EUROPE
475 articles
USA
765 articles
DIGITAL
1406 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
1406 partitions trouvées


Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1361232 By Dizzy Gillespie, Sonny Stitt, Sonny Rollins. By Dorothy Fields and Jimmy McHugh. Arranged by Stewart J Wallace. 20th Century,Barbershop,Broadway,Film/TV,Jazz,Musical/Show. 17 pages. Stewart J Wallace #945722. Published by Stewart J Wallace (A0.1361232). On The Sunny Side Of The Street was composed in 1930 and was first heard in a Broadway revue which starred Harry Richman and Gertrude Lawrence. The first recordings also appeared in the same year, and it went on to be become a jazz standard, covered by Louis Armstrong, Nat King Cole, and Art Tatum amongst others. The final bars of this arrangement include a brief tribute to Count Basie, who also recorded the song. The singing needs to light and swinging, with good articulation to the words and accurate placement of the syncopated rhythms. Try to blend the voices so that they sound as one, and aim for a softer, crooning vocal tone, like The Ink Spots or The Andrews Sisters.
On The Sunny Side Of The Street
Chorale SATB
Dizzy Gillespie, Sonny Stitt, Sonny Rollins
$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Violin, piano, E-bass or double bass and percussion - Digital Download SKU: S9.Q50392 Variations on the Caprice No. 24 in the style of modern jazz. Composed by Fazil Say. Arranged by Andreas N. Tarkmann. This edition: score and parts. Jazz - piano - contemporary music. Downloadable, Score and parts. Op. 5c. Duration 8 minutes. Schott Music - Digital #Q50392. Published by Schott Music - Digital (S9.Q50392). Key: A minor.The concert piece Paganini Jazz by Fazıl Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned 24th Capriccio, transforming it into variations on jazz requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the 24th Capriccio. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various developmental passages and transitional improvisations while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say.
Paganini Jazz

$24.99 21.32 € PDF SheetMusicPlus

Alto Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1366599 By George Cates. By Eddie De Lange, Irving Mills, and Will Hudson. Arranged by P. R. Frederick. Pop,Standards. Saxophone Duet. 4 pages. P. R. Frederick #950938. Published by P. R. Frederick (A0.1366599). The standard Moonglow was first recorded by Joe Venuti in 1933, with subsequent recordings by Duke Ellington, Cab Calloway, Benny Goodman, Ethel Waters, and Art Tatum in 1934. The tune has since become a jazz standard, performed and recorded numerous times by a wide array of musical talents. The Benny Goodman Quartet with Teddy Wilson, Gene Krupa and Lionel Hampton made a famous version of the song in 1936, Artie Shaw recorded it in 1941, and Harry James recorded it in 1946 (released in 1950) on Columbia Here it’s offered as a duet for like saxophones.  A score and separate parts are providedSee my other saxophone duets here
Moonglow
2 Saxophones (duo)
George Cates
$8.00 6.83 € 2 Saxophones (duo) PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272). From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music  and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
The Charleston (1923) for Brass Choir

$15.99 13.64 € PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1253045 By Bruce Dudley. By Bruce Dudley. Arranged by Bruce Dudley. Jazz. Score. 7 pages. Bruce Dudley #846791. Published by Bruce Dudley (A0.1253045). Thad and Finas (Etude #13) is based on the harmonic progression used by George Gershwin in his song, I Got Rhythm, widely known as rhythm changes.  The form is AABA, divided into 8-measure phrases.  The first chorus (mm. 1 -32) consists mostly of two-handed chordal textures with the melody on top in the right hand.  This chorus includes harmonizations, chord voicings, and melodic shapes similar to those used by jazz composer and arranger Thad Jones.  The second chorus (mm. 33 - 64) consists mainly of single solo melodic lines in the right hand with shell voicings in the left hand that lightly support the melodic lines harmonically and rhythmically.  The third chorus (mm. 65 - 96) begins with melodic lines played in unison with both hands two octaves apart, a style of soloing that jazz pianist Phineas Newborn Jr. (Finas) perfected in the 1950s and 60s.  In the fourth chorus, beginning in measure 97, the harmonic progression is altered in the A sections, borrowing a clever cycle of fifths progression that was first developed by jazz pianists Art Tatum and Thelonious Monk in the 1940s.  Before the piece ends there is a brief moment of stride left hand accompaniment that propels the piece to an exciting conclusion.
Thad and Finas - Etude #13
Piano seul
Bruce Dudley
$4.49 3.83 € Piano seul PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale