Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalry�, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.� After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.� He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn� from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy García, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.

Brass Quintet - Level 4 - Digital Download SKU: A0.1489491 Composed by Dr. Daniel N. Thrower. 21st Century,Barbershop,Chamber,Classical,Multicultural,World. 20 pages. Https://gildedmusicpress.com/ #1066355. Published by https://gildedmusicpress.com/ (A0.1489491). “Rising Sun” was composed as a gesture of friendship between the two great nations of Japan and the United States of America.  As a uniformed member of the Armed Forces, mine is a unique position of being able to share such a meaningful gift in an official capacity that bears great depth and meaning far beyond similar civilian cultural exchanges.Before being assigned to Yokota Air Base in Japan, I was stationed at Offutt Air Force Base in Nebraska.  Part of my duties as a trumpeter in the military is to sound “Taps” as part of the full complement of a fallen hero’s military honors.  Among the most somber occasions of fulfilling that special privilege was on behalf of a WWII Seaman, Wesley Brown.  In 2021, his remains were identified and shipped home to America’s heartland after 80 years of Japan’s attack on Pearl Harbor in 1941.Fast forward to August 6 and 9, 2023, shortly after I arrived at my new duty station in Japan.  On those dates in 1946, nuclear bombs were dropped on Hiroshima and Nagasaki.  I recorded in my journal on the 9th that my walk to work was quite sobering as I realized that my presence there was a direct result of that complicated global conflict.  With significant symbolism, Pacific Brass read “Rising Sun” for the first time that day.After nearly 80 years, the post-war occupation has evolved to a thriving partnership most worthy of celebration.  This composition “Rising Sun” potently delivers a personalized celebratory gesture from an American Airman to all those communities we serve throughout the glorious “land of the rising sun.”In the music itself, one can picture a dim early dawn with the serene opening of the low brass trio.  The musical content is repeated more loudly, with brilliant trumpet interjections as the sun crests over the early horizon.  The music morphs and grows; varies and repeats, as it is intended to depict the subtly but rapidly changing beauties of an orange-filled sunrise.  At last, the colors fade and the new day has begun, with a full brightness of hope.

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1410537 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Glauco Fernandes. Film/TV,Jazz,Pop,Singer/Songwriter,Wedding. 3 pages. Glauco Fernandes #992958. Published by Glauco Fernandes (A0.1410537). La Vie en Rose - Exclusive Choral ArrangementImmerse yourself in the timeless beauty of La Vie en Rose, the classic made immortal by the legendary Édith Piaf, through our exclusive choral arrangement. This score has been meticulously crafted to capture the romantic essence and emotional depth of the original song, while providing an accessible and profoundly enriching collective singing experience.Arrangement Features:Unparalleled Beauty: Our arrangement breathes new life into La Vie en Rose, with delicate harmonies and vocal textures that paint each phrase with tones of love and hope. The song, known for its ability to touch hearts through the decades, is reinterpreted here in a way that maintains its eternal charm while introducing new sonic nuances.Elegant Simplicity: Designed with both singers and listeners in mind, this arrangement stands out for its elegant simplicity. It offers an accessible approach without sacrificing depth and professionalism, making it perfect for choirs of all skill levels.Professionalism and Versatility: Every note has been written with precision, ensuring that the arrangement is both technically flawless and emotionally captivating. This score is an excellent addition to any choir's repertoire, suitable for performances at a wide variety of events, from formal concerts to more intimate moments.Why Choose Our Arrangement?This arrangement of La Vie en Rose is not just a score; it's a musical experience that invites both singers and the audience to lose themselves in an ethereal love story. It was created with passion and meticulous attention to detail, ensuring that each performance is memorable.If you're looking to enrich your choir's repertoire with a work that is both classic and fresh, our score of La Vie en Rose is the perfect choice. Purchase today and let the magic of Édith Piaf rekindle your passion for choral music.Tags: La Vie en Rose, Edith Piaf, choral arrangement, choral music, choral score, classical music, choir repertoire, vocal harmony, choir performance, choral sheet music, musical arrangement, French music, music classics, love in music, choir singing.

