Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294480 By Cheryl Prazak. By Composer: Andrew Barton Paterson and Lyric: Cheryl Prazak. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #884853. Published by Cheryl Prazak (A0.1294480). “Cast your bread upon the waters� - Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.�Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky. Hearts Aflame Heavenly breezes, blowing down from heaven’s shore,Do you not feel it, traversing the land?Good news is upon them, your Spirit has opened the door,And the young people have taken their stand.Spirit, take your flight, ‘cross our land tonight,Strongly your Spirit has breathed upon them.Their fire is burning bright, no way to dim its light tonight.They’ll take us to the cross, just follow them.Glorying in the Name, by whose grace they proclaim,One by one, heart to heart, and hand to hand.The young people will lead us, they can set the world aflame,As voice to voice they will cover our land.Spirit, take your flight, ‘cross our land tonight,Strongly your Spirit has breathed upon them.Their fire is burning bright, no way to dim its light tonight.They’ll take us to the cross, just follow them.Sprightly beams their light, casting out on us this night,Lights shining bright so that no man can dim.Leading on with great joy, they have become our guiding light,Taking us to the cross, just follow them.Spirit, take your flight, ‘cross our land tonight,Strongly your Spirit has breathed upon them.Their fire is burning bright, no way to dim its light tonight.They’ll take us to the cross, just follow them.Spirit, take your flight, ‘cross our land tonight,Strongly your Spirit has breathed upon them.Their fire is burning bright, no way to dim its light tonight.They’ll take us to the cross, just follow them.They’ll take us to the cross, just follow them.

Piano Solo - Digital Download SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me  ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions  your  eyes when will my time I certainly find  it my rebellious soul that more chains will not have over the time and distances Your light will follow   and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me   memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that  rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You  squeeze  to hurt me   think of me stronger and shalt see my colors It was death to turn me but you can repaint me  and then I'll be whatever you want as in life if you want me  wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are  Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On  flames on  hell as Dante that one day for that dark forest left   dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do  more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey   how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is  my  curse as a mark on the skin but as  said one on  last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember  only my face and will not be hell will be heaven ...                                                                                              Monica Bergo

Solo Guitar - Level 5 - Digital Download SKU: A0.982523 Composed by Johann Sebastian Bach. Arranged by Daniel Clark. Baroque. Individual part. 26 pages. Daniel Clark #6435265. Published by Daniel Clark (A0.982523). This is a full transcription of Bach’s second violin partita for classical guitar, including the Allemanda, Corrente, Sarabanda, Giga, and the Ciaccona. The transcription is authentic to the original has been made strictly to the original violin manuscript. The partita has been arranged in D-tuning to take advantage of the resonance of the guitar, though the lower D on the guitar is never played since it is below the dynamic range of the violin, (taking into account the octave difference). Bach’s Ciaccona, or Chaconne, in d-minor for solo violin from the second partita is well known on the guitar thanks to Segovia’s arrangement. However, Segovia’s version takes a number of liberties in his arrangement that have the effect of blurring the contrapuntal voices through his decision to harmonise the chords into 6-strings wherever possible. This current arrangement takes the contrary position that it is better to clearly retain the different voices. The working dynamic range of the classical guitar and violin are similar, albeit with an octave difference in pitch. The fact that the classical guitar notation is written an octave higher than it is in relation to the notation for other instruments makes transcribing the violin work for guitar relatively straightforward.  Consequently, I have made no changes to the violin version. This transcription is exact, in the sense that the manuscript for the violin has been used as a basis for the transcription. The articulation of the arpeggios is suggested at the beginning of these sections, which are arranged to be idiomatic to the violin. These realisations can also be adopted on the guitar, though I have not written these out and leave it to the performer to interpret these passages.   

