Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.893867 Composed by David Kai. Country,Folk,Pop. Score. 2 pages. David Kai #6140181. Published by David Kai (A0.893867). LEAD SHEET IN DA fun song about a famous symbol of Newfoundland - the Newfoundland dog.You Can’t Tell a Newfie     words and music by David Kai ©1990 No you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. He’s the kind of a dog that will never be scared, For to serve and protect he was bred and prepared And there’s many a swimmer whose life has been spared, By the Newfoundland dog, who’s like a lifeguard with hair.  But you can’t tell a Newfie a thing he should do, To sit or to stay or to come back to you He’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. You can hook up a Newfie to a cart or a sleigh, It will bear all your burdens, not tiring all day It can carry a line from a boat to the land, To rescue the perishing, saving all handsBut you can’t tell a Newfie a thing it should do,To sit or to stay or to come back to you It’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. She is strong but so gentle, a real teddy bear, But there won’t be a place where you won’t find her hair She will care for the children, watch them just like a Mum, And keep them in safety ‘til labours are done But you can’t tell a Newfie a thing she should do, To sit or to stay or to come back to you She’s hairy and slobbery, as strong as a horse, It’s the Newfoundland dog that I sing of, of course. It’s the Newfoundland dog that I sing of, of course.

Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME   If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me     If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us   Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the   Ask at  wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand   Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources   It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense   Crow that flies, bad  omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining   If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are   And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me   Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow  me to  stay I'll be with you in the wind ...   I'm the wind that laughs It wraps you up until the summer returns ...                                                                                                 Monica Bergo

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1078283 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682490. Published by jmsgu3 (A0.1078283). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.

String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.

Piano Solo - Level 4 - Digital Download SKU: A0.950944 Composed by Lynn Tredeau. Arranged by Lynn Tredeau. 20th Century,Concert,Contemporary,New Age. Score. 4 pages. Lynn Renee Tredeau #3375649. Published by Lynn Renee Tredeau (A0.950944). Key of G Major- A fanciful melody that imagines what flight must feel like. From the CD Echoes of Life - Original solo piano, contemporary classical / new age. Nominated for Solo Piano Album of the Year at One World Music Radio. This debut album tells stories that reflect life experiences. Hiking in the mountains, playing with grandchildren, the adventure of travel and comforting loved ones during times of loss. It is a deep hope that this music allows you to reflect on your life and revisit those memories that mean the most to you. Echoes of the Life is a sublime debut album that has all the hallmarks of a confident and passion filled opener, that has to be a total must for all lovers of the solo piano genre, but the care, calmness of pace and professionalism in this release, is rare in a debut album. ~ Steve Sheppard, One World Music Radio       Learn more about Lynn Tredeau at www.lynntredeau.com

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294836 By Cheryl Prazak. By Lyric: Cheryl Prazak and Traditional English Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885162. Published by Cheryl Prazak (A0.1294836). “Cast your bread upon the waters� - Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.�Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, KentuckyPsalm 45:1I want to write sweet love poems with words that honor You.May leanings of each heartbeat be faithful and be true.I want to write love songs telling what You mean to me.And then ten thousand angels could sing my poems for Thee.You wake me from my slumber, your Spirit beckons me.You give me all the true words to stir my heart to Thee.​And if I haven’t the voice to sing, let others sing for me.​Just let me write the lovely poems with words that honor Thee.May poems that I offer You be precious in your sight.May your redemption’s story shine through each line I write.And if I haven’t the voice to sing, let others sing for me.Just let me write the lovely poems with words that honor Thee.God wants the world to know Him and songs may draw us near.Let me be one who writes words that send his message clear.The strains that stir my waiting soul, I dedicate to Thee.Just let me write the lovely poems with gifts You’ve given me.

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.809109 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573825. Published by Tony Benade (A0.809109). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song.  It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if  have musician friends play along with you.  The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.

Piano Solo - Level 3 - Digital Download SKU: A0.1172232 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. 19th Century,20th Century,Classical,Contemporary,Romantic Period. Score. 11 pages. Sarah Bonsignore #772456. Published by Sarah Bonsignore (A0.1172232). Here is a brand new piece in five parts that has been haunting me for two days. It came to me at 3am yesterday and I went into my studio to notate it. It's a dreamy, soothing and sometimes soaring piece that reminded me of the octopus from the amazing documentary My Octopus Teacher. Part 1 is possibly more beginner intermediate, and I think some of the parts can be played as individual solos. I've included a link to the youtube demo on the score with an above hands view and a light up keyboard so that students can follow the score and listen.My husband and children loved this piece when they heard it, so I'm excited to have it published for others to learn and play. Part 3 was an idea from a piece I improvized in the Tottenham Court tube station a few years ago (yes, there was a piano in the tube station, and there should be a piano in every tube station as far as I'm concerned :) The theme I played that day never left me and it seemed to fit here. I wrote an expanded version of part 3 called Flight in D major that I hope to include on my website singplaystudios.com and here in a few weeks, so if you like part 3, I hope you'll check that piece out too. I plan to include this work in my 20 Beautiful Piano Solos book 3 (please find the first two books and many other repertoire and ear training books on Amazon). Thank you for considering learning this piece. It is very special to me, and you can read more about my inspiration and process at the youtube link.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1242133 Composed by George Willson. 21st Century,Blues,Contest,Festival,Jazz. Score and Parts. 72 pages. George Willson #837490. Published by George Willson (A0.1242133). The Center Of The Universe is a a landmark in downtown Tulsa that is a bit of broken pavement on a bridge across some railroad tracks. Where its name comes from is the unusual acoustic properties that one experiences when standing on top of that broken pavement. Those outside the circle can't hear what the person is saying, and when speaking, the person in the circle can hear their voice echoed back to them. Scientifically, it is said to be its unique position in relation to the nearby buildings of downtown, but even so, it has become a strange tourist attraction. To exemplify these strange acoustic properties, this big band piece is written in an unusual time signature for the blues: 5/4. That, in itself, makes it inherently difficult to play since most jazz musicians are tuned into 4/4 with the occasional 3/4 or 12/8 thrown in for variety. Yes, others have done it, but this adds another entry to that very short list of big bands tunes in 5 to make us think of that weird spot downtown where sound just doesn't behave the way it seems like it should.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.MP3 rendition is an extract of the composition program.