Piano Solo - Level 3 - Digital Download SKU: A0.998570 Composed by Julie Mandel. Contemporary. Score. 5 pages. Joopie Music #3533927. Published by Joopie Music (A0.998570). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com

Cello,Piano - Level 2 - Digital Download SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408191. Published by jmsgu3 (A0.548655). Jingle Bells arranged for cello & piano with a fancy final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1183164 By Beachbody. By Idir Makhlaf, Thom Jongkind, and Timothy Smith. Arranged by Marcony Carvalho. 20th Century,Disco,Pop. Score and part. 12 pages. Zedas Couve #782844. Published by Zedas Couve (A0.1183164). Narco is a 2017 electronic music single by Blasterjaxx and Timmy Trumpet. It is used as the walkout song of Edwin Díaz, the closer for the New York Mets of Major League Baseball. The song is also used as walk-up and home run music for William Contreras of the Milwaukee Brewers, whose usage of it has generated mild controversy.Composition and recording[edit]Narco was written and recorded by Blasterjaxx and Timmy Trumpet. The first portions of what would become Narco were created by Blasterjaxx members Idir Makhlaf and Thom Jongkind, who sought to create a song that would be mainstay on the dance floor. The duo soon created a synthetic drum beat that would remain in the introduction of the finished song and wrote a melody to go on top of it that Jongkind likened to an Arabian flute. The Dutch duo had been looking to collaborate with Timmy Trumpet and, when Timmy Trumpet had a day's break in the midst of his European tour, the three met and the duo played samples of the song. Timmy Trumpet suggested that the duo should remove the flute, and instead suggested that the song substitute a trumpet in place of the flute; he would later play and record the trumpet part that would replace the flute in the finished version of the song. The Blasterjaxx duo would later add the song's drop as well as a verse of rapping, though the duo did not listen to the verse's lyrics prior to the song's publication. The duo decided to title the track Narco after the crime drama television series Narcos.The song was released as a single in late 2017.

String quartet - Digital Download SKU: IZ.CMF186 Composed by Kenneth Piotrowski. Score and Parts. 44 pages. Imagine Music - Digital #CMF186. Published by Imagine Music - Digital (IZ.CMF186). 9 x 12 in inches.The creation of Rustic Serenade was quite different from the majority of my other compositions; it happened quite by accident with absolutely no thought out plan. I always carry manuscript paper with me to jot down melodies and other musical thoughts that pop into my head but never an entire piece of music. The following is how that all changed.Being an avid hiker, I set out one early autumn day. It was one of those wonderfully crisp, clear days that only New England offers. As I rounded a bend of the forested mountain trail there was a stony promontory that offered an unparalleled view of the valley below with its rolling pastures and farmlands and, still more distant, a waterfall. I followed the narrow ribbon of water with my eye as it twisted and wove its way through the trees and periodic meadows until I found myself gazing down onto a small village. Actually, it was more like a tiny hamlet, a few homes, two or three stone buildings, a small white church, a commons complete with bandstand and gardens and a mill with its waterwheel slowly spinning from the water that was diverted through a sluice from the river. As I continued to observe the scene below I became cognizant that within my mind I was hearing the soft pizzicato of a cello. It was soon followed by a viola in imitation and then finally the violins joined in, first with melody and then harmony. The solution was to extract the manuscript paper and pen from my backpack and write down what I heard.

Woodwind Ensemble Bassoon,Oboe - Level 3 - Digital Download SKU: A0.559961 Composed by Alan Silvestri and Glen Ballard. Arranged by Lisa Ochoco. Broadway,Christmas,Contemporary,Film/TV,Musical/Show. 13 pages. Lisa L Ochoco #5984321. Published by Lisa L Ochoco (A0.559961). This song comes from the movie, The Polar Express. In the film, Billy starts singing that all of the joys that he's heard that happens at Christmas time, he's never experienced. Nevertheless, he's still hoping that Santa's on his way on Christmas Eve, and that Once lost will all be found; that's all I want when Christmas comes to town.

