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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
Overture for Strings No. 4 - Score Only
Orchestre à Cordes

$9.99 8.65 € Orchestre à Cordes PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.922021 Composed by Josquin des Prez. Arranged by Kenneth Chia. Renaissance,Sacred. 17 pages. Tuning Fork Music PLT #6471831. Published by Tuning Fork Music PLT (A0.922021). It is our pleasure to introduce to you an arrangement of Responde Mihi, a motet by the great Franco-Flemish Renaissance-era composer Josquin Des Prez. The original piece by Josquin was a music setting of verses from the Book of Job, Chapter 13, verses 22 through 28.  These verses are part of the 4th lesson from the 9 lessons from the Offices of the Dead that are published in the Liber Usualis.  The Latin text is as follows:Responde mihi: quantas habeo iniquitates et peccata,scelera mea et delicta ostende mihi.Cur faciem tuam abscondis et arbitraris me inimicum tuum?Contra folium quid vento rapitur, ostendis potentiam tuam,et stipulam seccam persequeris?Scribis enim contra me amaritudines,et consumere me vis peccatis adolescentiae meae,Posuisti in nervo pedem meum,et observasti omnes semitas meas,et vestigia pedum meorum considerasti:qui quasi putredo consumendus sum,et quasi vestimentum quod comeditur a tinea.which translates to:Answer thou me, how great iniquities, and sins I have,my wicked deeds, and my offences shew thou me.Why hidest thou thy face and thinkest me thine enemy?Against the leaf that is violently taken with the wind,thou shewest thy might, and persecutest dry stubble.For thou writest bitterness against me,and wilt consume me with the sins of my youth.Thou hast put my foot in band,and hast observed all my paths, and hast considered the steps of my feet.Who as rottenness am to be consumed, and as a garmentthat is eaten of the moth.--This arrangement is about 6'30 in length, and has been arranged for piccolo, 2 flutes, and alto flute.  The original ending has been altered to resolve in a manner so that this piece can function as a standalone piece.  
Responde Mihi by Josquin Des Prez, arranged for Mixed Flute Quartet

$9.99 8.65 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.750630 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 15 pages. Diego Marani #358474. Published by Diego Marani (A0.750630). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by Antonín Dvořák and Josef Suk. The second movement is a gracious waltz that updates the requisite dance movement (which in Mozart's time would have been a stately minuet) to a more contemporary dance form. In any case, the waltz is almost deceptively complex. The harmonic shifts are numerous and often sudden and always deftly crafted. The texture is somewhat of a departure from the previous movement in that there is a discernible lightness of touch in the waltz. This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) reflects faithfully the original and is suitable for classroom, repertoire and recital.
"Walzer" from Serenade Op. 48 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$12.99 11.25 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938424 Composed by Colin Bayliss. 20th Century. Score and parts. 46 pages. Colin Bayliss #11309. Published by Colin Bayliss (A0.938424). The work was completed on February 2nd 1970 and is the first piece to be retained by the composer after he had destroyed all his earlier compositions. The parts are available as a separate download. The following is taken from the catalogue of the composer's works:- The photocopy of the MS is marked String Quartet No. 1, but is not regarded by the composer as part of his mature string quartet writing. The MS itself was lost in a fire at the home of Col. Robert Tong, formerly Registrar of Queen Mary College, University of London. A typesetting was made in November 2000 as the photocopy had faded so badly. The composer's sketch books suggest that the movements were written in the order 3,2,4,1. 1. Allegro 2. Scherzo (Allegro energico) Trio I - tempo di menuetto Trio II - no tempo indicated - [andante] 3. Andante con moto 4. Allegro ma non troppo Composer's note:- As the above suggests, I originally had no intention of publishing this early piece. The recording by the Lochrian String Quartet of the six numbered quartets, however , together with sleeve notes admitting the existence of this work, prompted me into revising my opinion and allowing its publication, so that anyone wishing to study this first effort may do so. It shows certain traits that I was to develop in the six quartets and others that I was to discard, and therefore is of musicological interest. It also has a few good, albeit imitative, tunes! Duration: Approx. 25 mins. COLIN BAYLISS was born in Mansfield, Nottinghamshire in 1948. His life-long love of music led him to compose from an early age and he now has a catalogue of over a hundred works including two operas, four symphonies, six string quartets and many other pieces for most instrumental and chamber groupings, over seventy of them published. He is a member of the British Academy of Composers and Songwriters, the North West Composers' Association and the Performing Rights Society. As well as writing music himself, he has also compiled annotated catalogues of the works of Anthony Hedges and Sir Peter Maxwell Davies. CDs of his piano music played by David Martin and complete organ music played by Ronald Frost are available on the New Century Classics label. Please feel free to use these biographical and programme notes in your concert programmes.
String Quartet No 0 SCORE
Quatuor à cordes: 2 violons, alto, violoncelle

$10.00 8.66 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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