, the arrangement maintains the fun and irreverent essence of the original song, making it perfect for captivating audiences in any type of performance. It’s a tribute to one of Brazil’s most beloved songs, but with a fresh approach that makes it even more engaging and modern.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463228 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Film/TV,Folk,Religious,Rock,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1041923. Published by Walt Oliver (A0.1463228). Musical Arrangement for Piano and Bassoon: Hallelujah by Leonard CohenCaptivate with Leonard Cohen's Hallelujah - Arrangement for Piano and Bassoon (Easy Intermediate Level)Immerse yourself in the timeless beauty of Hallelujah, Leonard Cohen's masterpiece that has won the hearts of audiences worldwide and became iconic thanks to the movie Shrek. This exclusive arrangement for piano and bassoon, rated as easy intermediate level, is perfect for musicians looking to explore new sounds and emotions.Arrangement Features:- Difficulty Level: Easy Intermediate - Ideal for musicians who are advancing in their skills and seeking a pleasant challenge without being overwhelming.- Instruments: Piano and Bassoon - A unique combination that brings emotional depth and rich texture to the music.- Musical Genre: Pop/Rock Classic - A piece that transcends generations and continues to resonate with its captivating melody and poetic lyrics.Benefits and Uses:- Live Performance: Perfect for recitals, school concerts, and church performances. This arrangement captures the emotional essence of Hallelujah and offers an engaging experience for both musicians and audiences.- Technical Enhancement: Provides a fantastic opportunity for pianists and bassoonists to improve their technique and musical expression through a well-known and beloved piece.- Versatile Repertoire: A valuable addition to any musician's repertoire, providing a piece that can be easily adapted for various occasions, from weddings to cultural events.Story and Emotion:Hallelujah is more than a song; it’s an emotional journey. This arrangement for piano and bassoon brings out the melancholy and hope contained in Cohen's melody, allowing you, as a performer, to tell a story that resonates with every note played. The combination of piano and bassoon adds a new dimension, making the performance even more memorable.Attractive and Engaging:Surprise your audience with a unique interpretation of Hallelujah. This carefully crafted arrangement ensures that every performance is unforgettable, highlighting the simple yet powerful beauty of the song. Ideal for those who want to play a piece that combines emotional depth with technical accessibility.Add this arrangement to your repertoire today and let yourself be enchanted by the magic of Hallelujah. Perfect for dedicated musicians looking to explore new musical frontiers with a classic and emotionally rich piece.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463236 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Film/TV,Folk,Religious,Rock,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1041930. Published by Walt Oliver (A0.1463236). Musical Arrangement for Piano and Bassoon: Hallelujah by Leonard CohenCaptivate with Leonard Cohen's Hallelujah - Arrangement for Piano and Bassoon (Easy Intermediate Level)Immerse yourself in the timeless beauty of Hallelujah, Leonard Cohen's masterpiece that has won the hearts of audiences worldwide and became iconic thanks to the movie Shrek. This exclusive arrangement for piano and bassoon, rated as easy intermediate level, is perfect for musicians looking to explore new sounds and emotions.Arrangement Features:- Difficulty Level: Easy Intermediate - Ideal for musicians who are advancing in their skills and seeking a pleasant challenge without being overwhelming.- Instruments: Piano and Bassoon - A unique combination that brings emotional depth and rich texture to the music.- Musical Genre: Pop/Rock Classic - A piece that transcends generations and continues to resonate with its captivating melody and poetic lyrics.Benefits and Uses:- Live Performance: Perfect for recitals, school concerts, and church performances. This arrangement captures the emotional essence of Hallelujah and offers an engaging experience for both musicians and audiences.- Technical Enhancement: Provides a fantastic opportunity for pianists and bassoonists to improve their technique and musical expression through a well-known and beloved piece.- Versatile Repertoire: A valuable addition to any musician's repertoire, providing a piece that can be easily adapted for various occasions, from weddings to cultural events.Story and Emotion:Hallelujah is more than a song; it’s an emotional journey. This arrangement for piano and bassoon brings out the melancholy and hope contained in Cohen's melody, allowing you, as a performer, to tell a story that resonates with every note played. The combination of piano and bassoon adds a new dimension, making the performance even more memorable.Attractive and Engaging:Surprise your audience with a unique interpretation of Hallelujah. This carefully crafted arrangement ensures that every performance is unforgettable, highlighting the simple yet powerful beauty of the song. Ideal for those who want to play a piece that combines emotional depth with technical accessibility.Add this arrangement to your repertoire today and let yourself be enchanted by the magic of Hallelujah. Perfect for dedicated musicians looking to explore new musical frontiers with a classic and emotionally rich piece.

