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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.590038 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6139465. Published by David McKeown (A0.590038). This gospel version of Amazing Grace is arranged as a duet for one Oboe and one Bassoon. Written in 1773 by John Newton and set to the traditional melody New Britain, Amazing Grace is perhaps the best-known and best-loved hymn in the world.John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. Amazing Grace is played three times, once in the traditional style in 3/4, then twice in a gospel swing style in 4/4. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Amazing Grace is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Amazing Grace is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Amazing Grace, Gospel style for Oboe and Bassoon Duet
Hautbois, Basson (duo)

$3.99 3.33 € Hautbois, Basson (duo) PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.589507 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6077193. Published by David McKeown (A0.589507). A Nacht in Gan Eden, (A Night in the Garden of Eden), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Soprano Saxophone and one Clarinet. Little is known of the origin of this traditional tune. A Nacht in Gan Eden is in the Freylekh style, a happy piece played at medium to fast tempo for dancing. A Nacht in Gan Eden is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a final repeat of the first section and with constant variations in the accompaniment. A Nacht in Gan Eden is suitable for players at an intermediate level and above. With a performance time of around four minutes, this version of A Nacht in Gan Eden is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 .
A Nacht in Gan Eden, (A Night in the Garden of Eden), for Soprano Saxophone and Clarinet Duet
Saxophone, Clarinette (duo)

$3.99 3.33 € Saxophone, Clarinette (duo) PDF SheetMusicPlus

Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.593644 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Score and parts. 4 pages. David McKeown #6497309. Published by David McKeown (A0.593644). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a Duet for one Trumpet and one Tenor Horn in E Flat. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress AuliÊ»i Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
How Far I'll Go
Takida
$5.99 5.01 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.594202 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560261. Published by David McKeown (A0.594202). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
Away in a Manger, Jazz Style, for Trumpet and Tenor Horn Duet

$3.99 3.33 € PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.590052 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6139493. Published by David McKeown (A0.590052). This gospel version of Amazing Grace is arranged as a duet for one Trumpet and one Alto Saxophone. Written in 1773 by John Newton and set to the traditional melody New Britain, Amazing Grace is perhaps the best-known and best-loved hymn in the world.John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. Amazing Grace is played three times, once in the traditional style in 3/4, then twice in a gospel swing style in 4/4. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Amazing Grace is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Amazing Grace is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 
Amazing Grace, Gospel style for Trumpet and Alto Saxophone Duet
Trompette, Saxophone (duo)

$3.99 3.33 € Trompette, Saxophone (duo) PDF SheetMusicPlus

Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.594186 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560227. Published by David McKeown (A0.594186). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Flute and one Viola. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
Away in a Manger, Jazz Style, for Flute and Viola Duet
Flûte, Alto (duo)

$3.99 3.33 € Flûte, Alto (duo) PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.594015 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6534953. Published by David McKeown (A0.594015). Ding Dong Merrily on High is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Shuffle/Swing style for one Clarinet and one Alto Saxophone. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Ding Dong Merrily on High first appeared in a French book of secular dance tunes during the sixteenth century. The Christmas lyrics we know and love were added much later by English composer and rector George Ratcliffe Woodward and first published in 1924. With a performance time around of three minutes, this version of Ding Dong Merrily on High is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz shuffle style is a fun and fresh take on this familiar traditional tune.Ding Dong Merrily on High is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played twice, with short bell-chiming intros and outros. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Ding Dong Merrily on High, Jazz Style, for Clarinet and Alto Saxophone Duet
Saxophone, Clarinette (duo)

$3.99 3.33 € Saxophone, Clarinette (duo) PDF SheetMusicPlus

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.850658 Composed by A.G. Villoldo, Francia Luban (Spanish), and Marjorie Harper (English). Arranged by Derek Hasted. 20th Century. Score and parts. 11 pages. Derek Hasted #457328. Published by Derek Hasted (A0.850658). El CHOCLO - FLUTE AND GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Said by some to be the definitive Tango, this piece has been recorded by musicians the world over and it positively exudes energy.This arrangement, for flute and guitar, suits two intermediate players. With tight articulation and pauses just long enough to tease, more experienced players will find that the music has even more to give!There are plenty of opportunities for volume changes and tone changes, and I hope you’ll experiment and find something for your duo that makes the performance “yoursâ€. Indeed, across the performances on YouTube there are different rhythms at certain points in the tune - notes that are aggressively aggressively in one version might be teased longer in another - the choices are yours to make...The entire piece can be played twice through if desired.I hope you enjoy playing this piece!
El Choclo
Flûte et Guitare

$4.99 4.17 € Flûte et Guitare PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.589527 Composed by Traditional. Arranged by David McKeown. Jewish,Multicultural,Wedding,World. Score and parts. 4 pages. David McKeown #6078877. Published by David McKeown (A0.589527). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Clarinet and one Tenor Saxophone.For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
Odessa Bulgar, Klezmer tune for Clarinet and Tenor Saxophone Duet
Saxophone, Clarinette (duo)

$3.99 3.33 € Saxophone, Clarinette (duo) PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.33 € Chorale TTBB PDF SheetMusicPlus






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