Choral 4-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1410550 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Glauco Fernandes. Film/TV,Jazz,Pop,Singer/Songwriter,Wedding. 3 pages. Glauco Fernandes #992969. Published by Glauco Fernandes (A0.1410550). La Vie en Rose - Exclusive Choral ArrangementImmerse yourself in the timeless beauty of La Vie en Rose, the classic made immortal by the legendary Édith Piaf, through our exclusive choral arrangement. This score has been meticulously crafted to capture the romantic essence and emotional depth of the original song, while providing an accessible and profoundly enriching collective singing experience.Arrangement Features:Unparalleled Beauty: Our arrangement breathes new life into La Vie en Rose, with delicate harmonies and vocal textures that paint each phrase with tones of love and hope. The song, known for its ability to touch hearts through the decades, is reinterpreted here in a way that maintains its eternal charm while introducing new sonic nuances.Elegant Simplicity: Designed with both singers and listeners in mind, this arrangement stands out for its elegant simplicity. It offers an accessible approach without sacrificing depth and professionalism, making it perfect for choirs of all skill levels.Professionalism and Versatility: Every note has been written with precision, ensuring that the arrangement is both technically flawless and emotionally captivating. This score is an excellent addition to any choir's repertoire, suitable for performances at a wide variety of events, from formal concerts to more intimate moments.Why Choose Our Arrangement?This arrangement of La Vie en Rose is not just a score; it's a musical experience that invites both singers and the audience to lose themselves in an ethereal love story. It was created with passion and meticulous attention to detail, ensuring that each performance is memorable.If you're looking to enrich your choir's repertoire with a work that is both classic and fresh, our score of La Vie en Rose is the perfect choice. Purchase today and let the magic of Édith Piaf rekindle your passion for choral music.Tags: La Vie en Rose, Edith Piaf, choral arrangement, choral music, choral score, classical music, choir repertoire, vocal harmony, choir performance, choral sheet music, musical arrangement, French music, music classics, love in music, choir singing.

Piano Solo - Level 3 - Digital Download SKU: A0.998556 Composed by Julie Mandel. Contemporary. Score. 5 pages. Joopie Music #3533899. Published by Joopie Music (A0.998556). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme.  Bach actually came up with the idea.  In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural.   Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C.   Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony.  The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati.  I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement.  Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin.    It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo.   Both this title and the previous Nocturne are from his SQ15.  But the motivic idea is actually something I stole from his SQ4, third movement.  In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter.   I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4.   It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement.   I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse.   The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz.  That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that  just repeating the same notes.  His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15.  The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad.  The music that follows has nothing to do with DSCH.  Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.

Small Ensemble - Level 1 - Digital Download SKU: A0.827154 Composed by Bob Marshall. Arranged by Snowflower Music. Children. Score and parts. 63 pages. Bob Marshall #3057337. Published by Bob Marshall (A0.827154). ALL IN THE FAMILY is a delightful new children’s musical that is easily staged and performed. The play opens with a group that has gathered to share their genealogy with each other. At their first meeting, they are excited to talk and sing about the antics of the normal members of their family as well as some of the more unusual (or its that notorious?) members. ALL IN THE FAMILY portrays these fun and diverse family members using folk songs that children know and love; but, as you will hear, the uniquely crafted arrangements are as equally diverse. Add in some easy, rhyming dialog and you have an instant, child-friendly production that will wow the audience. Originally written and produced for a small K-6 elementary school, this musical is an ideal choice for your Spring/end-of-school year performance. MT1701 downloads as a PDF that contains the full production. It includes: piano/vocal score, vocal score, dialog, lyric sheets, staging and more.However, for a truly amazing performance be sure to purchase and download the Rehearsal and Performance tracks from https://www.snowflowermusic.com/store/all-in-the-family. 

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548721 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411757. Published by jmsgu3 (A0.548721). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

Piano Solo - Level 3 - Digital Download SKU: A0.1368478 Composed by Pachulski. Arranged by Jose Valladares. 20th Century. Score. 2 pages. Circlesquare Music #952826. Published by Circlesquare Music (A0.1368478). Valse Mignone by Henryk Pachulski is a delightful and charming piece that embodies the elegance and grace typical of the waltz genre. Henryk Pachulski was a Polish composer and pianist who lived during the late 19th and early 20th centuries. Though not as widely known as some of his contemporaries, Pachulski's work is appreciated for its lyrical beauty and technical refinement.The term mignonne in French means cute or dainty, and as such, Valse Mignone can be translated to mean Charming Waltz or Dainty Waltz. Here are some aspects you might expect from Pachulski's Valse Mignone:Elegance and Charm: As a waltz, Valse Mignone is likely characterized by its elegant and flowing melody, embodying the grace and charm that are hallmarks of the dance. The piece probably features a lilting rhythm in 3/4 time, with an emphasis on the first beat of each measure, creating the distinctive one-two-three pulse of the waltz.Lyricism and Melody: Pachulski's compositions are noted for their melodic beauty. Valse Mignone would likely feature a tuneful and expressive melody that is both captivating and memorable, inviting the listener to be swept away by its romantic allure.Technical Grace: While maintaining its charm and elegance, the waltz might also offer technical challenges for the pianist, such as intricate finger work, delicate articulation, and dynamic nuances that require a refined touch and a sense of stylistic interpretation.Romantic Character: Reflecting the Romantic period's emphasis on emotion and expressiveness, Valse Mignone would likely convey a sense of sentimentality and romanticism, allowing the performer to explore a range of emotions and expressions within the piece's structure.Structural Clarity: Despite its expressive and romantic qualities, the piece is likely to have a clear structure, with repeated sections and a form that supports the dance's flowing character. This clarity makes the waltz accessible and enjoyable for both the performer and the listener.Atmospheric and Descriptive: Pachulski had a talent for creating music that paints vivid pictures in the listener's mind. Valse Mignone would likely be descriptive and atmospheric, drawing the performer and the audience into the elegant and refined world of the waltz.

Mixed Percussion Bass Voice,Choir,Guitar - Level 3 - Digital Download SKU: A0.1340942 By David Warin Solomons. By David Warin Solomons. 21st Century,Christmas. Full Performance. Duration 218. David Warin Solomons #926515. Published by David Warin Solomons (A0.1340942). Multitrack performance of my Chocolate angel song using both verses and with an instrumental improvisation (with hohoho from Santa) between them.Well there's mince pies and sherry and pudding and whiskyand there's candies and chocolates to make us all friskybut do you know the most famous sweet of all?Rupert the chocolate angelWaited by the fire one day'cos he was told that Santawould be coming on his sleighall of the other chocolatestold him that he was a foolthey were afraid of meltingso they kept in shade and coolbut that night old Santa came alongat we all requestand he gulped the sherry downdoffed his boots and had a restthen he looked round at Rupertmelted now and quite deceasedgave out a little giggleand had a little chocolate feast. [impro with hohoho from Santa]Well there's presents and crackersand turkey and tellyand there's thousands of kidseating ice cream and jellybut do you know the most sicklysweet of all?Rupert the chocolate angelwaited by the fire one day'Cos he was told that Santawould be coming on his sleighAll of the children loved himtold him that he was so greatas they sat by the firethey could never know his fateSo that night old Santa came alongAs we all requestand he got the sherry downdoffed his boots and had a restthen he looked round at Rupertmelted now and quite deceasedgave out a little giggleand had a little chocolate feast.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813983 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636615. Published by Regis Bookshar (A0.813983). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 4 Trumpets, 1 French Horn, 2 Trombones and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.814531 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636613. Published by Regis Bookshar (A0.814531). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 3 Trumpets, 2 French Horns and 3 Trombones, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

English Horn,Piano - Level 3 - Digital Download SKU: A0.549342 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486697. Published by jmsgu3 (A0.549342). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.993320 Composed by Matthew Yarnell. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 2 pages. Flome the Gnome #3684401. Published by Flome the Gnome (A0.993320). Praise the Lord is a more upbeat song that helps you recall what Jesus has done while at the same time allowing you to sing mightily - Praise the Lord.  This is the short version in that it has four verses whereas the unedited version has five verses. Both versions include the Praise the Lord chorus. If you're looking for a new song that will encourage your congregation to stand up and praise the Lord, then please consider adding this song to your collection.I pray that this song nourishes your soul, your family, and/or your congregation.  Please let others know about my songs; say a prayer for me, my family, and ministry; and consider supporting my ministry financially so that I might have more time to write additional songs and/or serve the Lord.This song would be good for all churches but is probably best suited for those that enjoy more traditional hymns.I can be found online at my website: www.flomethegnome.com and on facebook. You can email me at flomethegnome@gmail.com  You can snail mail me at Matthew Yarnell, 2098 Marble Valley Basin Road, Addy, WA. 99101.  Or, you can call me at 509-675-3420.