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.851245 By Music in the Middle with Mr D. By Music in the Middle with Mr D. A Cappella,Children,Instructional. Octavo. 33 pages. Music in the Middle with Mr. D #457905. Published by Music in the Middle with Mr. D (A0.851245). SCHOOL DISTRICTS! If you are interested in purchasing more than license, you are eligible for excellent discounts. The first S-Cubed license is regular price, but all subsequent licenses are sold at a significant discount. Or reach out directly to me at inthemiddlewithmrd@gmail.com. Please write Multiple License Purchase in the subject line. This discount is also available for schools with more than one music teacher. Recognize what the children don't know. Don't fault them for not knowing it... Then, teach it to them in a fun way they will remember forever. ...That's the philosophy of S-Cubed. Motivate your beginners! That is the goal of S-Cubed Middle School Sight Singing Program! You should purchase this Kodaly Hand/Ladder Chart from Dancing Crayon to help your students on this journey! This lesson is the first in a series of lessons called S-Cubed that Music in the Middle with Mr D is offering for your upper elementary and middle school music students that will help you teach your children how to sight sing 2 part music with syncopated rhythms and skips as wide as an octave in 27 weeks if you see your students daily. It is the perfect game for the first weeks of school! It will help you establish a positive relationship with your students. It will help their focus, and it will teach them valuable skills for sight singing that are critical to the S-Cubed method of Sight Singing! In this lesson, you will learn about the FUN part of the method! You will learn the rules and philosophies associated with the game Forbidden Pattern that will reflect your approach throughout your teaching of the entire method. It is presented in a Power Point that includes YouTube links to Mr D actually teaching the method to real students. It also includes YouTube links of Mr D explaining the rules of the game. This game is the hook for your young singers. They love playing this game because they want to beat the teacher! For the best value, purchase the MEGA Bundle It includes Levels ONE and TWO combine. It is essentially a two to three year commitment depending on how often you see your students and other factors.

Violin Duet Violin - Level 5 - Digital Download SKU: A0.876530 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. 37 pages. JoeCopio Music LLC #1996207. Published by JoeCopio Music LLC (A0.876530). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are unique. They can be performed as a duet for Violin I and Violin II and as a Violin ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Violin are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