Small Ensemble Euphonium,Horn,Tuba - Level 2 - Digital Download SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert.  This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.

Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813986 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636629. Published by Regis Bookshar (A0.813986). Euphonium Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Euphonium Octet, written in Treble Clef, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There is also a version for a Euphonium Octet, written in Bass Clef, if you prefer. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.

Concert Band - Level 3 - Digital Download SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833039. Published by Pentharmonics (A0.1237524). Arcanum - Grade 3 - Duration 8:00 min....the secret. Every day the knowledge in the world is continuously growing. In all fields of life, new findings are attained by science and research, more and more can be explained, a well-founded understanding of the things around is going to be achieved. However, the mysterious will still persist. Every new perception leads to further questions, new secrets are rising for being explored. Moreover, someone might perceive that in relation to the entire knowledge gained by mankind, the individual is shrinking. Thus, until the end of time the world will stay mysterious - the world seems to be a persistent secret, that wants to be discovered at all times anew.The musical motif of the Question begins with the very first sound of the piece - a dissonance that is harmoniously resolved again. This motif reflects the curiosity that lies dormant in all people. The dissonance creates a tension that can be seen as an impetus for the search for answers. The resolution to a major chord describes the confidence of being able to find an answer to the question. This musical motif runs through the entire work, both in the dreamy bliss of being and in the dramatic passages in which the flood of questions seems to become frightening. In such sections, the dissonance is turning into a minor chord. At the dramatic climax, a tense dominant seventh chord leads to the resolution to major, which finally describes the euphoria after the answer of a very difficult question. After a further phase of relaxation, the gaze wanders over nature in all its glory. Until towards the end of the piece, the awareness finally sets in that every answer found raises a new question and thus the mystery remains forever.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.779554 Composed by Kim Kirkman. A Cappella,Christian,Concert,Contemporary,Praise & Worship,Sacred. Octavo. 7 pages. Kim Kirkman #5292007. Published by Kim Kirkman (A0.779554). John One for SATB a cappellaThis sacred choral work uses the text from the beginning of John's Gospel.It underlies the mystery of creation and how word (or some might think, sound) created the universe.The lyrics are:In the beginning was the Word, The Word was with Word And the Word was God. He was with God in the beginning. Through him all things came to be, Not one thing had its being but through him. All that came to be had life in him, life in him And that life was the light of men, a light that shines in the dark, A light that darkness could not over-power. The word was the true light That enlightens all men And he was coming into the world. He was in the world that had its being through him, and the world did not know him. He came to his own domain And his own people did not accept him. But to all who did accept him, He gave power to become children of God, To all who believe in the name of him Who was born not out of human stock Or urge of flesh or will of man but of God Himself. The word was made flesh He lived among usAnd we saw his glory.

Harp - Level 4 - Digital Download SKU: A0.942891 Composed by James W. Knox. Contemporary,World. Score. 9 pages. Knox Music #6599795. Published by Knox Music (A0.942891). On the Lake written for advanced SSAA divisi and harp. Fannie Isabelle Sherrick was an American poet who wrote songs and poems throughout the 1860's that captured hearts and minds. I Can Not Say the Sad Good-Bye was one of her notable songs published in 1873. She was both influenced and encouraged by Ella Wheeler Wilcox who she attributed her success to. Her most popular poetry volume entitled Love or Fame and Other Poems was published in 1880 by W.S Bryan of St Louis and she continued writing for many years.  ON THE LAKE There's a beautiful lake where the sun lies low, And the skies are warm with their summer glow; And a beautiful picture there I see Where the winds are warm and the waves are free, And the waves lie still in the sun As the flowers at night, when the day is done. You may sing of your silvery seas by night When the moon looks down with a dreamy light; And the stars shine out in the skies above Like the warm sweet gaze of the eyes of love; But the glow on the lake to-day Is a glory that never will fade away. The beautiful lake is a sea of gold And the beauty it wears will never grow old; The trees bend down in the sun's warm glow Till their branches meet in the waves below, And the clouds in the far-off skies Are mirrored anew where the sunlight lies. I love to float where the shadows lie 'Neath the matchless glow of the summer sky; And I love to dream that these waves of light Will never fade in the gloomy night: But I know that the things I love Are as far from my reach as the clouds above. Oh, the beautiful lake is a sea of gold And the beauty it wears will never grow old; The cloudlets of Heaven are mirrored there In a golden splendor so bright and fair That the soul is dazzled for aye By the beautiful light of this summer's day. Oh, I love to dream when this life is o'er We shall moor our boats near the golden shore; And our sorrows shall drift from us far away As the leaves that float in their idle play, And the waves shall smile in the sun When the night is over and life is done.  Fannie Isabelle Sherrick.