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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
Saxophone Soprano et Piano

$32.95 28.28 € Saxophone Soprano et Piano PDF SheetMusicPlus

Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background Antonín Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano

$32.95 28.28 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.693006 Composed by Ben Dockery. Contemporary,Instructional,Jazz,Standards. Score. 2 pages. Ben Dockery #3221161. Published by Ben Dockery (A0.693006). This is the sixth installment in my series of piano impromptus inspired by the sounds of childhood, namely the theme songs of early nineties video game systems like Nintendo.  This quick piece (1 min. 10 sec.) is a fun, aggressive composition that sounds harder to play than it really is.  The opening right-hand melody is easily played by fingering each four-note group with either 1,2,5 or 1,2,4.  I originally discovered this pattern from an Art Tatum transcription book.  He was the master of economical virtuosity.Follow my work at www.bendockery.com . From there you can subscribe to my email list to get updates and tons of free music!
Arctic Adventure
Piano seul

$2.99 2.57 € Piano seul PDF SheetMusicPlus

Instrumental Duet Bassoon,Cello,Instrumental Duet - Level 5 - Digital Download SKU: A0.530791 Composed by Youmans & Caesar. Arranged by Daniel Kelley. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 4 pages. Last Resort Music Publishing #6071687. Published by Last Resort Music Publishing (A0.530791). TEA for TWO from No, No, Nanette - This uplifting song from 1924 was Vincent Youmans' biggest hit and has been recorded by Tommy Dorsey, Doris Day, Art Tatum, Bing Crosby and many more!Playable by Two Cellos, Two Bassoons, Cello Duet, Bassoon Duet, Cello & BassoonEach duet is published in score form (both parts on the same page) so that the players can play from the same part.All available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
Tea for Two for Cello Duet, Bassoon Duet or Cello and Bassoon Duet - Music for Two

$5.95 5.11 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Jazz. Score. 7 pages. Bruce Dudley #846791. Published by Bruce Dudley (A0.1253045). Thad and Finas (Etude #13) is based on the harmonic progression used by George Gershwin in his song, I Got Rhythm, widely known as rhythm changes.  The form is AABA, divided into 8-measure phrases.  The first chorus (mm. 1 -32) consists mostly of two-handed chordal textures with the melody on top in the right hand.  This chorus includes harmonizations, chord voicings, and melodic shapes similar to those used by jazz composer and arranger Thad Jones.  The second chorus (mm. 33 - 64) consists mainly of single solo melodic lines in the right hand with shell voicings in the left hand that lightly support the melodic lines harmonically and rhythmically.  The third chorus (mm. 65 - 96) begins with melodic lines played in unison with both hands two octaves apart, a style of soloing that jazz pianist Phineas Newborn Jr. (Finas) perfected in the 1950s and 60s.  In the fourth chorus, beginning in measure 97, the harmonic progression is altered in the A sections, borrowing a clever cycle of fifths progression that was first developed by jazz pianists Art Tatum and Thelonious Monk in the 1940s.  Before the piece ends there is a brief moment of stride left hand accompaniment that propels the piece to an exciting conclusion.
Thad and Finas - Etude #13
Piano seul
Bruce Dudley
$4.49 3.85 € Piano seul PDF SheetMusicPlus






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