Bassoon,Piano - Level 2 - Digital Download SKU: A0.1463232 By Leonard Cohen. By Leonard Cohen. Arranged by Walt Oliver. Film/TV,Folk,Religious,Rock,Singer/Songwriter. Score and part. 3 pages. Walt Oliver #1041927. Published by Walt Oliver (A0.1463232). Musical Arrangement for Piano and Bassoon: Hallelujah by Leonard CohenCaptivate with Leonard Cohen's Hallelujah - Arrangement for Piano and Bassoon (Easy Intermediate Level)Immerse yourself in the timeless beauty of Hallelujah, Leonard Cohen's masterpiece that has won the hearts of audiences worldwide and became iconic thanks to the movie Shrek. This exclusive arrangement for piano and bassoon, rated as easy intermediate level, is perfect for musicians looking to explore new sounds and emotions.Arrangement Features:- Difficulty Level: Easy Intermediate - Ideal for musicians who are advancing in their skills and seeking a pleasant challenge without being overwhelming.- Instruments: Piano and Bassoon - A unique combination that brings emotional depth and rich texture to the music.- Musical Genre: Pop/Rock Classic - A piece that transcends generations and continues to resonate with its captivating melody and poetic lyrics.Benefits and Uses:- Live Performance: Perfect for recitals, school concerts, and church performances. This arrangement captures the emotional essence of Hallelujah and offers an engaging experience for both musicians and audiences.- Technical Enhancement: Provides a fantastic opportunity for pianists and bassoonists to improve their technique and musical expression through a well-known and beloved piece.- Versatile Repertoire: A valuable addition to any musician's repertoire, providing a piece that can be easily adapted for various occasions, from weddings to cultural events.Story and Emotion:Hallelujah is more than a song; it’s an emotional journey. This arrangement for piano and bassoon brings out the melancholy and hope contained in Cohen's melody, allowing you, as a performer, to tell a story that resonates with every note played. The combination of piano and bassoon adds a new dimension, making the performance even more memorable.Attractive and Engaging:Surprise your audience with a unique interpretation of Hallelujah. This carefully crafted arrangement ensures that every performance is unforgettable, highlighting the simple yet powerful beauty of the song. Ideal for those who want to play a piece that combines emotional depth with technical accessibility.Add this arrangement to your repertoire today and let yourself be enchanted by the magic of Hallelujah. Perfect for dedicated musicians looking to explore new musical frontiers with a classic and emotionally rich piece.

String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.

B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Robert C. Olivia #987223. Published by Robert C. Olivia (A0.1404050). This edition of the solo clarinet part of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture.Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. As many techniques as possible are carefully detailed to show ornaments, slurs, accents etc.The companion parts available here for big band and strings restores many elements missing in other versions available.  The strings here are restored to the original voicings so  important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie� Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available. I have performed from this solo part many times and I hope others will do so as well. I give great thanks to several people, who over the course of my career, taught me many skills that resulted in this. Special thanks to my teachers Bob Wilber, Leon Russianoff & Tom Martin and Marty Burlingame & JoAnn and Artie Kane.

Flute Solo - Level 5 - Digital Download SKU: A0.876484 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 24 pages. JoeCopio Music LLC #1910137. Published by JoeCopio Music LLC (A0.876484). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Flute but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Flute are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth?  While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality  Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  around the fire like wolves, red eyes, a bit 'fierce,  we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were  or roots or ties ,no land limits  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need  Strange characters So wild and free ,But  in this society ,Nothing scarier ago  I donate my blood every day  to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages  Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied  And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart  And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled      Look in the mirror  You can see my reflection? This is a dream or reality? The lie or the truth?                                                                  Monica Bergo

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1083520 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Children,Instructional. Score. 7 pages. Stephen R Dalrymple #687719. Published by Stephen R Dalrymple (A0.1083520). Our Pride Original song by Stephen R Dalrymple (Songs That Teach Collection) ♫ I was hired to teach elementary music at a school that had a pride program. Pride is an acronym that stands for Practicing responsibility in daily effort. This program was started in Ft. Meade, Florida. ♫ I wrote this song as a theme song for our elementary school (K-3 at that time). We began every assembly singing this song. The children ♫ music © 1995, 2013 (copyright registered in 'Songs that Teach’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) lead sheet 2) vocal line with piano accompaniment, and 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print) ♫ This .pdf file includes 4 files: 1) Letter size lead sheet, 2) letter size piano score, 3) Small page lead sheet for performing from a 10 inch tablet , 4) Small page piano score for performing from a 10 inch tablet. Purchase price includes display, and performance for noncommercial activities in classroom(s) taught by one teacher. ♫ Purchase price includes copying, displaying, and performing for noncommercial activities in classroom(s) taught by one teacher.

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.841363 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098159. Published by Artistic Score Engraving di Galvagno Michele (A0.841363). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.

String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.

Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream