SSAA choir, oboe, and string quartet or piano - Medium - Digital Download SKU: MQ.1.3451-E Composed by Michael John Trotta. Advanced/Collegiate. Secular, 21st century. Instrument part. 19 pages. Duration 3 minutes, 49 seconds. Galaxy Music Corporation - Digital #1.3451-E. Published by Galaxy Music Corporation - Digital (MQ.1.3451-E). English.American poet Sara Teasdale (1884-1933) won the Pulitzer Prize for her 1917 collection of poems titled Love Songs. The text for this song is taken from “Barter,� the first in this set of poems. Despite the poet's history of poor emotional and physical health, the text captures a hopeful attitude that foreshadows the spirit of optimism that was the precursor to the Roaring Twenties. A rhythmic piano part is the foundation for a captivatingly lyric melody that gently unfolds throughout the piece. The setting begins with the simplicity of a unison vocal line that gradually expands as the piece explores the complexities of the wonder of everyday life. Subtle text painting captures the poet's desire to seek refuge in the beauty that surrounded her. Duration: 3:49Optional Oboe part included.

Piano Solo - Digital Download SKU: A0.742469 Composed by Ludwig van Beethoven. Arranged by Arte Nova Music Lab. Classical,Concert,Standards,World. Score. 6 pages. Arte Nova Music Lab #4412113. Published by Arte Nova Music Lab (A0.742469). The Piano Sonata No. 14 in C♯ minor Quasi una fantasia, Op. 27, No. 2, popularly known as the Moonlight Sonata, is a piano sonata by Ludwig van Beethoven. It was completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi. The piece is one of Beethoven's most popular compositions for the piano, and it was a popular favorite even in his own day. Beethoven wrote the Moonlight Sonata in his early thirties, after he had finished with some commissioned work; there is no evidence that he was commissioned to write this sonata. The first edition of the score is headed Sonata quasi una fantasia, a title this work shares with its companion piece,Op. 27, No. 1. Grove Music Online translates the Italian title as sonata in the manner of a fantasy.The title could also be interpreted to imply ...as though improvised. The name Moonlight Sonata comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven's death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name Moonlight Sonata (Mondscheinsonate in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name. Many critics have objected to the subjective, romantic nature of the title Moonlight, which has at times been called a misleading approach to a movement with almost the character of a funeral march and absurd. Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work. Gramophone founder Compton Mackenzie found the title harmless, remarking that it is silly for austere critics to work themselves up into a state of almost hysterical rage with poor Rellstab, and adding, what these austere critics fail to grasp is that unless the general public had responded to the suggestion of moonlight in this music Rellstab's remark would long ago have been forgotten. Notes taken from https://en.wikipedia.org/wiki/Piano_Sonata_No._14_(Beethoven)#cite_note-8

Piano Solo - Level 2 - Digital Download SKU: A0.1024064 Composed by Roger Ramirez. Contemporary. Score. 9 pages. Roger Ramirez #62225. Published by Roger Ramirez (A0.1024064). Water is serene, soothing, calming, but also chaotic, unpredictable, and at times relentless. Follow the story of the song as you are taken on a journey. A personal experience inspired this dynamic piano solo. It begins with a simple motif that depicts looking out over the ocean which is then followed by getting into the water. The next section, also the longest, goes through the process of losing control to the water and the realization of possibly drowning. The frantic section is followed by a contrasting section, which imitates a lost and worn out feeling. This part demonstrates the feeling of helplessness and the acceptance that it might end, but is then followed by a phrase that is repeated in different keys. Finally, the triumphant section plays the previous phrase once more with fuller chords and a key signature, bringing back structure and sanity to this experience. Though, an accidental in this section leaves the feeling that tension may still be in the experience and that not all was fully well.

Guitar - Level 2 - Digital Download SKU: A0.1050124 Composed by Traditional. Arranged by Calum Wood. Celtic,Folk,Irish,Traditional. Guitar Tab. 1 pages. Calum Wood #654499. Published by Calum Wood (A0.1050124). Attention all guitar players and Scottish music enthusiasts! Are you looking for a unique and authentic Scottish tune to add to your repertoire? Look no further than Miss Stewart of Garth - a beautiful and haunting melody that captures the essence of traditional Scottish music.Our guitar score of Miss Stewart of Garth features both TAB and music notation, making it accessible to players of all skill levels. Whether you're a seasoned guitarist or just starting out, you'll be able to master this timeless tune in no time.What sets our guitar score apart is its attention to detail and accuracy. We've taken great care to ensure that every note and rhythm is transcribed with precision, so you can play the song exactly as it was meant to be played.With Miss Stewart of Garth in your repertoire, you'll be able to transport yourself and your audience to the rolling hills and misty glens of Scotland. The haunting melody will linger in your mind long after you've put down your guitar, and you'll find yourself returning to it again and again.Don't miss out on the opportunity to add this unique and authentic Scottish tune to your collection. Order your guitar score of Miss Stewart of Garth today and start playing this beautiful melody for yourself!The History of the Tune 'Miss Stewart of Garth'Miss Stewart of Garth is a Scottish reel with a long and interesting history. The tune is believed to have originated in the early 18th century and was likely composed by a Scottish fiddler. It was first published in the late 18th century in the Scots Musical Museum, a collection of Scottish songs and tunes compiled by James Johnson.The title Miss Stewart of Garth refers to a woman named Anne Stewart, who was the daughter of John Stewart, the laird of Garth. The Garth estate was located in Perthshire, Scotland, and was known for its picturesque beauty and its association with the Jacobite cause.During the 18th century, the Jacobites were a political movement in Scotland that sought to restore the Stuart dynasty to the throne of Great Britain. Many Highlanders supported the Jacobite cause, and the Garth estate was known to be sympathetic to their efforts.It's possible that Miss Stewart of Garth was composed as a tribute to Anne Stewart or as a way of expressing support for the Jacobite cause. The tune has a melancholy and wistful quality that has made it a favorite among Scottish musicians and dancers for centuries.Over the years, Miss Stewart of Garth has been played in many different contexts, from traditional Highland gatherings to modern concerts and recordings. Its enduring popularity is a testament to the beauty and power of Scottish music, and it remains a beloved part of Scotland's cultural heritage to this day.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284044 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 9 pages. Maria Thompson Corley #875216. Published by Maria Thompson Corley (A0.1284044). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The YouTube link is for soprano.

Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1501022 By Wrabel. By Andrew Jackson, Andrew Pearson, and Stephen Wrabel. Arranged by David Jayden Anthony. Pop,Singer/Songwriter. 10 pages. D'Jam Music #1076976. Published by d'Jam Music (A0.1501022). A Powerful Anthem for LGBTQIA+ Pride and Inclusion Dive into the heart of resilience and authenticity with our SATB choral arrangement of The Village by Wrabel. This powerful and moving song has become an anthem for the LGBTQIA+ and queer communities, capturing the struggles, strength, and spirit of those who have faced adversity simply for being true to themselves.Why The Village Matters: The Village resonates deeply within the LGBTQIA+ community, offering a voice to those who feel misunderstood or marginalized. With lyrics that speak to the experience of feeling out of place in a world that doesn’t always understand, this song is a heartfelt reminder that there is a place—a village—for everyone. It's a celebration of diversity, acceptance, and the courage it takes to live openly and authentically. The song’s powerful message of self-acceptance and unity strikes a chord with listeners, making it a meaningful addition to pride concerts, LGBTQIA+ events, and any gathering that celebrates inclusion and equality.About the Arrangement: Our SATB choral arrangement of The Village captures the emotional depth and poignancy of Wrabel's original song while enhancing its harmonic richness through beautiful four-part vocal harmonies. The arrangement is designed to highlight the song’s heartfelt lyrics and dynamic melody, creating an unforgettable musical experience. This arrangement is perfect for choirs looking to make a bold statement about love, acceptance, and human rights, while showcasing their vocal talents in a deeply emotional performance.Perfect for Pride Concerts and Beyond: Including The Village in your repertoire is more than just a performance—it's a powerful statement of solidarity and support for the LGBTQIA+ community. Ideal for pride concerts, LGBTQIA+ awareness events, and other celebrations of diversity, this arrangement allows choirs to engage audiences with a message of hope and unity. It serves as a reminder that no matter how different we may feel, we are all part of a larger community—a village—that values love, acceptance, and equality.Key Features: Powerful lyrics that resonate with LGBTQIA+ and queer audiences Rich SATB harmonies that enhance the song’s emotional impact Ideal for pride concerts, LGBTQIA+ events, and diversity celebrations A meaningful addition to any choral program focusing on themes of acceptance and inclusivity By bringing The Village to your choir, you're not just performing a song—you're sharing a message of hope, love, and community that will resonate with all who hear it. Celebrate the power of music and the strength of the LGBTQIA+ community with this unforgettable SATB choral arrangement.We would love to see video (or hear audio) of performance or rehearsals! (david@davidja.com).

Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.

Piano Solo - Level 3 - Digital Download SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More;  made famous by The Carpenters.  Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce.  It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.   It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...

Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.

Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856220 By Sam Smith. By James Napier and Sam Smith. Arranged by Liz Garnett. Pop,R & B. Octavo. 6 pages. Liz Garnett #4579101. Published by Liz Garnett (A0.856220). Sam Smith's theme tune for the James Bond film Spectre pulls at the heartstrings as it wavers between strength and vulnerability in an atmosphere of impending doom. The arrangement shares melodic material between the parts: the lead taking the main narrative, but handing over to the tenor for passages of particular emotional fragility. The bass takes the melody in the bridge, echoing the orchestral surges of the original, while the baritone takes the characteristic Bond-motifs that are woven in as counter-melody throughout.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - E flat 5Lead: B flat 3 - D5Bari: A3 - C5Bass: D3 - F4www.HelpingYouHarmonise.com

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1396334 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Terry Vosbein. Broadway,Jazz,Musical/Show. 48 pages. Max Frank Music #979709. Published by Max Frank Music (A0.1396334). Experience â??What I Did For Loveâ?� like never before with this new big band arrangement inspired by the legendary Stan Kenton. This slow ballad from the classic musical â??A Chorus Lineâ?� takes on new life with the rich textures and dynamic energy of a full big band.The arrangement opens with a haunting piano introduction, setting the mood for a heartfelt performance. As the arrangement slowly builds, the alto saxophone takes center stage with a soulful improvised solo, adding a personal touch to the familiar melody. As it reaches its climax, the band explodes with big fat and loud chords that soar to new heights.With its blend of traditional big band elements and emotional harmonic content, this arrangement of â??What I Did For Loveâ?� is sure to captivate audiences and leave a lasting impression. Donâ??t miss the opportunity to experience this timeless classic in a whole new way.Instrumentation: 5 saxes (AATTB), 5 trumpets, 4 trombones, tuba, piano, guitar, bass, drums.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1109715 Composed by Frederic Chopin. Arranged by Ben Pritchard. Classical,Jazz. Score and parts. 52 pages. Benjamin Pritchard #712065. Published by Benjamin Pritchard (A0.1109715). This arrangement is in memory of Eric Doney (piano) and Rick Chamberlain (trombone) who passed away with months of one another from cancers. The arrangement, therefore, features piano and trombone throughout. It begins with a potion of Eric Doney's songs called “A Winter’s Tale.� It should be played freely. The pianist should feel free to ad lib, add his/her own style, and expand from the basic lead sheet given. This introduction leads into Chopin’s Nocturne Opus 9 No. 2 featuring lead trombone with rhythm section. Rick CHamberlain was a great ballad player and had terrific range. This arrangement pays respect to Rick’s range and goes up to a high D! At measure 49 the band takes over, particularly the lead trumpet. The sax section takes over at measure 65 with an up tempo sax soli, which can be joined by lead trombone. That is followed by a rubato piano in Eric’s style feature, and then up tempo solo sections for both trombone and piano. The ballad feel come back at measure 131 until the end. The ending is an Eric Doney ending. He often used this ending in his version of “Amazing Grace.�.

Concert Band - Digital Download SKU: AX.00-PC-0000901_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Robert W. Smith. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000901_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000901_WPTN2BC). UPC: 038081269269.The term current is defined as a steady flow of water, air or electricity in a particular direction. Whatever form the current takes, it is a fascinating source of energy that supports, yet challenges mankind in multiple ways. The composition Currents by Robert W. Smith takes its inspiration by the various forms of energy used in the art of music and in music education. Unpredictable, yet constantly flowing, the interacting musical lines of energy provide a unique experience for both performer and listener alike.

Cello,Piano - Level 3 - Digital Download SKU: A0.926744 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score and part. 6 pages. Yuan-Chen Li #6866385. Published by Yuan-Chen Li (A0.926744).      Lullaby is the common theme running through three pieces for cello and piano, written for students of beginner, intermediate, and intermediate/advanced levels: Lullaby in D Key, Fantasia Lullaby, and When the Rainbow Says Goodnight. It takes students to consider color as a technical and formal expression that varieties of tone colors, as well as tonal centers, are explored. Originally modal, the tune by the aboriginal people takes the rocking baby as the inspiration and is embellished with a wide range of ornaments, string changes, and tonal centers, which are all relevant to Chinese traditional music and contemporary music.     CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.