French Horn,Piano - Level 3 - Digital Download SKU: A0.549349 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486771. Published by jmsgu3 (A0.549349). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia

Piano Solo - Level 3 - Digital Download SKU: A0.998561 Composed by Julie Mandel. Contemporary. Score. 6 pages. Joopie Music #3533911. Published by Joopie Music (A0.998561). INTERVALS : 24 Works for Piano by Julie MandelA musician friend of mine once told me that her favorite songs were those that began with the jump of an octave. Like Somewhere Over The Rainbow. It got me to thinking about how the first two notes of any piece of music really set up what will follow. That octave jump, that interval, is only one of twenty-four possible intervals in a one-octave scale. That is to say, there are twenty-four different intervals with which to begin a piece of music. I have written these twenty-four pieces with the idea of having the first two notes of each of them start with a different interval.I’m delighted that pianists are starting to perform them in concert, and all 24 have been recorded by Hadassah Guttmann. The recording is widely available for purchase and download.Writing them has been like a series of adventures, each of which begins by taking the first two steps - and then discovering where they will lead. I hope you enjoy playing them as much as I enjoyed writing them.Julie Mandel, composerwww.juliemandel.com

Solo Guitar - Level 2 - Digital Download SKU: A0.1028891 Composed by Scott A. Niebauer. 20th Century,Contemporary. Individual part. 7 pages. Ponticello Music #4364608. Published by Ponticello Music (A0.1028891). A suite of short pieces for solo guitar intended to capture a unique yet popular idiosyncratic sound. Some of these are new works, some have been re-worked from older ideas. They all incorporate the idea of popular rock style guitar music being combined with standard classical guitar technique and notation.Andante Tremolo creates an eerie yet nostalgic mood with a sixteenth note tremolo figure at the beginning that bursts into a middle section utilizing pull offs to open strings and a more rapid tremolo. It features a descending melodic figure that leads to nowhere... Anniversary Theme is a half-remembered hum-along melody at the end of the formal celebration when the chairs are being put away but the decorations are still up. It uses simple harmonies that don't really make sense but just follow that same half-forgotten melody, cadencing here and there when they feel like it. Cloudburst Arpeggio focuses on the chime-like campanella effect produced by a descending slur pulled-off to an open string, and then hammering it back on again. It begins with a straight-ahead arpeggio pattern going through a standard chord change, and then jumps off the edge of the cliff into other areas...Mobile is a perpetual motion machine that rocks its way into an Arabic sounding riff in the middle. The low D tuning allows utilization of a drone on the high open D string that produces interesting sonic effects allowing for unique sounds to pull off to open strings. 

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813987 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 11 pages. Regis Bookshar #6636631. Published by Regis Bookshar (A0.813987). Flute Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Flute Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would  play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other.  Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother,  with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece  shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).

Piano - Level 3 - Digital Download SKU: A0.1135096 Composed by Michael Giacchino. Arranged by Unimusic Academy (Academia Unimusica). Classical. Score (Chords/Lyrics). 4 pages. Unimusic Academy (Academia Unimusica) #735138. Published by Unimusic Academy (Academia Unimusica) (A0.1135096). The Married Life piece was the first assignment Michael Giacchino had on the film.[6] He explained: We knew that was going to be one of the most difficult scenes in the film, so we tackled that first, and I was just working really hard to make that scene really work because I knew that was going to inform the rest of the story.[7] Originally he had written a different piece to be played in that part of the film, but Pete Docter requested a song that would play as if from one's grandmother's music box. Giacchino subsequently conceived of the new composition. After recording the initial piece, they went back to make touch-ups at various points to match the emotional tone of the visual sequence.[8].