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1284578 By EAM. By Eduardo Andrés Malachevsky. 21st Century,A Cappella,Christian,Classical,Spiritual. 30 pages. Eduardo A. Malachevsky #875753. Published by Eduardo A. Malachevsky (A0.1284578). AUNQUE ES DE NOCHE (Although it is night)Lyrics taken from the «Dark Night of the Soul» by St John of the CrossFirst Price awarded score at the «Concurso Internacional de Composición Coral de Cámara de Pamplona», SPAIN 2010 Voicing: SSAATTBB & SSATB Soloists  |  Durata Circa: 9 min  |  Language: Spanish  |  Lyrics: St. John of the Cross  |  Score's pages: 23|  Score's meassures: 155 Score Preview & info  |  YouTube's Composer Channel St. John of the Cross wrote the poem when he was in jail in the Toledo prison (1578). Immerse in the dark and arid night, the torment and the anguish of the dungeon, he contemplates and reflects on that mystery so precious for himself: The mystery of the Holy Trinity. One and multiple at the same time, the image of ‘water’ (that flows and runs…) is the best that comes to his mind in this meditation in which the highest and more abstract perspectives of the faith becomes so close and takes flesh, so to speak, in the touching simplicity of this primary element, element of the life itself.The Vocal Ensemble is divided in two: a SSAATTBB Choir Ensemble of 8 voices (or more) and a SSATB Soloist Ensemble . Although this division, the whole ensemble works as a unity; consequently the soloists should be stand up mixed with the rest of the voices.

Euphonium,Flute,Piano - Level 5 - Digital Download SKU: A0.1141957 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 65 pages. Sy Brandon #742334. Published by Sy Brandon (A0.1141957). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

Euphonium,Flute,Percussion - Level 5 - Digital Download SKU: A0.1141962 Composed by Sy Brandon. 20th Century,Chamber,Children,Classical. 63 pages. Sy Brandon #742339. Published by Sy Brandon (A0.1141962). “Allegories� is a five-movement composition based upon Aesop’s Fables. It was commissioned by and dedicated to Frank Meredith. The first movement “The Trumpeter Taken Captive� is a fable about how one’s actions affect the outcome. The trumpeter, who incites others to do battle, is as guilty as those who slay the enemy. The euphonium represents the trumpeter by playing battle tunes. Then the ensemble plays capture music, begging music, fatal music representing the slaying of the trumpeter (euphonium), and finally music representing the moral of the story. “The Boy Who Cried Wolf� is the basis for the second movement. The allegory is that nobody believes a liar. The flute plays a shepherd’s tune to represent the bored shepherd boy. The ensemble plays excited music three times as the boy cries wolf, the first two times just to amuse himself. After the third time when nobody responds to his cries, the flute plays a lament to end the movement. The third movement reflects the story of “The Goose That Laid The Golden Egg.� A golden euphonium melody accompanied by rich harmony represents the golden eggs laid by the goose. The ensemble then plays greedy music that is followed by a minor key lament as the farmer has killed his rich source of income because of his greed. A sweet dancing flute solo begins movement four appropriately named “The Fisherman and His Flute.� This short fable has the allegory of “timing is everything.� The poor fisherman expected the fish to jump out of the sea in response to his flute playing to no avail. When the ensemble plays a similar tune, it represents his success when he uses his net. The fisherman says “you bloody fish, when I played the flute you wouldn’t dance, but as soon I stopped, you started up.� The race between the “Tortoise and the Hare� is the subject of the last movement. The plodding euphonium represents the tortoise and the fast and agile flute represents the hare. The flute takes a nap in the middle of the movement and by the time the flute wakes up, it is too late to catch up with the slow and steady tortoise. The race is not always to the swift.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1349231 Composed by Todd Marchand. Christian,Sacred,Traditional. 16 pages. Con Spirito Music #933976. Published by Con Spirito Music (A0.1349231). Three Evening Canticles were written as part of a setting of choral evensong for Church of the Holy Apostles - Anglican, Fort Worth, Texas. Metrical, mostly homophonic, and conservative in technical challenges and ranges, these canticles are accessible for small choirs and those of moderate ability, yet musically satisfying for large and accomplished groups. Phos Hilaron (“O Gladsome Light�) is one of the earliest known Christian hymns (ca. 3rd-4th century) recorded outside of the Bible. Intended to be sung at the kindling of lights in the evening, it is sometimes known as the “lamp-lighting hymn� and has been adopted by some Anglican bodies as an optional invitatory canticle immediately preceding the psalm(s) appointed for the day.Magnificat (The Song of Mary) is a scriptural canticle based on an account in the Gospel of Luke (1:46-55). Mary, the expectant mother of Jesus, visits her cousin  Elizabeth, the expectant mother of John the Baptist, who will prophetically proclaim the coming of the Messiah. Elizabeth praises Mary for her faith and subjection to God’s will, and Mary responds, “My soul doth magnify the Lord ... for he that is mighty hath magnified me ... and his mercy is on them that fear him throughout all generations.� The Magnificat is said or sung immediately after the first lesson (scripture reading) in the service of evening prayer. Nunc Dimittis (The Song of Simeon) is also a scriptural canticle taken from Luke (2:29-32).  Simeon, a devout Jew, had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph bring the infant Jesus to the Temple in Jerusalem for the ceremony of redemption of the firstborn son, Simeon takes the child into his arms and says “Lord, now lettest thou thy servant depart in peace ... for mine eyes have seen thy salvation.� The Nunc Dimittis is said or sung after the second lesson in evening prayer.Texts for these settings are from The Book of Common Prayer (2019), Traditional Language Edition, according to the use of the Anglican Church in North America, and they are largely the texts of the 1662 Book of Common Prayer of the Church of England.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code. 

