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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-32262 Composed by Brad Avery, David Carr, Mac Powell, Mark Lee, and Tai Anderson. Arranged by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Christmas; Sacred. Part(s). 16 pages. Jubilate Music Group - Digital #00-32262. Published by Jubilate Music Group - Digital (JX.00-32262). English.The contemporary group Third Day offers a marvelous song for Christmas -- Born in Bethlehem. As he has shown numerous times before, Sheldon Curry has a unique arranger's touch with Americana and country rock material. He brings those gifts and skills to bear in this easily prepared yet meaningful arrangement. This anthem is a Christmas gift to performers and listeners alike.
Born in Bethlehem

$30.00 25.66 € PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.620008 By Third Day. By Brenton Brown, David Carr, Mac Powell, Mark Lee, Matt Maher, and Tai Anderson. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 17 pages. Exultet Music #3101901. Published by Exultet Music (A0.620008). The popular Christian rock song by Third Day has been freshly arranged as a duet for Soprano and Tenor Saxophone with Piano accompaniment.  Accessible and appropriate for any church or concert setting.  Can be used for many times throughout the liturgical year but especially when the themes are about revival or coming back to God.
Soul On Fire
Saxophone Tenor et Piano
Third Day
$4.99 4.27 € Saxophone Tenor et Piano PDF SheetMusicPlus

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156206 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 40 pages. Socrates Arvanitakis #756520. Published by Socrates Arvanitakis (A0.1156206). This is the eighteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 18 (Songs 460-486)Jack HallJan’s CourtshipJennie JenkinsJenny Go GentleJesus, Jesus, Rest your HeadJim Along JosieJock O’ the SideJock of HazeldeanJohn Anderson, my joJohn ApplebyJohn BarleycornJohn BluntJohn KanakaJohn of the HazelgreenJohn PeelJohnnie SangsterJohnny GallagherJohnny ToddJolly Beggar (The)Jolly Carter (The)Jolly Goss-Hawk (the)Jolly Miller-Miller of Dee (the)Jolly Ploughboy 1 (the)Jolly Ploughboy 2Jolly Waggoner (the)JordanJoseph and the Angel.
Folk Songs For Classical Guitar - Volume 18 (Songs 460-486)

$25.00 21.39 € PDF SheetMusicPlus

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes

$9.99 8.55 € Orchestre à Cordes PDF SheetMusicPlus


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