Piano Solo - Level 3 - Digital Download SKU: A0.998558 Composed by Julie Mandel. Contemporary. Score. 5 pages. Joopie Music #3533903. Published by Joopie Music (A0.998558). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com

Ukulele - Level 1 - Digital Download SKU: A0.1189818 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Andre D Tuffo. Film/TV,Rock,Spiritual,Standards,Wedding. Score. 1 pages. Andre D. Tuffo #789416. Published by Andre D. Tuffo (A0.1189818). https://linktr.ee/andredtuffoCan't Help Falling in Love is a timeless classic that has been beloved by generations of music lovers. The song was written by Hugo Peretti, Luigi Creatore, and George David Weiss, and was made famous by Elvis Presley in 1961.The lyrics of Can't Help Falling in Love express the feeling of falling deeply in love and the sense of helplessness that comes with it. The song has been interpreted in many different ways, from a message of romantic love to a more universal message of the power of love to overcome all obstacles.The melody of Can't Help Falling in Love is simple and beautiful, and has been covered by many artists in a variety of styles. The song has been used in countless films, television shows, and other media, and has become a cultural touchstone for people all over the world.One of the reasons why Can't Help Falling in Love is such a beloved song is because of its universality. The feeling of falling in love is something that is experienced by people of all ages, races, and backgrounds, and the song captures that feeling perfectly.In conclusion, Can't Help Falling in Love is a beautiful and timeless song that continues to captivate and move people all over the world. Whether you're a fan of Elvis Presley, or simply appreciate the beauty of a classic love song, Can't Help Falling in Love is a song that is sure to touch your heart and stay with you for a lifetime.

Flute,Piano - Level 3 - Digital Download SKU: A0.549330 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486233. Published by jmsgu3 (A0.549330). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Choral Choir,Choral,SSA Chorus - Level 3 - Digital Download SKU: A0.1410527 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Glauco Fernandes. Film/TV,Jazz,Pop,Singer/Songwriter,Wedding. 3 pages. Glauco Fernandes #992948. Published by Glauco Fernandes (A0.1410527). La Vie en Rose - Exclusive Choral ArrangementImmerse yourself in the timeless beauty of La Vie en Rose, the classic made immortal by the legendary Édith Piaf, through our exclusive choral arrangement. This score has been meticulously crafted to capture the romantic essence and emotional depth of the original song, while providing an accessible and profoundly enriching collective singing experience.Arrangement Features:Unparalleled Beauty: Our arrangement breathes new life into La Vie en Rose, with delicate harmonies and vocal textures that paint each phrase with tones of love and hope. The song, known for its ability to touch hearts through the decades, is reinterpreted here in a way that maintains its eternal charm while introducing new sonic nuances.Elegant Simplicity: Designed with both singers and listeners in mind, this arrangement stands out for its elegant simplicity. It offers an accessible approach without sacrificing depth and professionalism, making it perfect for choirs of all skill levels.Professionalism and Versatility: Every note has been written with precision, ensuring that the arrangement is both technically flawless and emotionally captivating. This score is an excellent addition to any choir's repertoire, suitable for performances at a wide variety of events, from formal concerts to more intimate moments.Why Choose Our Arrangement?This arrangement of La Vie en Rose is not just a score; it's a musical experience that invites both singers and the audience to lose themselves in an ethereal love story. It was created with passion and meticulous attention to detail, ensuring that each performance is memorable.If you're looking to enrich your choir's repertoire with a work that is both classic and fresh, our score of La Vie en Rose is the perfect choice. Purchase today and let the magic of Édith Piaf rekindle your passion for choral music.Tags: La Vie en Rose, Edith Piaf, choral arrangement, choral music, choral score, classical music, choir repertoire, vocal harmony, choir performance, choral sheet music, musical arrangement, French music, music classics, love in music, choir singing.