Concert Band - Digital Download SKU: A0.1207451 Composed by Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Broadway,Contemporary,Disco,Film/TV,Musical/Show,Rock. 3 pages. Amphibia Cultural Legacy #805618. Published by Amphibia Cultural Legacy (A0.1207451). Amphibia Cultural Legacy has released an instrumental cover of the True Quack Pack Theme Song based on the original music from DuckTales 2017. The body is a beautiful remix that features an orchestra and highlights the unique musical qualities of the original song. Listeners are sure to be impressed by how Amphibia Cultural Legacy has managed to capture the essence of the theme song while still putting its spin on it.The True Quack Pack Theme Song is an instantly recognizable tune that fans will love hearing played with such skill and precision. Amphibia Cultural Legacy's version is powerful and subtle, showcasing a deep understanding of creating a truly captivating piece of music. This instrumental cover is perfect for fans who want to experience something new while staying true to their favorite show's roots.The True Quack Pack Theme Song is one of the most memorable tunes from the hit show DuckTales 2017. Amphibia Cultural Legacy has taken this beloved theme song into something extraordinary with its instrumental cover remixed with orchestra. Fans of this iconic tune will be blown away by the new and improved version that takes the original music to a new level.From its inception, the Quack Pack! episode in DuckTales 2017 destiny to become legendary. The unforgettable theme song played a huge role in making this episode such a fan favorite. Now, thanks to Amphibia Cultural Legacy's incredible remix, fans can relive these memories even more beautifully and dynamically. The orchestra adds depth and complexity to a fantastic piece of music, creating a genuinely unmatched listening experience.

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code. 

Concert Band - Level 3 - Digital Download SKU: A0.1306290 By Muse. By Matthew Bellamy. Arranged by Stéphane Bournez. 21st Century,Rock. 75 pages. Stéphane Bournez #883943. Published by Stéphane Bournez (A0.1306290). Here is an exclusive arrangement of the Muse's song Will Of The People, for concert band, rock band (drums, bass guitar, guitar and lead voice) and choir!A great opening for your next show!This tune  has been described as an anthemic glam rock song, also featuring traits of progressive rock.The song commences with a crowd repeatedly chanting the will of the people; this is a feature that is repeated throughout the track, forming both the song's bridge and the backing vocals to the choruses.Lyrically, the song is an anti-establishment protest song, similarly to previous Muse single Compliance; however, in contrast to the gaslighting nature of the previous single attempting to convince the listener that the oppressor is the one in the right, the lyrics of Will of the People are from the perspective of the victim, calling for direct action to be taken against the oppressor. The song is intended to be a populist parody, almost the antithesis to 'Uprising', another Muse song with a similar anti-establishment theme that instead [takes] it seriously..

Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.510162 Composed by words and music by Glyn Lehmann. Pop,Rock. Octavo. 6 pages. Glyn Lehmann #3507843. Published by Glyn Lehmann (A0.510162). 'There is no path to peace. Peace is the path'. Mahatma GandhiInspired by the words of Gandhi, an uplifting song encouraging us to make peace everyday - piece by piece. For 2-parts with optional soloPeace By PieceWords and music by Glyn LehmannIntroPeace is the path Not the destinationIt’s a way of living with each otherVerse 1Sister to brotherFather to motherNeighbour to neighbourNation to nationIt takes some patience and inspirationVerse 2It starts with youIt starts with meLike those before usWe join the chorusWe add our voices, we’re making history!ChorusPeace is the path that we makeWith every step that we takeWe’re building bridgesMaking peace by building bridgesMaking peace by the path that we makeWith every step that we takeWe’re building bridgesMaking peace by building bridgesMaking peace by (S) piece by peace(A) Peace by piece by peace by pieceBy peace by piece by peaceBridgeThey say that Rome wasn’t built in a dayAnd that’s just another way to sayPiece by piece is the only wayTo build something strong that’s here to stay(S) = sopranos (A) = altos© 2016 Glyn Lehmann. All rights reserved.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published by Sally Whitwell (A0.1157142). Written in the Stars -- text and music by Sally Whitwell Written in the Stars was originally conceived in the aftermath of the 2019-2020 bushfire season, the most destructive Australia has yet seen. At the time, we thought things couldn’t get worse, but then followed more extreme weather events, insect and rodent plagues, and a deadly pandemic that brought the world to its knees. All these things are connected, the result of humanity’s exploitative relationship with the planet and its other inhabitants. But we continue to deny the problems and to fail to act. As a species, in our more optimistic moments, we talk about having great opportunities to reinvent, that to live the status quo means that we will be faced with an untenable future. Talking about it is one thing but as far as I see it, we are not taking any opportunities to act. It is clear that we do not learn from our mistakes. As Spanish American writer George Santayana once said “Those who cannot remember the past are condemned to repeat it.� It is from this notion that this song was born. Written in the Stars is about society’s propensity to go through cycles of behaviour, never learning from the mistakes of the past. Written in the Stars was originally commissioned by Adelaide Chamber Singers, directed by Carl Crossin. Sally Whitwell January 2023.

Concert Band - Level 4 - Digital Download SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Published by Jason Gary McChristian (A0.886128). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Sage - ...A CALL FOR AID ECHOES ACROSS TIME AND SPACE. KNOWING THE STAKES, THE WISE-ONE PREPARES TO TAKE HER PLACE IN THE CHAOS.

Choir - Level 3 - Digital Download SKU: A0.1266592 By dwsChorale. By Charles Villiers Stanford. Arranged by David Warin Solomons. 19th Century. Full Performance. Duration 82. David Warin Solomons #859267. Published by David Warin Solomons (A0.1266592). Heraclitus by Charles Villiers StanfordPerformed by David Warin Solomons as the one-man choir dwsChorale.Callimachus of Cyrene (c. 310 BC – c. 240 BC) was a Greek poet, critic and bibliographer, of Libyan birth. He is considered the most influential figure of the Alexandrian school. He wrote this poem in memory of his friend Heraclitus. Εἰπέ τις, Ἡ�άκλειτε, τεὸν μό�ον �ς δέ με δάκ�υ    ἤγαγεν �μνήσθην δ᾿ �σσάκις ἀμφότε�οιἠέλιον λέσχῃ κατεδύσαμεν. ἀλλὰ σὺ μέν που,    ξεῖν᾿ Ἁλικα�νησεῦ, τετ�άπαλαι σποδιή,αἱ δὲ τεαὶ ζώουσιν ἀηδόνες, ᾗσιν � πάντων    ��πακτὴς Ἀίδης ο�κ �πὶ χεῖ�α βαλεῖ.2 millennia later, William Johnson Cory, 1823-92 wrote this version of the poem:They told me, Heraclitus, they told me you were dead;They brought me bitter news to hear and bitter tears to shed;I wept, as I remembered, how often you and IHad tired the sun with talking, and sent him down the sky.And now that thou art lying, my dear old Carian guest,A handful of grey ashes, long, long ago at rest,Still are thy pleasant voices, thy nightingales, awake;For Death, he taketh all away, but them he cannot take.... and this was set to music by Charles Villiers Stanford.